* * * * * * * * * * * * * * * * * *
* Magic New Zealand®
* Proudly sponsored by International Entertainment
* www.magicnewzealand.com
* * * * * * * * * * * * * * * * * *
Issue Number: #1065
Date: Sunday 15th December 2013
Editor: Alan Watson
www.watson.co.nz
E-mail: editor@magicnewzealand.com
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Hi here is the latest news
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1. Editor's Message
2. Dynamo Bullied When Younger
3. Simon Lovell Health Update On The Magic Word
4. Remarkable Magic #331 - Nick Lewin
5. Effective Business Cards - #323 - Kyle Peron
6. Magic - Art, Craft or Neither? (Suzanne The Magician - Part 1 of 2)
7. 2013 December Magic Castle Schedule
8. Updates So Far This Week on VanishLive.com
9. The TheMagi-Festis
10. Kidshow How-2, Lost Magic
11. Autumn Morning Star
12. The Melbourne Magic Festival 2014
13. Daytona Festival Of Magic 2014
14. Cincinnati Magic Collectors Convention
15. Magic New Zealand App
16. e-zine Archives
17. Privacy Policy and Copyright Notice

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1. Editor's Message
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The Magic New Zealand App for iPad, iPhone, Android, Blackberry and even on Mac and PC has been updated.

Please delete the old App and install the new updated App as the old App will no longer work.

Go to: www.app.cat/magicnewzealand

To help install the new Magic New Zealand App on your smart phone or tablet, scan the QR-Code located by clicking the QR-CODE tab in the menu items.
Or by filling out the share Magic New Zealand by SMS or Email on the right hand side of the webpage.

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For those who would like to read the Magic New Zealand e-zine in a HTML format go to: http://www.magicnewzealand.com/ezine-archive/2013-Jan-to-Dec-2013/1065-Dec15-2013.html

Remember if you have any magic news drop me a line:
Editor@MagicNewZealand.com

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2. Dynamo Bullied When Younger
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Article forwarded on by John Peterson (UK)

Metro

Magician Dynamo: I was bullied when I was younger; now Ian Brown from The Stone Roses is a fan of my magic

Magician Dynamo, born Steven Frayne, 30, has practised his art since he was a teenager. He has done a TV show about his magical origins.

The show is about your childhood and being bullied. How bad was it? Quite bad. But it wasn't until I was older that I realised the people I was hanging around with were taking advantage of me. I realised I shouldn't be put in a bin and rolled down a hill every day, or have my dinner money taken, or made to do stupid stuff so they could laugh at me - but at the time, I wanted to fit in. Two kids got expelled from school for bullying me, so it was pretty serious.

When did you start doing magic?

When I was 11. My grandpa did it for as long as I can remember but didn't tell me how to do it. When things at school got bad, my grandpa showed me some skills to get out of it - they used to put my head down the toilet - and he showed me how to make myself feel really heavy so they couldn't move me. It worked.

When did you start doing magic tricks more seriously?

After those skills got me out of trouble, my grandpa showed me tricks every weekend. Towards the end of my time at school when my confidence improved, I started doing tricks in the playground. Then it really flourished when I went to college.

What was your first professional gig?

At a working men's club. Very glamorous. I was 14. My grandpa went and I'd go with him and earn some money. People gave me pound coins for doing tricks. I'd end up with £50 a time, which isn't bad when you're 14. That's where I learned my trade and how to perform.

Did magic have a cheesy image when you first started?

It did but I thought my grandpa was the coolest guy on the planet when he did it - he was my role model. I met a few young magicians, I joined things such as the Bradford Magic Circle and the young people doing it looked like they'd been taught to do it by their parents. I was seeing 15-year-olds performing as if they were 40-year-old men. You could tell their dads had written the script. It was nice for them to have had supportive parents but it was like their parents were living their magical dreams through their children. If I did that material at school, people would have laughed at me, so I knew early on I needed to make it relevant to people my age. It was trial and error but I found my own style.

