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* Magic New Zealand®
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Issue Number: #1688
Date: Sunday 9th October 2022
Editor: Alan Watson QSM
www.watson.co.nz
E-mail: editor@magicnewzealand.com
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Hi here is the latest news
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1. Editor's Message
2. Teller - Heart Surgery
3. Vanish Magazine
4. The Magic Word Podcast - Ghost Tour
5. Magic Museum Bellachini - Episode No. 5
6. No Stone Unturned - Paul Stone - Article #80
7. Potter & Potter Auctions
8. Tales from the Fantastic Magic Center - #12
9. Sweet Simplicity - John Carey #174
10. News From The Academy Of Illusions
11. November 2022 - Magic & Mystery School Events
12. E-zine Archives
13. Privacy Policy And Copyright Notice

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1. Editor's Message
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If you would like to read the Magic New Zealand e-zine in HTML format
go to: https://www.magicnewzealand.com/ezine-archive/2022-Jan-to-Dec2022/1688-Oct09-2022.html

If you would like to write a regular column for Magic New Zealand or have some magic news drop me a line:
Editor@MagicNewZealand.com

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2. Teller - Heart Surgery
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Article forward on by Peter Johnston (US)

Las Vegas Review Journal


Teller is known as the silent partner in Penn & Teller's hit stage show at the Rio. He's also one tough dude, and his mettle is being tested again.

Penn & Teller have temporarily taken down their long-running, comedy-magic production, as Teller recovers from open-heart surgery.

Teller underwent bypass surgery last week, the duo's long-time manager Glenn Alai said in a statement Monday morning:

"Teller underwent bypass surgery on Thursday here in Las Vegas and is resting and recovering well. Under doctor's orders, he will be off stage over the next several weeks with an eye towards returning to performances in late November or early December."

The duo most recently performed in Vegas on September 25 at the Rio, and most recently on the road September 23 at Mystic Lake Showroom in Prior, Minn.

Teller has overcome several health challenges over the past four years.

The 74-year-old illusionist underwent three back surgeries over 18 months covering 2018-2019, returning to the act in February 2020. Penn Jillette performed a "Penn & Friends" show for three weeks ending January 4, 2020. Guest stars Mac King, Piff The Magic Dragon and Matt Donnelly joined the production.

Balance of the article go to:

https://www.reviewjournal.com/entertainment/entertainment-
columns/kats/heart-surgery-forces-penn-teller-to-postpone-
dates-2650561/?fbclid=IwAR0VMmNrnDMrHikjluH1rnnwp2L1lCzup
kqYJ2t0ROka4SsBgYGieU5DdV4

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3. Vanish Magazine - No. 99
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Message by Paul Romhany - Editor Vanish Magazine

October 2022 - 112 Pages

Digital And Printed Magic Magazine

Exclusive Stories you will only read about first in Vanish. We get the scoop on things magic before they hit the main stream!!

Featuring one of the modern day creators and producers of high-end magic Hanson Chien. We get an exclusive look in Hanson's creative mind and the process behind releasing magic.
- Return of the Ghost Show - John Bundy shares photos and a story behind his recent Ghost Show - these are very rarely seen today and John shares his with readers of Vanish.

- Exclusive interview with the director, producer, writer, magic consultant and actress in a New Magic Movie called "Queen of Magic." We get the first behind the scenes look at this film about to be released.

- The Colditz Conjurer - An incredible story about using magic to save a life in the war.

- Hocus-Pocus Focus Magic Book - Amy Kimlat gives the readers of Vanish the exclusive story on her new book that David Copperfield said, "Every child interested in magic should have and every girl intersted in magic needs!"

- A Squib In The World by Felicity Fields. This month Felicity looks at "Flavors Of Magic" conference

- Illusion & Stand-Up Series - Nigel Harrison is an illusion creator and designer and starts a new series with Full Plans of stand-up magic and illusions.

- Product Highlight - Micro Fogger - the world's smallest and most practical smoke device that will fill a room. This remote control is the most advanced smoke machine on the market and at only $200 US for the professional version this is something ALL magicians will want to get!

- Product Highlight - Nothing Gen 3 - the perfect utility for magicians who want to produce smoke via remote control for close-up strolling performances.

