* * * * * * * * * * * * * * * * * *
* Magic New Zealand®
* Proudly sponsored by International Entertainment Ltd NZ
* www.magicnewzealand.com
* * * * * * * * * * * * * * * * * *
Issue Number: #1074
Date: Sunday 16th February 2014
Editor: Alan Watson
www.watson.co.nz
E-mail: editor@magicnewzealand.com
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Hi here is the latest news
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1. Editor's Message
2. Final Curtain: Aldo Colombini
3. Advertise In The 2014 Combined Convention Souvenir Program
4. Magicseen No. 54
5. The Magic Circle Close-Up Magician Of The Year
6. Remarkable Magic #338 - Nick Lewin
7. Giving Permission - #329 - Kyle Peron
8. The Magic Circle Close-Up Magician Of The Year
9. Updates So Far This Week On VanishLive.com
10. Florida State Convention
11. Sorcerers Safari - August 15-August 20th, 2014
12. Carney Lectures In Vancouver-Seattle-Portland
13. Maths Tricks And Number Magic
14. Stabbed!' A Brand New Knife Effect
15. Magic In The Rockies 2013 - 20th Anniversary
16. e-zine Archives
17. Privacy Policy and Copyright Notice

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1. Editor's Message
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The highlight for the week was working on Marc Oberon's new effect "Way Out". His thinking behind his new product is a most innovative and commercial piece of mentalism I have seen in a long time.

The complete package includes a specially designed gimmick, materials and an easy to follow DVD teaching the way out principle in detail, along with six strong routines. www.marcoberon.com

--------------------------------
Great clip of an exclusive interview with David Copperfield
http://globalnews.ca/video/954818/exclusive-interview-with-david-copperfield

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For all those who would like to read the Magic New Zealand e-zine in a HTML format go to: http://www.magicnewzealand.com/ezine-archive/2014-Jan-to-Dec-2014/1074-Feb14-2014.html

Remember if you have any magic news drop me a line:
Editor@MagicNewZealand.com

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2. Final Curtain: Aldo Colombini
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Article forwarded on by Mel Kientz (US)

by Wolfgang Wollet

The world of magic lost one of its greatest contributors this Wednesday when Aldo Columbini passed away from the complications of a stroke he suffered last Sunday.

A lot will be said about Aldo from people who were fortunate to call him a close friend.

My own memories with him go back maybe 20 years when I was very active in the European magic scene. I would meet Aldo at almost every convention and he was always giving a lecture or performing at the convention.

Even with him working almost everywhere all the time it was always great to see him work as he always had something new and fresh prepared for the audience. He was a great entertainer and at the same time was capable of executing the most difficult sleights seemingly without effort. He was a great scholar in many aspects of magic and his body of published work will be hard to match by anyone.

Equally important, he was a nice man and you wanted to be around him and enjoy a bottle of wine together.

His status in our magic community was very much on top but he never let his fame come between him and the audience. He was approachable and made you feel important.

Our paths did rarely cross in the last 10 years and I definitely should have made more an effort to stay in touch.

Aldo's love for life is well documented and I find some relief in the fact that he did not have to suffer prolonged.

Aldo will be remembered as the consummate entertainer and his memory will live on thru his body of published work.

I will remember him most for one evening in Vienna at a Heurigen (which is a sort of pop up wine cellar) where he upstaged the live band in typical Aldo fashion. The audience and I had tears in our eyes......

My prayers and thoughts are with his wife Rachel and the family.

Aldo, thanks for making us laugh
Rest in peace my friend
-Wolfgang

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3. Advertise In The 2014 Combined Convention Souvenir Program
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Message by Becki Wells
publicity@ibmsam.com

Interested in placing an ad in the 2014 Combined Convention Souvenir Program? Contact Becki Wells at Publicity@ibmsam.com to request the Ad Rate and Specification Sheet. The souvenir program is an opportunity for you to advertise your magic business, show, convention or service, promote your Ring or Assembly, drive traffic to your dealer booth, and send greetings of praise or congratulations.

Your ad or message will reach 1,400 people! Previous convention programs, like the 2008 Combined Convention Program from Louisville, are now collector items and this year's program will be no different. Be a part of magic history and place your ad now!

To register for the convention go to http://ibmsam.com/registration/ Today! See you in St. Louis, where it is All About the Magic.