What have you brought to the magic world?

I keep things relevant to the world around me. When I started, not everyone had a mobile phone. Now they are a common thing so it's silly not to incorporate them into my act. I can do magic with anything. I don't use fancy props. There's no separation between me on stage and me in the street. Back in the day, the magician was on a pedestal and there was a lot of bulls*** around it but I've stripped that away. I'm the same as everyone else but I've worked on my skills to a level where I can do pretty cool s***. At the end of the day, without an audience the magic doesn't exist. Magic is an emotion you bring out in someone.

Which celebrities have been particularly impressed with your magic?

Ian Brown from The Stone Roses. I asked him to think of lyrics from a song he was working on that hadn't been recorded - then I told them what they were. Then I made a guitar levitate. He wasn't impressed as in running around shouting but he calls me up to ask how I did it. He thinks the more times he brings it up the more chance there is I'll tell him.

Have you ever had a supernatural experience?

When I had surgery for my Crohn's disease, I think I died for a few seconds. I was 19. Until then, I was trying to please my family and go to college and get a proper job but when I woke up from the operation, I knew I wanted to do magic for the rest of my life. I dropped out of college and got a start-up loan through The Prince's Trust to do magic professionally.

What have been the highlights?

Other than my grandpa, everyone said there was no way I could make a living from magic. My grandpa was the only person who told me I could do it. I'm 30 now. I've been doing this as a career for 15 years and I'm very proud of that. Me and my grandpa used to come up with crazy ideas and I did a lot of them in my first TV series. I walked across the Thames - that was a life-long ambition. To do it while my grandpa was still alive is a proud achievement. He had three strokes the year I did that and I was very proud to see him smile when he saw it.

http://metro.co.uk/2013/12/11/magician-dynamo-i-was-bullied-when-i-was-younger-now-ian-brown-from-the-stone-roses-is-a-fan-of-my-magic-4224960/

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3. Simon Lovell Health Update On The Magic Word
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Message by Scott Wells, A.I.M.C. with Silver Star

In early November, Simon Lovell took a serious fall in his home that landed him in the hospital with a fracture so bad that they couldn't immediately set it. And that's not the half of the story. For more on what happened, how it happened, and how he's doing, listen to our chat in this week's "always free" podcast at http://TheMagicWordPodcast.com/

We also talk about the importance of real books versus eBooks, creativity, his long running, off-Broadway one man show "Strange and Unusual Hobbies", and his television consulting work with "White Collar", his new movies and TV shows coming up, and more. A lot is packed into this fun podcast. Settle in for a listen and enjoy!

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4. Remarkable Magic #331 - Nick Lewin
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Message by Nick Lewin (US)

A Tribute to Goldfinger and Dove in Las Vegas. Paying tribute to the Masters of Surprise!

December the 8th saw the Las Vegas, Fantasma I.B.M. Ring 257 pay tribute to Goldfinger and Dove as their Magicians of the Year. It was a wonderful event held at the Texas Station Hotel and Casino in Las Vegas. The event was produced by Roger Dreyer who along with a host of other folk turned the night into a party that will long be remembered by all present. Our very own John McClenahan, President of Ring 257 helped channel all the local elements into the smooth machine we all experienced. Bill Evans the I.B.M. International President was also in attendance for the event.

The evening began with close-up magic by Gary Norsigian and Adam Flowers who entertained the attendees with their superb sleight of hand skills. There followed a buffet dinner that far exceeded the expectations of most of us who attend these kind of functions on a regular basis! It was not only delicious, but allowed those of us present to table hop and mingle with the many magicians from Las Vegas and Hollywood who were there to honor our friends Jack and Dove.