- Hands of Time - Trick - Patrick Kuffs has a routine with a borrowed watch.

- The Mind Reading Magic of Halloween - Trick - Louie Foxx offers the perfect routine for Halloween.

- Unconscious - Dave Attwood looks at the stages of putting a routine together.

- Product Reviews include Nostalgia by Michel Huot, Magic Box by George Iglesias, Caught on Tape by Tom Stone, Pro Deck Switch by Pierre Velarde,

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4. The Magic Word Podcast - Ghost Tour
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Message by Scott Wells (USA)

As we enter into the "Season of Spooky" and the month of Halloween, we kick off the first episode of October with a Ghost Tour presented by Vince Wilson in Baltimore, Maryland. We recently attended Poe's Magic Conference, hosted by Vince Wilson, where the first activity was a tour of the Lord Baltimore Hotel, which hosted the story-telling event. After this brief tour, we took a stroll down the street for a few blocks to visit some catacombs under a church and pay homage at the grave site of Edgar Allan Poe who is arguably the creator of the detective fiction genre. Along the way, Vince regaled us with several stories with a haunted twist about the hotel and some of the inhabitants of the cemetery.

Next we travel via Skype to chat with Paul Prater near Little Rock, Arkansas, who gives us tips, ideas and suggestions on how we can create a paranormal experience in our own hometowns with Ghost Tours. If you want to view our chat, then surf over to YouTube and watch us here: https://youtu.be/SXbHoSNk20g

But for the complete podcast along with videos, photos, the blog, links and more, please visit the website at: https://www.themagicwordpodcast.com/scottwellsmagic/718-wilson-and-prater

Of course you can always listen wherever you get your podcasts. And if you use iTunes as your podcast provider, it would greatly help if you would leave a five star rating along with any nice comments on why you enjoy the podcast. Thank you in advance for your help.

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5. Magic Museum Bellachini - Episode No. 5
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Message by Wittus Witt (Germany)

You remember: Samuel Berlach, Bellachini, the first. Lucas Strack-Bellachini the second and Franz Schweizer-Bellachini the third. In between there were a few others who also called themselves Bellachini, but they did not achieve any particular significance. Only Theodor von Schledorn was able to match the fame of his namesake.

Theodor von Schledorn was born on 17 January 1896 in the house of his father Heinrich Emil von Schledorn and his mother Maria Anna in Heggen.

As a child, he often visited his uncle during the holidays and was so fascinated by his magic that, as an apprentice baker, he was more interested in learning magic tricks than baking buns. So it was only logical that after his apprenticeship he set out to perfect his artistic talents, turn his hobby into a profession and "conquer the big wide world".

In no time at all, he had made a name for himself in artistic circles. Artists need a catchy short name, and so he adopted the stage name of his great role model Samuel Berlach, who called himself "Bellachini". Soon "Bellachini junior" shone in large letters from the posters and advertising pillars of Europe's major cities.

In a later television report on the occasion of his 70th birthday, Theodor von Schledorn, who was called the "King of the Magicians" in the programme, described how he had already made it to Berlin as a young man. There he was also allowed to demonstrate his magic skills in front of Kaiser Wilhelm II. A pin presented by the Emperor with the imperial crown and the imperial "W" with diamonds, as a special award and commendation, bears witness to this performance.

After the Emperor abdicated in 1918 and took up new residence at Doorn Castle in Holland until 1941, he had Theodor von Schledorn come there several times between 1920 and 1935 to be entertained and distracted by the latest "magical skills" of his "court artist". The Emperor seems to have had a soft spot for magic.

Theodor von Schledorn, by now called "The Great Bellachini", became a rich man in a very short time, owning several houses in Düsseldorf. When Düsseldorf was bombed, his houses fell to rubble.

He survived the end of the war as an auxiliary police officer. The Allies also reinstated him as such after the end of the war, until the auxiliary police were dismantled around 1948. In 1946 he acquired a plot of land above Rieflinghausen from the farmer Bernhard Belke on a ground lease, on which he built a log cabin.

Theodor von Schledorn was very popular among the population there. He helped needy people as best he could. Even during his time as an auxiliary policeman, during the war and later, he identified with the worries and needs of his fellow human beings.