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4. Magicseen No. 54
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By Mark Leveridge & Graham Hey & Phil Shaw

Vol. 9, No. 6, January 2014; 60 pages
Cover: David Williamson
Welcome - editor's letter
Letters
News
The Kranzilla is Here! - The Comedy Monster that is Nathan Kranzo - interview by Graham Hey
News
Dealer Shout Outs - Special 'extra' announcements from a few regular advertisers
The Best of 2013 - best products of the year
Envy-lope - Brandon David & Chris Turchi
Perfect Open Prediction - Boris Wild
Ace - Richard Sanders
Electric Touch + - Yigal Mesika
Inferno - Joshua Jay & Card Shark
Clarity Box - David Regal
Way Out - Marc Oberon
Syd & Fanny - Where Are They Now?
Matt Sterling: Danger Man - interview
The Christmas Show - Humour from Mark Leveridge
News
Club Land - The Magic Circle - Mark Leveridge
David Williamson: Genius - cover article/interview by Graham Hey
Pro and Cons: It's All a Matter of Opinion - Mark Leveridge
Displaying children's show props - a valuable idea or a waste of time?
Avoiding The Repeat Performance - How to remember which tables and groups you've done - Mark Leveridge
Scott Pepper: Carry on Cruising! - interview
Masterclass
Chair Swindle - Andy Nyman
Card Mark - Ian Adair
Reviews
Tenyo Ghost Card - Effect - Lubor Fiedler
Fate - effect - Manuel Llaser
Tenyo Money Shock - effect - Kenichi Komiya
Envy-lope - effect on DVD - Brandon David & Chris Turche [sic]
Tenyo Magical MRI - effect - Toru Suzuki
Isabella Star 2 - mentalist effect - Peter Turner
Smoke and Mirrors Bristol - Live Reviews
Vladimir Dimitri Kockov
23rd November 2013 - House Magicians - Richard Newman & Mark Bennett
KISS-ing IS Good For You - Why Keeping Your Magic Simple is the Best Way to Go - Mark Leveridge
Next Time ...
Advertisers
Listings Section
Back Issues

Magicseen: one year subscription go to:

http://www.lybrary.com/magicseen-year-subscription-p-94252.html

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5. The Magic Circle Close-Up Magician Of The Year
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Article forwarded by William Bowers

James Freedman is The Magic Circle Close-Up Magician of the Year.

Last night, The Magic Circle staged the finals of its annual competition to find the Close-Up Magician of the Year. Eight of the club's top magicians performed sleight of hand illusions for a specially invited audience at The Magic Circle Headquarters.

The President of the Magic Circle, Jack Delvin said, "To win this competition requires outstanding technical ability, sleight of hand, performance skills and a strong personality. James rose to the top across all these criteria." This is the second time that James has won this award.

A delighted James said, "I was amazed by some of my fellow performers tonight and am thrilled to have won this very coveted trophy and the prestigious title 'The Magic Circle Close-Up Magician of the Year 2014?.

For article go to:
http://www.jamesfreedman.com/the-magic-circle-close-up-magician-of-the-year/

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6. Remarkable Magic #338 - Nick Lewin
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Message by Nick Lewin (US)

Five More 'New Rules for Magicians.'

A few years ago I wrote a column dedicated to my old comedy compadre Bill Maher, the creator and host of HBOs 'Real Time with Bill Maher.' 'Real Time….' is produced by Marc Gurvitz who was the agent that took Lance Burton to fame and fortune in the early part of his career. Bill and I used to work the comedy scene in Los Angeles and I have remained a big fan of his wonderfully acerbic left-wing wit.

One of the features of Maher's show is his closing segment where he lists a series of 'New Rules,' to improve daily living for the enlightened masses. They never fail to make me chuckle and I thought I would do an update of my previous column in which I gave a highly tongue in cheek version of his concept tailored to the magic world.

New Rule #One.
Not every magician needs to jump on the mindreading bandwagon. There is still a role for the occasional magic act that doesn't claim to have 'special' powers and psychological abilities that make them contenders for their own Marvel comic book series. Committed mentalists have known for years that many of their tricks are highly commercial combinations of strong effect and clever methodology packaged into one thoughtful bundle.

Bookers and buyers alike are beginning to sense that the trend is being overdone. Some mental effects can be just as effective if added to a traditional magic show. At its worst this trend is imposing a new form of 'I'm smarter than you…' magical/mental one-upmanship on the audience.