Susan and I thoroughly enjoyed getting to gossip and catch up with old friends such as Max Maven, Irene and Erika Larsen, Lance Burton, Norm Nielsen, Stan and Rhonda Allen, Luna and Deanne Shimada, Jeff McBride, Coral Reveen, Ariann Black, Joaquin Ayala, Karla Kwist, Jason Andrews, Adam London, Iam Creed, Mac King and Jennifer Sils, Greg Gleason, Hiram Strait, Sara Ballentine, Cathy Daniels, Paul Stone, Fielding West, Dale Hindman, Aye Jaye, Nancy Keener, Pam and John Thompson, Gary Darwin, Rory Johnson and a host of others! Graciously hosting the event were Jack and Dove themselves who took the time to talk and spend time with each and every guest. It would probably be difficult to find a more popular couple in the magic world and we all enjoyed the chance of spending some time with them.

The Gala show was hosted by the always hysterical Fielding West and featured strong contributions from Victor and Diamond, Chris Randall, Max Maven, Hiroki Hara, Rory Johnson and a very funny vignette by Stan Allen. Throw in a suitable wacky video tribute by the Amazing Johnathan- who was kinda' there in person but not in good health, and you have a really fun show. There was even a featured video presentation by Goldfinger presenting his unique torn and restored newspaper which gave more than a hint of what makes him such an influential performer in the magic world.

Roger Dreyer, founder of Fantasma Magic, hosted a great late-night after party in his suite that allowed everyone to further mix, mingle and gossip until the wee hours. I know I must have missed some names in this brief run-down of the event, but please forgive me as I was strictly there in my capacity as guest and fan of the great Goldfinger and Dove. It was a great evening and I offer thanks to all involved for making it such a success!

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5. Effective Business Cards - #323 - Kyle Peron
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Message by Kyle Peron (US)
magic4u02@aol.com
http://www.kyleandkellymagic.com
http://www.kpmagicproducts.com

I was asked the other day to give a brief talk on the business cards to entertainers and what makes them work or not work. I wanted to share those ideas with you. It is my hope that this information is of help to you as it was to them.

I have been a magician for over 25+ years and enjoy every minute of it. However, I am a professional designer with a double degree in graphic design and illustration and a specialty in marketing. I would be happy to give you some of my own personal insights into this topic and idea. I think it is always great to share knowledge and information. I hope this might be of help to you.

When it comes to business cards the first thing to figure out for yourself is this going to be a calling card or a business card? There is no right or wrong here. It is just a matter of preference and what the intended use is. A calling card is more minimalist in approach with the main goal of selling who you are and your services and providing contact information from which to drive the person to different "touch points" you want them to go to. A touch point could be your phone, website, email address landing page etc. Calling cards do this in a nice fashion.

Now a business card is a bit different. A business card is one in which the card itself becomes a small selling tool. That does not mean cram so much information on it that no one could possibly read it or want to read it. It simply means that in a business card, you are trying to get the prospect to take some sort of ACTION. You want them to do something.

Still, a savvy businessperson knows that adding your unique marketing-oriented text to a business card, in addition to contact information, pays off. One strategy is to add text that gives your unique, specific customer benefits.

For example:

1) Easy to pay "Credit Cards Accepted"
2) Easy to get ahold of "Requests handled within 24hrs."
3) Easy to get advice or info "Use our simple Information form."
4) "Present or mention this card for a free magic trick."
5) "Receive your first show at 25% off by requesting a promo kit."
6) "Log onto kyleandkellymagic.com for current discount coupons!"
7) "Free upgrade to our deluxe package by mentioning the number on this card."
8) The back of the card can be a useful calendar.
9) Survey, redeemable for a free gift - could direct them to a web page survey, where they fill it out and get a free gift or discount.
10) Punch card for frequent clients - acts as a referral rewards system.
11) A fun optical illusion, magic trick, or question where they can be directed to your website for more like it or for the answers.
12) A calendar of your upcoming public performances.
13) The card could be a magnet to be used and seen on the fridge by the prospect.
14) Could have a listing of most common measurement conversion chart - gives them a reason to hold onto it for their use.
15) A list of your top 5 tips for a successful event.