With the currency reform in 1948, the "Bellachini" had to start from scratch again. Although money was scarce, it ventured a new beginning with smaller performances. ln this time it also made several guest appearances in Heggen at Albert Wilmes' hall, which was always filled to capacity.

But the time for big performances by an ageing magician was over, the peak had passed.

In addition, over the years competitors had seized his well-known stage name, for at the same time there were a large number of magicians who performed under the name "Bellachini".

To distinguish himself from the other "inauthentics", he took a gamble and temporarily exchanged his well-known name "Bellachini" for the unknown announcement: "Magic Show Bosco".

In 1960 he decided to step down from the "Magic Stage".

Since he had not made sufficient provision for his old age in the "good times", he improved his livelihood after the end of his artistic career, unrecognised by most, as a cave guide in the Atta cave in Attendorn until 1968.

After a short period of sick leave in Marsberg, he finally died there at the age of 79 on 14 August 1975, ill in body and mind.

The "journey" continues … see you next week with Bellachini No. 6.

Wittus Witt
www.hamburger-zaubermuseum.com

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6. No Stone Unturned - Paul Stone - Article #80
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Message by Paul Stone (US)

I made a surprise trip to Los Angeles last week, it was very much a last minute decision, and definitely not something I'd planned.

I'd been chatting to my good friend Bill Smith over lunch, and he mentioned that he was going to attend the Academy of Magical Arts Awards Show a couple of days later.

To be honest, I didn't give it much more thought because, after 40 years as a Show Producer, I've been to, and actually produced, enough Awards Events to last me for this and the next lifetime!

However, coincidentally that evening I was talking on the phone with another close friend Diana Zimmerman, (yes, I do have more than one good friend!) and she was very excited to tell me that she had been asked to present a Special Fellowship to Connie Boyd.

And even though the Awards Show was completely sold out, before I knew it, partly due to Diana doing what Diana does, and partly due to the kindness of Erika Larsen (yet another friend!), who conjured up a ticket for me, I was going to L.A!

The venue was the Avalon Theater, a really lovely old theater that was perfect for this event. You instinctively knew as soon as you walked in that it was going to be a great evening.

In my opinion, the key to the special atmosphere throughout the evening was the fact that the guests were seated at several small tables and not in regular theater seats. This allowed for everyone to mix and mingle with friends.

The array of magical talent present was incredible, and it was great to meet up with so many of them, including several people that I hadn't seen for quite a while.

Jeff Hobson, together with his wife Yvonne, had made the trip in from La Quinta, where Marvyn's Magic Theater (named after the legendary Mr Electric, Marvyn Roy) is shortly to resume shows. If you haven't visited there, it is a luxurious 130 seater featuring the very best magic and variety from across the globe.

I was fortunate to share a table for the Awards Show with Les Arnold, Ron Anderson, Bill Smith and Diana Zimmerman.

Another big plus for the evening was that before the Awards started there was ample time to mingle and also enjoy the excellent selection of food on offer, which was a nice bonus.

The Awards Show itself was masterfully hosted by Michael Carbonara who was the perfect choice for this role. He seamlessly introduced the various awards presenters and acts, as well as presenting a cod mental telepathy spot with Princess Brunhilda (Liberty Larsen), which although as old as the hills, was entertaining and fun, and performed in a way that only a top pro can do. Michael is terrific.

I'm not going to list all the performers or Awards Winners here as they've been well documented elsewhere, but I will make a couple of exceptions.

I was delighted that Charlie & Sherry Frye won a Performing Fellowship. They are the best, both on and off stage.

It really doesn't matter what Lance Burton performs, it is always such a treat to see him on stage. And even in this short cameo spot, his timing and superb stage presence shone through.
The main reason of course that Lance was at the Awards Show, and performed one of Max Maven's card miracles, was in honor of his long time friend, and 'Uncle Max', who was to receive the Masters Fellowship from the Academy.

The presentation of the Masters Fellowship to Max was made by Mac King in a heartfelt and at times emotional speech, which was followed by a richly-deserved standing ovation from the packed audience of Max's peers, for this world class performer, author, mentor, and all round magical personality.