New Rule #Two.
Quit whining about the residual effects of the Magic Castle becoming so popular! After 50 years the world's most successful magic club/venue has become a genuine mainstream LA institution and the strengths and weaknesses of this are becoming fairly apparent. A highly polished and popular magic 'specialty restaurant' runs side by side with a cool private magic club. If you think this isn't enough, count how many others have succeeded in actually achieving this goal.

Every now and then members can't get into the club due to a surfeit of guests who pay a premium to be there. This may not be the case for too long as nothing changes faster than a trendy club, so be happy that it is happening at this point in time. How many times have you personally been turned away from the club, or are you bitching in general in case it might? Joe Furlow, the general manager, has done a great job of re-vitalizing what was becoming a seriously endangered magical center.

New Rule #Three.
Get over the whole Houdini thing and put it in perspective. Lay people (and several generations of magicians) just aren't as crazy about Houdini as they once were. Putting a 'Harry-centric' twist on anything magical doesn't suddenly make it fascinating and irresistible. Time moves on, learn to live with it.

New Rule #Four.
Let's lose some of the Victorian trimmings and trappings associated with magic props. A casual glance at any magic catalogue will be enough to remind you that a large part of the magic world is living in a different century from their audiences. Wooden billet collection boxes, change bags on sticks and hokey looking wooden boxes are items that belong in museums or collections and not in the average magic show.

Contemporary is much more appealing and infinitely more convincing when it comes to props unless there is a very good reason for it. However, by contemporary, I do not mean something that is supposed to look futuristic but actually looks like a badly realized item from a 1960s 'Dr. Who' set.

New Rule #Five.
Deceptive bases are not always that deceptive, sometimes it is only the magician who is fooling himself. There is a built in limit to the amount of deceptive bases that you can wheel out without 'the law of diminishing deceptive returns' kicking in. Also there is a huge difference between the deceptive base that Johnny Gaughn builds and the ones that are knocked out in the garage by an ungifted amateur carpenter.

Well, have I pissed off enough people this week! If I haven't then I might continue with the next five items in my 'top ten list' of New Rules in another column. I haven't even started to talk about magician's photographs or manipulative acts that dress as if they have been shopping in Jeff McBride's reject closet.

My blog is at www.remarkablemagic.com
My web site/online store is www.nicklewin.com

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7. Giving Permission - #329 - Kyle Peron
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Message by Kyle Peron (US)
magic4u02@aol.com
http://www.kyleandkellymagic.com
http://www.kpmagicproducts.com
http://www.Facebook.com/perondesign

If you have ever performed even a few shows, you probably have experienced a situation of a child acting up or even a child having to go to the bathroom. You may have witnessed a kid shouting out things they should not or a child wanting your props more than you.

The more we perform as entertainers, the more situations we end up seeing. These situations often make us have to deal with them the best way that we can. We each have antidotes for handling various problems as they come up and that certainly could be a topic for another time.

However, have you ever been shocked or surprised when a situation comes up and an adult or parent does nothing about it? Have you ever driven home shaking your head wondering what that was all about? Why did no one do anything at all and left you to handle it?

When situations like this occur, it often causes you as an entertainer to wonder why the adult or client is not taking care of it. Most of us end up with the conclusion of bad parenting. Like father like son.. like mother like daughter.

In some cases, this may very well be true. Kids tend to mimic from their parents and people around them. However, there is another possibility that is very much true but many never fully grasp or take into consideration. It actually is eye-opening for those who take the time to look at it, test it and find out for themselves.

When a situation comes up, the helper, the parent or the client immediately has to make choices and decisions and they have to do so quickly. They must come to a conclusion and that conclusion is "should I take action?" and "how do I act?" Sounds weird but put yourself into the minds of them and not yourself for just a second.

Basic psychology has shown that most people are waiting for you to give permission that it is OK to handle the situation. It sounds weird, but often times that is the case. The client or parents feel it is your show as does the child or helper. Because of this, they feel weird interrupting even if you feel it is obvious for them to do so.

They hesitate. If you watch your audience, you can actually see this happen. As a deaf person I read lips all my life. I have taken time to read body language simply because I have to. It is amazing how the body language changes when a person is put into a situation where they have to decide what to do during YOUR show.