Also, business cards do more than convey the information that's printed on the card. A card that's ugly, dirty, printed on perforated paper, or full of corrections screams loud and clear that you're an amateur. No matter how many wonderful services you offer, if your card brands you as unprofessional, you lose business. A clean, creative, professionally printed, and visually attractive card on the other hand, conveys a positive first impression that lingers long after your initial meeting.

Keep in mind that there is nothing wrong with having your card be just a "calling card". If you have other marketing materials that have a call to action that you use, then a calling card may not be a bad way to go as it is a continuation of your brand identity. However, you could have your business card doing double duty by not only listing your contact information, but by having an effective call to action as well.

No matter which direction you go in, always remember that your business card is a direct representation of what you do, what you are about, and the services you provide. Do not settle for second best or for a card that looks "cheap". A professional and high-quality card will say a lot about your services long before they even begin to read it. Make your card work for you.

It is hard this day and age to get folks to understand that the first impression you often ever make on a prospect is in the materials you send out to them. If this is the case, why wouldn't you want these materials to be designed in the best way possible?

Too many folks have PCs and desktop publishing software. It is too easy to create artwork and get them done up that everyone thinks they can do it. What they forget to realize is that graphic design and communications through graphical means is a learned skill, and one that takes a long time to understand and to do well.

I take pride in the fact that I spent 5 years in art school (college) getting a double degree in graphic design and illustration. Those hard 5 years were spent studying, learning, and applying design ideas and principles to give me the knowledge I need to design print material that communicates the message of my clients the best that it can. Design is not about making something look pretty. There is so much more to it than that. This is why I take pride in the designs I create for my clients. It is a process where I really find out what makes the person, service, or business unique, and then create graphics that communicate this message clearly to his or her marketplace.

Now there is also nothing wrong with your card being able to do a trick or make it into an experience. However, that should not be your first order of business. If the card you leave them with does not meet the above criteria, then you have failed. You can have the best means in which to present the card to them, but if the card looks unprofessional, does not brand you or give a good means in which for them to take action, then it simply doesn't work.

If you are going to do an effect with it some things I have done for others is to have the back left blank (non-gloss) so that it could be used to write things down on it. Non-gloss cards are easier to write on. Or I have designed some customized card ideas that work on the idea of out to lunch. Very easy way to have an engaging experience where by the person can initial a clear area on the card and have something change in their hand. If you go this route just make sure the card they are left with is professionally designed. So there are many ways to go.

In this age of digital printing, you can get your cards printed at low cost and good quality. You can do so much to your card. However, just because it can be done does not mean it should be done. One must always remember to keep the card working for you. This means oversized cards may not be best because they will not fit in a rolodex or a business card holder. If you have or want a larger card, then have one that folds down into the standard business card size. This will work better for you.

Always ask for samples. When working with a designer or a printer ask for samples. No designer or printer is ever alike. Samples can allow you to see and feel and know the quality that the company or person is delivering to you.

I hope these tips are of help to you. Please ask me questions. This is what I do for a living but I also speak your language. This gives me the ability to design customized work that communicates for you. You can check out my own samples and work by going to my Facebook page at http://www.facebook.com/perondesign. When there please hit "LIKE". Thanks. You can also then go to the photo area and look at my albums. It is a great way to really see what I have been talking about and get a feel for the professional design I have dome for others.

Thanks all.

Kyle Peron
Peron Design
http://www.facebook.com/perondesign

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6. Magic - Art, Craft or Neither? (Suzanne The Magician - Part 1 of 2)
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Message by Anthony Darkstone - Europe/USA

This series continues with several more World Class names. Starting this month in grand style is the wonderful Suzanne The Magician.

Introduction

Suzanne was the First Female Magician to win The Magic Castle's Close-Up Magician of The Year title. She has regularly been featured in the Magic and non-magic media and performed at several Conventions. She has appeared of the covers of Genii and M-U-M and was recently featured in the October 2013 issue of The Linking Ring. Her Close-Up skills are exemplary.