Gary Stockdale and the EccenTricks did a fantastic job playing both background music and accompanying the Awards presentations. They were first class, and added greatly to the enjoyment of the evening.

And finally, huge congratulations to Chuck Martinez and Erika Larsen for producing a wonderful evening. As someone who has specialized in producing one-off events and shows with very limited rehearsal time, I know exactly how much of a challenge it is. But they pulled it off brilliantly and should be very proud.

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7. Potter & Potter Auctions
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Message by Rebekah Kaufman

I am excited to announce Potter & Potter Auctions' upcoming Salon De Magie - The Klosterman Collection Part III Sale, to be held on Saturday, October 29th, 2022.

This outstanding event features important materials related to spirits, ghosts, and seances - just in time for Halloween!

Please see the attached press release and highlight photos for more information.

Gabe Fajuri, President of Potter & Potter Auctions, is happy to speak with you in greater detail about this sale. He can be reached at gabe@potterauctions.com or 773-472-1442.


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8. Tales from the Fantastic Magic Center - #13
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Message by Kent Cummins, Director (USA)

My Guillotine love Affair!

I got my first Guillotine in 1965, the same year I got married…although there is no real relationship between those two events!

I was a Senior at Louisiana State University, and one of my part-time jobs was doing promotional work for the Gordon Theatre in Baton Rouge. Warner Brothers sent a large promotional package for a new movie starring Connie Stevens, Cesar Romero and Dean Jones. It was called, "Two on a Guillotine".

The Gordon Theatre didn't get the movie, but the manager helped me book my magic show into other South Louisiana theatres. I bought a bright red "French Guillotine" illusion by U.F. Grant, and the love affair began.

When the Army assigned me to Germany, I took my magic stuff (marked "TOYS" in my household goods) and I painted the guillotine olive drab to match Army colors. But when the Army sent me to Vietnam, I sold my precious prop.

After we settled down in Austin, I purchased a Delben Guillotine which was just like the U.F. Grant model, but a little bigger and better built. I added a bumper sticker: "Lose Weight Now - Ask me How!" and purchased camouflage fabric to drape over the guillotine before revealing it to the victim from the audience.

While traveling with the Mighty Thomas Shows Carnival in the summer of 1986, I included a large guillotine that was similar to Abbott's Giant Guillotine, but built by a local craftsman.

On my 50th birthday in 1993, my wife Margot arranged a surprise party in which members of the magic club performed my own show for me. Peter the Adequate sawed me in half with my own saw, and Chris Walden chopped off my head in my own guillotine!

The Fantastic Magic Center is dedicated to preserving and sharing the art of magic. Check out my free weekly podcast at:

www.FantasticMagicCenter.com
kent@magichotline.com

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9. Sweet Simplicity - John Carey #174
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Message by John Carey (UK)
http://www.johncareymagic.co.uk/

I put the following approach of the Card-At-Any-Number plot together for a friend who wanted a direct and simple approach. Don't waste this on magicians. Save it for the laymen and see, despite the very easy method, how strongly this plays! You will require a deck of cards, three dice and an odd back stranger card, say Jack of Clubs. Place this card inside a small pay envelope. In your deck position the Jack of Clubs which has a bottom cutting breather crimp in it at 21st from the top.

Bring out the envelope and casually set it aside without fuss. Then take out your cards and the dice. Set the dice down and casually spread the deck face-up before flipping it face-down and tabling it. Pick up the three dice and hand them to a spectator. Ask her to roll them, commenting on the random numbers rolled. Then ask her to roll them as many times as she wants until she's happy. Ask her to mentally total the values rolled. We will now force the number twenty one using the age old 'Seven' force. Request that she adds up the values of the opposite number on each dice to her original total and put the thought of that total in her mind. Put the dice away.

"Let's get these cards mixed up." Pick up the deck and cut directly to your breather crimp and table that packet in front of you. Cut the remainder of the deck into two packets and hand one to the lady and the other to another helper. Request that they shuffle their cards. You shuffle your
packet but retain the Jack of Clubs at the bottom with the standard slip shuffle, retaining it there by pressure of the fingertips. Have your two helpers assemble their packets and you casually drop your packet on top. Execute a quick Ose false cut or any false cut of your choice and table
the deck.