Now you may say, "Well it is their house and their child and they should just do it." Well yes, one would say that sounds obvious. However, I have found that even in this context, a person is hesitant to react. 1) Are they interrupting your show? 2) When is the right time to go up there? 3) Should I say something or walk on stage and take care of it? 4) Am I going to look foolish doing it in front of people I know or strangers? 5) Am I drawing too much attention to myself and away from the entertainer? 6) What will I do when I get there or even 7) is the magician going to get upset with me?

ALL this races through their minds and you can see it clearly in body language and in the mannerisms.

In this light, it then makes sense to acknowledge the situation at hand and by doing so, giving permission to the adult/client and to the helper that it is more than ok to help handle the situation. They feel that you stating it gives them the permission they need to act.

It sounds so simple but try it. I have actually seen a child on stage doing the Pee Pee dance and the child was old enough to handle things himself and the parent was standing by. Now I see it and the adults in the room see it and neither the child on stage nor the parent knew what to do and they both stood there.

Now this may sound crazy but it really is not. It is psychology. As soon as I "gave permission or acknowledgment", the child took care of it and off he went calmly. The client then walked calmly over to help the son. Everything was cool and no problems.

So it appears that sometimes (not always) it is not the fact that a person is acting like a jerk by not reacting. In a lot of cases, they are waiting for you to acknowledge (in some fashion) and give permission. This permission can happen in many forms and that has to fit who you are as a performer. I choose to stay in character and to handle it easily, calmly and get on with the show.

Give this a try. Study this the next time it happens. Watch the body language and give permission or acknowledgement and then see what happens from it. I think you will be surprised the more you try and test this and use it.

As always I would love to hear from you. Please feel free to contact me at magic4u02@aol.com. I look forward to it.

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8. The Magic Circle Close-Up Magician Of The Year
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Article forwarded on by William Bowers

James Freedman is The Magic Circle Close-Up Magician of the Year

Last night, The Magic Circle staged the finals of its annual competition to find the Close-Up Magician of the Year. Eight of the club's top magicians performed sleight of hand illusions for a specially invited audience at The Magic Circle Headquarters.

The President of the Magic Circle, Jack Delvin said, "To win this competition requires outstanding technical ability, sleight of hand, performance skills and a strong personality. James rose to the top across all these criteria." This is the second time that James has won this award.

A delighted James said, "I was amazed by some of my fellow performers tonight and am thrilled to have won this very coveted trophy and the prestigious title 'The Magic Circle Close-Up Magician of the Year 2014?.

For article go to:
http://www.jamesfreedman.com/the-magic-circle-close-up-magician-of-the-year/


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9. Updates So Far This Week on VanishLive.com
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Message by - Mick Peck
Online Content Editor
www.VanishLive.com

Updates so far this week on VanishLive.com include:

- Broken Wand: Aldo Colombini, biography and videos
- The American Museum of Magic - On Stage!
- Asheville Magic Shows Support Disabilities Non-Profit
- Michael Grandinetti Creates Basketball Magic
- National Geographic Acquires Magic Shows
- Deceptive Practice: Review by Nick Lewin
- Magic Man Plans to Make Statue Disappear
- Six Tips for Tackling Nerves by Collin Stover
- 'Masters of Illusion' Live Tour

Daily magic news, articles from around the world and reviews from working professional magicians.

Visit us today at:

http://www.VanishLive.com

- Mick Peck
Online Content Editor
www.VanishLive.com

Also: your FREE copy of Vanish Edition 12 is now available for download, visit the site to download.

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10. Florida State Convention
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Message by Ben Mason - USA

Orlando, Florida State Magic Convention (Orlando) Close-up Performers
We are pleased to announce the eight (8) Close-up performers who will performing in the two different Close-Up shows during the 50th Anniversary Florida State Magic Convention, Orlando, Fl. May 23-26.

Paul Gertner
IBM Gold Cups winner

Oscar Munoz
IBM Gold Cups winner

Giovanni Livera
IBM Gold Cups winner

From Cuba
Omar Ferret

From New Orleans
Michael Dardant

Cameron Francis
"close-up extraordinaire"

From another dimension
Geoff Williams

From Cuba
"Anabel

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11. Sorcerers Safari - August 15-August 20th, 2014
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Message from Mike Segal

Thank you so much for once again supporting youth in magic, and magic camps in particular. We really do appreciate this a great deal.