Her signature piece is magic with a Band-Aid. It is an extraordinary performance of Magic on many levels. Her philosophy on the performance of Magic can be best conveyed by quoting her own words:- " My performance is all about the connection I make with my audience. I always give every ounce of energy I have for every show. When I give everything I have, everything I am, and open my heart, I know I am doing my best".

I am delighted that she took time out to share her perspective on Magic- Art, Craft or Neither.

http://www.suzmagic.com
Suzanne The Magician
Short answer: Very good question. To me, magic can absolutely be art, but not always.

Long answer:

It's complicated and multi layered!

Before we can even begin to determine if magic itself is "art" we need to be able to actually define the word "art". The problem with this task is that people have been trying to define "art" for generations, with little to no success. And what is or is not "art" is more opinion than anything else, really.

Do we decide what is art based on its quality? For instance, if a child paints a rudimentary picture of a house, to a parent this picture is art and is proudly displayed on the refrigerator. But to an art critic it's just a rudimentary picture painted by a child. Do we decide what is art based on the value it has for us personally? For instance, a classical pianist may hear rap music and think it's just noise and has no musical value at all. But to the rap artist it says something important and has great value. And for the people who enjoy listening to rap music, it may move them in ways that classical music does not. Who's right? Isn't it subjective?

If we just look at the dictionary definition of the word "art", it can be argued that magic fits that definition.

End of Part 1

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7. 2013 December Magic Castle Schedule
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Message by Jack Goldfinger
Director Of Entertainment
Academy of Magical Arts, Inc.

December 9-15th

Close-Up Gallery
Early-early: Chris Korn
Early: Eric Jones
Late: Scott Tokar

Parlour of Prestidigitation
Early: Bryan Miles
Late: Adam London

Palace of Mystery
Ed Alonzo

Peller Theatre
Arthur Benjamin
Michael Carbonaro

W. C. Fields Bar
Doc Eason

Friday Luncheon
Eric Jones

Saturday & Sunday Brunch - Kids Show
Gerald Schiller

Lecturer - Sunday 15th
Doc Eason

December 16-22nd

Close-Up Gallery
Earlier: Rmax Goodwin
Early: Mike Elkan
Late: Edward F. Oschmann

Parlour of Prestidigitation
Early: Justin Willman
Late: Jonny Zavant

Palace of Mystery
Mark Kalin and Jinger

Peller Theatre
Allan Hayden
Bill Okal

W. C. Fields Bar
Jon Armstrong

Saturday & Sunday Brunch - Kids Show
"Wacko" (Ramon Medellin)

Lecturer - Sunday 22nd
Edward F. Oschmann

December 23-29th
Close-Up Gallery
Early-early: Henok Negash
Early: Nathan Becker
Late: Zach Waldman

Parlour of Prestidigitation
Early: Kyle Eschen
Late: Thom Peterson

Palace of Mystery
J.Neal
Sir Pat-Trick (Thernes)
"Mondre" (Mike Douglas)

Peller Theatre
David & Leeman

W. C. Fields Bar
Pop Haydn
Friday Luncheon
Zach Waldman

Saturday & Sunday Brunch - Kids Show
Dan Jordan

Lecturer - Sunday 29th
Glenn Farrington

Performers are subject to change due to circumstances and availability

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8. Updates So Far This Week On VanishLive.com
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Message by - Mick Peck
Online Content Editor
www.VanishLive.com

Updates so far this week on VanishLive.com include:

- David Copperfield Trademarks DC ... Comics?
- Teller Speaks on Tim's Vermeer
- Brick and Mortar Magic Shops: The Browsers Den, Toronto
- Old-Time Magic Returns to Dickens Festival
- Magician Harris III Stars in 'Entangled' Film
- Penn and Teller announce 2014 UK Tour

Plus reviews of David Sousa's Red Envelope and Scryer's 13 by Richard Webster & Neal Scryer.