"So, Jenny, you are merely thinking of a number arrived at purely at random and remember, you guys shuffled these cards. What number are you thinking of? Twenty one? But it could have been sixteen, twenty four or nineteen. Any number is possible." Direct Jenny to pick up the deck and deal and count out loud to twenty one. Ask her to turn over the twenty first card, revealing the Jack of Clubs. Pick up the envelope set aside at the beginning and remove the contents. Bring the trick home showing that the odd back card is also the Jack of Clubs!

Notes

Disguising the old Seven force with three dice really adds some smoke to the procedure. Getting the dice part of the effect out of the way up front I think is better. That way the deck can be mixed as above and full focus on just the cards can be directed.

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10. News From The Academy Of Illusions
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Message by Jay Scott Berry (Australia)

Robert Houdin famously said, "The magician is an actor, playing the part of a magician." But, we tend to focus on the nouns and forget the verb: To 'play'. It's noteworthy that in French, and other languages, the correct verb is not to "do' magic, but to 'play' magic. Like, in English, we say to 'play' music.

It's an important distinction, because it frames a performance of magic like a game. And I reckon the game we play is "Fox & Hounds". Naturally, as magicians, we are the Fox. So, whether we like it or not, the Hounds will always be chasing. That's the game! But it doesn't have to be adversarial. It's not Fox vs Hounds. If we set up an adversarial relationship with the audience, we are inviting them to respond in kind. Ideally, this game we play isn't against them, but with them. As with any game, it should be fun for all. Our role is to outwit, outsmart and outfox, while we amaze, amuse and inspire.

A question I'm often asked is whether Magic is an Art or a Craft. My simple answer is, "It's both." The Craft can be considered the sum total of the methods, rehearsals and secrets. Like with music, the first requirement is to master the basic scales and techniques. It's the same with magic.

One may then ask, "At what point does the Craft of Magic become an Art?" Here's what I tell my students: Make a personal commitment to excellence. Build a solid foundation in Sleight-of-Hand Skills. Don't waste time or energy worrying about others. The only competition you will ever have is yourself. You only become an Artist when you lose the fear of being yourself. And therein lies the answer. Magic only becomes an Art in the hands of an Artist.

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11. November 2022 - Magic & Mystery School Events
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Message by Jeff McBride (US)

1 - Show & Business - The Pro Class - with Tobias Beckwith & Jeff McBride - LIVE ONLINE

November 10-13 - Master Class for Mentalism - with Jeff McBride, Larry Hass & Ross Johnson - LIVE in Las Vegas (SOLD OUT for waiting list email abbimcb@gmail.com

https://shop.magicalwisdom.com/events

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12. E-zine Archives
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Back issues of the Magic New Zealand e- zine go to:
www.magicnewzealand.com

Click on the red button centre right "Archives"

When you enter the archive the e- zines are in issue order in folders for each year and are Coded, e.g. 001 Nov06 1999.txt first three numbers (001) denote issue number, then the date (Nov06) and the last figures the year (1999)

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13. Privacy Policy And Copyright Notice
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Our subscriber list is NOT made available to any other companies or individuals. We value every subscriber and respect your privacy.

You can subscribe to or unsubscribe from the Magic New Zealand® E- zine at: www.magicnewzealand.com

Magic New Zealand® E-zine is published each Sunday.

The opinions and statements expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson QSM vouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine.

Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson QSM, jointly or individually liable or responsible in any way for the opinions or statements contained therein.

Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted.

Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e- zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted.

All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®.

Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

© Copyright 2022 Alan Watson QSM
www.magicnewzealand.com
http://twitter.com/#!/magicnewzealand
www.watson.co.nz
www.balloon-twister.co.nz


Privacy Policy and Copyright Notice

Our subscriber list is not made available to any other companies or individuals. We value every subscriber and respect your privacy. You can subscribe to or unsubscribe from the Magic New Zealand® E-zine at www.magicnewzealand.com Magic New Zealand® E-zine is published each Sunday. The opinions expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson QSMvouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine. Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson QSM, jointly or individually liable or responsible in any way for the opinions expressed therein.
Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted. Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e-zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted. All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®. Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

Copyright © 2022 Alan Watson QSM.


Magic New Zealand® E-zine