Unfortunately, the dates you have mentioned for our 2014 season in the press release are incorrect. Those were our last summer's dates.

Sorcerers Safari is running this year from August 15-August 20th, 2014.

Thanks again for all the support, and look forward to working with you again, and hopefully seeing many of you at the combined convention this summer.

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12. Carney Lectures In Vancouver-Seattle-Portland
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Message by John Carney (US)

Carney Lectures in Vancouver-Seattle-Portland

More details:
http://www.carneymagic.com/instruction_seminars_schedule.html

Vancouver, BC
Tuesday, March 25
Lecture 7:00pm

Vancouver Lecture sponsored by Magicana, the Canadian Magic Arts Organization

Douglas College
Lecture Hall #2203
New Westminster Campus
700 Royal Avenue, New Westminster, BC

$25 for Lecture
Advance Tickets:
http://www.magicana.com/conferences/john-carney-lecture-workshop/
Or Cash at the door

Seattle, WA
Monday, March 31, 2014
Lecture 7:00pm


$25 Cash or Check at the door, no advance orders

Hale's Palladium / Brewery
4301 Leary Way NW
Seattle, WA 98107

Portland, OR
Tuesday, April 1
Lecture 7:00pm

Zimmermand Community Center
1542 NW 14th Avenue
Portland, OR 97209

$25 Cash or Check at the door, no advance orders

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13. Maths Tricks And Number Magic
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Message by Chris Wardle

Maths Tricks And Number Magic - New book from Chris Wardle.

Chris Wardle's new book has just been released and is now available on Amazon. This is a collection of 60 number-based tricks and effects involving hidden mathematics. Follow the instructions and the book appears to be able to read your mind!

However, you won't find 'grey elephants in Denmark' or the number 1089 anywhere here, as these effects encompass a wide range of methods which have all been given some subtle and new twists. Although aimed at the general market, magicians will love this useful collection of varied number principles gathered together in one volume. Use these baffling tricks over the phone, in an email or text, in your publicity material or on the radio, as well as in more obvious performing situations. They have many uses for the creative performer. 96 pages, paperback.

Chris is an Associate of the Inner Magic Circle and has contributed to numerous magic magazines. He has a regular column in 'The Magic Circular', the magazine exclusively for members of The Magic Circle.

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14. 'Stabbed!' A Brand New Knife Effect
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Message by Simon Drake (UK)

'Stabbed!' a brand new knife effect by Secret Cabaret star Simon Drake
It's rare a whole NEW magic effect with a prop is produced and this certainly is that.

Simon Drake has just released 'Stabbed!' which is an effect where the performer or assistant can be stabbed by multiple daggers with absolutely no risk of injury. 'Stabbed!' has options for blood and an intriguing adaptation of being stabbed in the top of your head which produces blood flowing down the performer's face very realistically.

Click this link to Simon's House of Magic shop page and don't miss the hyperlink button to the amusing video of Simon casually demonstrating the effect: http://www.houseofmagic.co.uk/shop/stabbed

This brand new effect is also a very handy utility item to incorporate into other routines as well as for theatre/TV/film consultancies.

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15. Magic In The Rockies 2013 - 20th Anniversary
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Message by Lindsay Smith

Magic in the Rockies 2013 - 20th Anniversary
October 3, 4, 5, and 6, 2013
IBM Ring 250, The Presto-Digitators
Fort Collins, CO 80525

Magic In The Rockies 2013: Twenty Hits, No Misses

A Review by Lindsay Smith

No matter who writes the reviews of the Magic in the Rockies convention, it always includes a phrase like: "What a great convention! How can they top this next year?" But top it they do, year after year, and their 20th annual convention in Fort Collins, Colorado, October 3-6, was no exception.

In four days, here's what the Presto-Digitators (Ring #250) put together: Eleven (count 'em) diverse lectures…two first-rate public shows…close-up magic and bar magic sessions (it doesn't get much better than Doc Eason and Bob Sheets)…a five-person Headliner Close-Up show…Paul Gertner with his one-man show "Braindrops"…a Junior Showcase show with six talented kids…a wonderful 90-minute Q&A with Doc Eason interviewing the legendary Walter "Zaney" Blaney, complete with film clips…a well-stocked dealers' room with 20 dealers…add to that two lunches and a dinner in the hotel's outdoor pavilion included as part of the registration fee. Post-convention there was an optional extra, The Insider Sessions III, for an additional fee: several quality hours with Peter Samelson, Gene Turner, and Michael Weber. All of that nicely packaged into four fun-filled days.