DAILY magic news, articles from around the world and reviews from working professional magicians. Visit us today at:

http://www.VanishLive.com

- Mick Peck
Online Content Editor
www.VanishLive.com

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9. The TheMagi-Festis
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Message by Joshua Jay (US)

An eighty-three-year-old tradition just can't die. And, after much work, we're pleased to say that the Magi-Fest is back! After a sellout year in 2013, we are back ... bigger and better in 2014! Join us from January 30 - February 1, 2014 in Columbus, Ohio.

But along with tradition comes a healthy dose of new. The Magi-Fest has been completely re-imagined: more talks, shorter and stronger shows, more lectures, all events held in one location, a more focused (and bigger for 2014!) dealer room, and more interaction for everyone with featured artists. Organisers Joshua Jay, Andi Gladwin and Tim Moore have put together an exceptional team to help make the Magi-Fest better than ever.

The dates for the 2014 convention are January 30-February 1. So, please mark your calendars now. You can register for just $150.

The second big announcement is that we are moving BACK to the Crowne Plaza, Columbus North (Worthington). You'll recall that the Magi-Fest resided here during some of its most exciting, well-attended years.

So why did we go back? Well, as everyone realized, we outgrew the lovely Crowne Plaza Dublin in just one short year. They had no solution for a larger dealer room, and nowhere near enough rooms for our attendees. We desperately needed a new home. When we looked at the options, it was clear that the old Crowne Plaza was best-equipped for a magic convention of our size and caliber. We're delighted to go back.

And the hotel itself is better than ever. They just completed a five-million dollar renovation. You will see a much, much bigger and better lobby for jamming, improved facilities for the shows and lectures, and an upgrade on the quality and speed of the restaurant.

Tamariz, Giobbi and Weber workshop registration
Once you have registered for Magi-Fest, you may also optionally register for these workshops for $105 per workshop.

Gala show tickets we have a few gala show tickets available for people who aren't attending the convention. Book early due to limited seating! Get your gala show tickets for just $20.

To register go to: https://www.vanishingincmagic.com/convention/?convention=13

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10. Kidshow How-2, Lost Magic
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Message by David Ginn (US)

David Ginn has surprised even himself by making three new DVDs appear for Christmas. Kidshow How-2, Lost Magic, and The $2100 Magic Kit are all described in the December issue of his Autumn's Leaflet newsletter. Here is the link:

http://molliejohanson.com/AutumnsLeaflet_Dec13.pdf

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11. Autumn Morning Star
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Message by Lindsay Smith

The Secret is Out: It's Autumn Morning Star Who is "one of the best-kept secrets in magic?"

If you agree with Jeff McBride, and many others, the answer would be Autumn Morning Star, an accomplished magician, award-winning illusionist and cultural storyteller. For Autumn, a Native American Indian of Choctaw and Blackfeet heritage, that assessment is changing rapidly.

McBride may have said it best: "Sometimes it astonishes me how long it takes the magic world to wake up and realize an extraordinary talent like Autumn Morning Star. I have watched her arts develop over the last twenty-five years to create powerful magical theatre pieces. Autumn's skill set weaves inspirational storytelling, symbolism, beautiful magic, masked archetypes and evocative music into a rich tribal tapestry that is theatrically stunning."

McBride's quote appeared as part of a six-page feature article about Autumn in the September 2013 issue of M-U-M, the monthly publication of The Society of American Magicians. Her beautiful photo, in full Blackfeet regalia, was featured on the magazine's cover.

Just a month after M-U-M was published, Autumn, along with her three-member cast, was one of the featured performers on the public show at the 20th annual Magic in the Rockies convention in Fort Collins, CO, on October 3-6. As part of that weekend, she also presented her lecture for magicians, "One of a Kind," how to create your unique stage character by harnessing the tremendous power of archetypal characters in the art of magic. At the conclusion of her one-hour lecture, the audience came to their feet to give Autumn a heartfelt standing ovation.