The weekend started Thursday afternoon with a lecture by Anthony (Tony) Miller, the first of the 11 lectures. Tony, perhaps best known for his leather work,
performed some clever card routines and explained his take on various controls (the Miller Variable Placement), a palm, and an easy classic force.

Duane Laflin, who, with his wife, Mary, has a magic theatre in Custer, South Dakota, followed. Is there any convention attendee anywhere who hasn't seen Duane perform or lecture? He uses standard dealer items and adds his own ideas. He is experienced, totally professional and it shows. He talked about warm-ups, patter ideas, his signature silk effects, and ended with a great Nest of Boxes. He urged everyone to go beyond the tricks. "You can't just fool people," he said, "You have to make them care."

Asi Wind, originally from Israel and now living in the U.S., knocked many of us down with a delightful display of miracles. It wasn't so much what he did but how he did it and, yes, he made us care. He is a firm believer in memorized deck work and urged everyone to learn a memorized deck - any one. He virtually guaranteed that we could learn one in one day. He advised us that "Laymen care about details" and provided examples. Asi demonstrated ACAAN techniques and a clever bill switch. At the conclusion of his lecture, he received a standing ovation.

When you hear the name Losander, your first thought is Floating Table. He's definitely known for that, of course, but he also demonstrated proficiency with thread work and other levitation ideas during his lecture. As he told us, "Use the simplest method and you'll have fewer problems." We were treated to demonstrations and explanations of a floating bill, a unique Japanese paper ball, floating bubbles that morphed into a Zombie, and a captivating floating book ala Zombie.

Among numerous convention highlights was the late night interview by Doc Eason of the legendary Walter "Zaney" Blaney. Walter performed his classic birdcage, and then delighted us with remarkable stories of his early life, meeting Blackstone Sr., and being friends with Mark Wilson since he was nine years old. The first levitation he ever saw was The Levitation of Princess Karnac. That eventually led to Walter creating his own Ladder Suspension, a trick that fooled magicians for 21 years. He talked about its early development, beginning with balsa wood models, and explained the working of his hoop.

There were some great video clips of Walter on the Johnny Carson show, David Copperfield performing his suspension, Walter's own Sawing in Half and much more. Since everything is bigger in Texas, we even got to see a clip of "Zaney" producing his 22-pound rabbit. When NASA moved the Mercury astronauts to Houston, Walter was the first entertainer they saw. Years later they brought him back for a reunion. Thanks for the insightful questions, Doc, and for the wonderful recollections, Walter. It was a glued-to-your-seat 90 minutes and even as the clock ticked past midnight, no one wanted to leave.

Friday morning started early (if you were up past midnight with Doc and Walter as most of us were), but Autumn Morning Star's lecture was worth getting up for. Autumn, a Native American of Choctaw and Blackfeet heritage, talked about her early development and some rules within her culture. Her lecture, "One of a Kind," is about creating your unique stage character by harnessing the tremendous power of archetypal characters. She defined the term, offered numerous examples of archetypal characters and, most importantly, showed how all magicians could find and develop their own archetype.

When I tell you that her magic consisted of the Pom Pom Pole, the Gene Anderson Newspaper Tear, the Rice Bowls, and the Cups & Balls, I hear you saying, "Yeah, I've seen all those." Actually, no you haven't. Not the way Autumn performs them with her Native American twist. The newspaper tear is hilarious with an audience volunteer tearing his own smaller paper. The Rice Bowls are highlighted by her captivating Native storytelling abilities. And the Cups & Balls? Well, you must see the performance.

Aided by two cast members who sing and drum, Autumn uses three huge pots and a delightful story in her routine. Her final large load consisted of gourds, pumpkins, and squash. Her double-load production of even more pumpkins and squash caught a lot of well-posted magicians off-gourd, sorry, off-guard. At the conclusion of her lecture, Autumn received a heartfelt standing ovation.

For the kid show performers in the audience, and I spotted more than a few, we were able to learn from one of the best: Danny Orleans, assisted by his longtime partner and wife, Jan Rose. This is first-rate material that the alert kid show performer can put to immediate use. With 40 years of performing experience, Danny knows the secrets of presenting magic to children, and he shared many of them with us.

An entertaining, informative hour passed too quickly, loaded with warm-ups, tips, ideas, strategies, audience management techniques, tricks and the importance of positive reinforcement. Add some of Danny's excellent suggestions to your act and you'll be way ahead of entertaining those "beady-eyed little moppets" (as "Senator" Crandall used to call them) and their moms and dads.

The next lecture featured John Mendoza who performed and explained first-rate close-up routines with cards and coins with the skill and precision you'd expect from someone named John Mendoza. There were silver-Chinese coins, tricks with gaffed (read: expensive) coins, a Coins Across routine, John's take on the classic Ramsay hanging coins, some red-black card separations ala Out of the World and more.

Magic in the Rockies featured two public show this year, one on Friday night, followed by the second on Saturday afternoon. Friday night's show was mostly, but not entirely, focused on mentalism. Capably emceed by Eric Mead, the performers included an impressive lineup of talent: Peter Samelson; Christopher Taylor; Becky Blaney, daughter of Walter "Zaney" Blaney; Jan Rose & Danny Orleans; and Asi Wind. The audience was a blend of magicians and the lay public. Both groups were entertained and, on several occasions, more than just the lay public group were scratching their heads in disbelief.

Following the public show, magic was still going strong in the Fort Collins Marriott lobby and Marriott bar. In the lobby, David Elstun and Eddie Goldstein were performing "Street Magic," followed by roaming close-up magic performed by Mysto the Magi, Dave Neighbors, Mathew Brandt, Timothy Cripe, Gene Gordon. Doc Eason, Ryan Eason, and Bob Sheets entertained behind the bar.

Saturday's activities began with lecture #8 of 11, by Arthur Stead. Arthur hit a positive note (pun intended) with his lecture on using music with magic. As he emphasized several times, adding music to your magic can help you "Make More Moolah." Arthur explained the four rules for adding music to your act, and provided wonderful video examples of how the right kind of music can enhance and improve your timing and presentation.

The many examples included Tina Lenert, Arthur Trace, and David Copperfield, among others. "Music can make your act more professional and memorable," he said. When you're marketing your show, music can help there too. To begin, Arthur suggested working on one routine at a time.

The Junior Showcase show followed, emceed by everyone's favorite, Steve Spangler, featuring six talented youngsters who made you wish you had practiced more when you were their age. Performers included Brooklyn Brewer, whose dad, Paul, presented a Youth Lecture on Sunday morning; Liam Kearney; Max Andrews (Davidson); Gerald Robinson; Anthony "AJ" Perea, and Chase Hasty. The young magicians entertained an appreciative audience with cards, coins, ropes, manipulations, Linking Rings, a costume change, and more. During and after the show, audience members agreed that the future of magic is in good hands.

Saturday afternoon's public show was emceed by Lew Wymisner with his low-key hilarity and featured a diverse, talented group of performers. Leland Faulkner opened with a series of fascinating hand shadows, delighting the audience. John T. Sheets, assisted by Corrine, followed with a beautiful display of candles, canes, doves, silks and ropes, production of a huge parrot, finishing with the transformation of a cage full of doves into his assistant Corrine.

Walter Blaney made a cameo appearance with his signature vanishing birdcage, assisted by audience helpers. Fort Collins own Lauren Miller, formerly known as the Mighty Mini, performed a well-received thought-reading experiment.

Gene Turner followed and changed the pace with his pick pocketing routine, amazing both audience members and volunteers with his techniques. If there was something he wanted and it wasn't nailed down or hard-wired in, Gene got it. Dirk Losander captivated the crowd with his routine with bubbles, a Zombie, a beautiful salt pour and his famous floating table that vanished at the conclusion of his act.

Autumn Morning Star, assisted by husband Brian and cast members Reina Shadow Dreamer and Michael Soaring Eagle, closed the show. They performed the classic Hindu Basket with a unique and hilarious Native American twist where Brian, dressed in a U.S. Cavalry uniform, goes into the basket followed by the swords. Autumn closed their well-paced act with a U.S. mailbag escape, concluding with a costume change. It was a great finish to a great show.

Saturday's public show definitely proved there was enough first-rate talent at the convention for two public shows.