Ten days after the Magic in the Rockies convention ended, Autumn opened in Las Vegas on October 16 for the well-known comedian Louie Anderson at The Plaza Hotel & Casino. In November, Autumn was on the road with a successful three-city lecture tour: I.B.M. Ring 56 in Evansville, Indiana; Louisville, Kentucky's Okito/Burton I.B.M. Ring 64 and the Wizards of Wichita (I.B.M. Ring 47) in Wichita, Kansas.

The secret is out. Obviously, so is the description, "one of the best-kept secrets in magic."

You'll be hearing more about Autumn Morning Star.

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12. The Melbourne Magic Festival 2014
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Message by Tim Ellis (Australia)

Just a quick note to remind everybody that you only have until January 20 to get your application in to present a show at the 2014 MMF.

Go to http://melbournemagicfestival.com/applications-for-the-mmf-2014-open-on-monday/

To read the producer's guide and download an application form 2014 is going to be bigger than ever and we have so many producers wanting spots that we may not be able to fit everyone into the Northcote Town Hall hub this time, but we will definitely do our best to get you the Studio and the timeslot you most want.

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13. Daytona Festival Of Magic 2014
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Message by Harry Allen (US)

November 7-8-9 2014

Details --www.daytonamagic.com
Click on "convention"

Can you believe the talent already booked?
Rudy Coby
Gregory Wilson
Fielding West
Eric Jones
Silly Billy
Magic Of Suzanne
Cameron Francis
Don Baggett (Illusions)
Erik Olson
Harry Allen
Scott Humston
more to come........

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14. Cincinnati Magic Collectors Convention
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Message by Richard Hughes

Important Announcement from the Head Vulture

I am 81 years old and would like share and enjoy magic with old friends and collectors all over the world. I have asked a team of people to help organize this convention in Cincinnati next June 5-7, 2014.

This convention is not affiliated with the IBM, SAM, MCA, ABC or XYZ. It is simply a gathering of people that love magic history and want to help preserve and collect it.

I wish we could have everyone that wants to attend be able to. But we are limited by the facilities for the number of attendees that we can handle for our programs. Think of this convention as a Midwest version of the LA History Conference or New England Magic Collectors Association which have the similar space limitations.

The initial invites were sent out two week ago. If you have not received it, contact me and we will check our list and make sure we had the proper address. We will be keeping a waiting list for this convention.

Again, the Cincinnati Magic Collector's Convention will be held in Cincinnati on June 5-7, 2014.

Ken Klosterman (kenklosterman@gmail.com)
Richard E. Hughes
Hughes Magic LLC, 352 N. Prospect St., Ravenna, Ohio 44266
www.hughesmagic.com
hugmagic@raex.com

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15. Magic New Zealand App
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Magic New Zealand now has its very own app that can be launched on any tablet.

Go to: www.app.cat/magicnewzealand on your tablet to download the FREE Magic New Zealand app.

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16. e-zine Archives
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Back issues of the Magic New Zealand e-zine go to:
www.magicnewzealand.com click on the red button center right "Archives"

When you enter the archive the e-zines are in issue order in folders for each year and are Coded, e.g. 001 Nov06 1999.txt first three numbers (001) denote issue number, then the date (Nov06) and the last figures the year (1999)

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17. Privacy Policy and Copyright Notice
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Our subscriber list is NOT made available to any other companies or individuals. We value every subscriber and respect your privacy.

You can subscribe to or unsubscribe from the Magic New Zealand® E-zine at: www.magicnewzealand.com

Magic New Zealand® E-zine is published each Sunday.

The opinions and statements expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson vouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine.

Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson, jointly or individually liable or responsible in any way for the opinions or statements contained therein.

Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted.

Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e-zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted.

All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®.

Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

© Copyright 2013 Alan Watson
www.magicnewzealand.com
www.facebook.com/magicnewzealandnewsflash
http://twitter.com/#!/magicnewzealand
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