Was it a flawless convention? Sadly, no. Seriously, is any magic convention ever flawless? No again. In MITR's case, there were significant problems with the lights and, in particular, the sound system. Sound cues and music cut in and out at random moments, often at the worst possible moment. But to a person, the on-stage professionals worked through the problems and made the best of a bad situation, even when it was delaying their start or throwing off their timing.

After dinner on our own, we were treated to a five-course dessert by the appropriately named Headliner Close-Up Show featuring excellent performances by R. Paul Wilson, Arthur Stead, John Mendoza, Jason England, and Suzanne. There was too much good at-the-table magic to recount here but it was all good, all special, all rewarding.

Saturday night concluded in mind-boggling fashion with Paul Gertner's one-man show, "Braindrops." Do you know Dai Vernon's "The Trick That Cannot Be Explained?" That's pretty close to what "Braindrops" is all about. Yes, it's about magic and technology, but you really can't explain it to someone who wasn't there. You have to see it. And if it's anywhere near you, do so. At the end of his show, I was leaving the room at the same time as my friend, Frank Klein. We looked at each other and both said simultaneously, "Wow!" That pretty much sums it up.

Sunday morning began bright and early with a Youth Lecture by Paul Brewer. Paul's approach to entertaining kids was informative and entertaining. After he performed and explained an effect, he gave each volunteer the magic props. His high energy and caring really created a very special magical event!

Paul Gertner followed with his lecture, "What I Wish I Knew in '72," or 16 Tips on How to Build a Career…That Won't Disappear! This is a lecture he presented at the I.B.M. convention in Norfolk last year. His 16 tips are all gems, meant to be studied and applied if you're serious about "finding a way to use magic to make your life and your job, even work you might do in your community more interesting, exciting and effective." During his lecture, Paul also demonstrated five of his favorite effects to perform. Those were five more gems.

Finally, late Sunday morning, we arrived at lecture #11 of 11. Nobody spent less time in Fort Collins but made more of an impact than Michael Weber. He was definitely well worth waiting for and a great convention closer. Here's the back-story: The day before, Michael was in Spain. He arrived in Denver late Saturday night on a red-eye flight, was picked up there and driven to Fort Collins. He did his Sunday morning lecture, spent the afternoon as part of the optional "Insider Sessions III," then flew back home. Amazing. How does he do all that without showing any signs of jet lag?

During his all-too-brief visit, he performed and explained several tricks, including the Ring on Stick and his version of Three Cards Across. Like Asi Wind and others who realize the miracles that can be accomplished with a memorized deck, Michael spent some time explaining his own stack, which he said could be learned in minutes, not days. He called it The Card Kindergarten Stack and, indeed, some in the audience were well on the way to learning the stack before he concluded.

With that, the 20th annual Magic in the Rockies convention ended on another high note and came to a conclusion. As always, many of the members of Ring #250 were involved in the detailed planning, organizing and on-the-scenes work, aided by others who worked tirelessly behind-the-scenes on another successful convention. They were assisted by volunteers from Ring #131 in Denver who, among other things, picked up headliners arriving at the Denver airport and brought them to Fort Collins, and then took them back for their return flights.

Will there be a 21st annual convention? At this writing, it's too soon to tell. But not too soon to tell you that everyone attending the 20th certainly hopes so!

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16. e-zine Archives
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Back issues of the Magic New Zealand e-zine go to:
www.magicnewzealand.com click on the red button center right "Archives"

When you enter the archive the e-zines are in issue order in folders for each year and are Coded, e.g. 001 Nov06 1999.txt first three numbers (001) denote issue number, then the date (Nov06) and the last figures the year (1999)

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17. Privacy Policy and Copyright Notice
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Magic New Zealand® E-zine is published each Sunday.

The opinions and statements expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson vouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine.

Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson, jointly or individually liable or responsible in any way for the opinions or statements contained therein.

Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted.

Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e-zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted.

All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®.

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Privacy Policy and Copyright Notice

Our subscriber list is not made available to any other companies or individuals. We value every subscriber and respect your privacy. You can subscribe to or unsubscribe from the Magic New Zealand® E-zine at www.magicnewzealand.com Magic New Zealand® E-zine is published each Sunday. The opinions expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson vouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine. Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson, jointly or individually liable or responsible in any way for the opinions expressed therein.
Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted. Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e-zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted. All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®. Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

Copyright © 2014 Alan Watson.


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