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* Magic New Zealand®
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Issue Number: #1776
Date: Sunday 22nd September 2024
Editor: Alan Watson QSM
www.watson.co.nz
E-mail: Editor@magicnewzealand.com

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Hi here is the latest news
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1.Editor's Message
2. Sydney Magic Day 2024
3. Al The Only On The Magic Word Podcast
4. Dynamo Hopes To Bring Magic Touch To Bradford
5. No Stone Unturned - Paul Stone - Article 169
6. Magic Museum Bellachini - Episode 89
7. Tales From The Fantastic Magic Center - #101
8. PSI FI - John Carey #245
9. E-zine Archives
10. Privacy Policy and Copyright Notice

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1. Editor's Message
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If you would like to read the Magic New Zealand E-zine in HTML format, go to: http://www.magicnewzealand.com/ezine-archive/2024-Jan-to-Dec-2024/1776-Sep22-2024.html

If you would like to write a regular column for Magic New Zealand or
have some magic news drop me a line:
Editor@MagicNewZealand.com

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2. Sydney Magic Day 2024
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October 28th 2024 - North Ryde RSL, Sydney

A full day Magician's seminar with guest speakers, lectures, workshops, forums and shows. Back at the same venue with the same sensational value.

Special Guest lecturers from the UK

Lee Hathaway and Matthew Le Mottee

The ticket price includes

All lectures
Lunch and refreshments
Close up and stage performances

Guests
Lee Hathaway
Matthew Le Mottee

https://sydneymagicclub.com/sydney-magic-day-2024/

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3. Al The Only On The Magic Word Podcast
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Message by Scott Well - M.I.M.C. with Gold Star

After a hectic convention season, we are calming down a bit for a couple of months before our next sojourn to the next one in November. But until then, we have gathered quite a few recordings with some outstanding magicians. This week we feature a chat with Al the Only. You may know him from his many contributions to The Magic Menu many years ago with tips and tricks for the restaurant workers.

Originally from the Detroit, Michigan, area, Al was not only a busy restaurant performer, but also an in-demand trade show magician. He is also the author of The Magic Graveyard which has stories about the many magicians who are buried in Lakeside Cemetery in Colon, Michigan. He gives annual tours to dozens of attendees of Abbott's Get Together. A few years ago, Al and his wife, Lori, moved to Lahaina, Hawaii, where their home was destroyed in the tragic fire in 2023. All of this and more are discussed this week on The Magic Word Podcast.

You can listen wherever you get your podcasts, but to watch videos, see photos, read the blog, and more, please visit: https://www.themagicwordpodcast.com/scottwellsmagic/861-al-the-only

If you have not already done so, then please subscribe to the podletter that is distributed each week in conjunction with the release of the Magic Word episodes. It tells you who is on this week, who is coming up next week, a suggestion from the archives, and more. You can sign up for the podletter when you visit the Magic Word website.

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4. Dynamo Hopes To Bring Magic Touch To Bradford
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Article forward by James Petterson (UK)

Mirror

Magician Dynamo hopes an outdoor theatrical event he has created will do the trick when it launches Bradford's stint as UK City of Culture 2025. Other parts of the programme announced yesterday include an adaptation of The Railway Children in locations used for the 1970 film.

There will also be a nationwide drawing project supported by painter David Hockney, 87, who is from the West Yorkshire city. Bradford 2025 creative director Shanaz Gulzar said: "This is a once-in-a-lifetime opportunity to celebrate our extraordinary cultural heritage."

The theatrical event created by Dynamo, real name Steven Frayne, 41, who is also from the city, kicks things off on January 10-11. In the same month, the National Science and Media Museum in Bradford is due to reopen after a multimillion-pound transformation. While the Turner Prize is being hosted at Cartwright Hall Art Gallery from September.

For the balance of the article go to:

https://www.mirror.co.uk/news/uk-news/dynamo-hopes-bring-magic-touch-33657766?fbclid=IwY2xjawFZoQBleHRuA2FlbQIxMAABHZ5l70vTI6x5
JO9yoEW5ieIOTgJALKn7d82CmOeydS7XGT5hptFUS005EQ_aem_VCW
fuWOG0zBa4PyH7MmyHw

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5. No Stone Unturned - Paul Stone - Article 169
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Message by Paul Stone (US)

'Magic on the Beach' was a wonderful convention!
I've attended my fair share of magic conventions in several countries around the world over the past fifty years, including the larger ones like Magic Live, Blackpool and FISM.

I've also produced a few too, the IBM British Ring Convention for three years, and my own INNOVENTION Convention in Las Vegas and in Liverpool.

But, I have to say that in all that time I have rarely enjoyed a convention as much as 'Magic on the Beach' which took place in Myrtle Beach last week. There are a myriad of reasons why this was the case.

Let's start with the main man and driving force behind the whole event, Charles Bach. It would actually be more accurate to describe him as the producer, chief tech, stage hand, … oh, and the stand out star performer too!

As I mentioned in last week's article, I've known Charles for thirty years from our days working with Lance Burton at his show at the Monte Carlo on the Las Vegas Strip. He has always been an incredibly hard worker, and it's no coincidence that his career has gone from strength to strength. He has paid his dues and arguably now has one of the tightest and most entertaining magic shows anywhere in the world.

Charles's show at the Wonders Theatre in the heart of the very attractive and lively 'Broadway At The Beach' area of Myrtle Beach, is advertised as a Magical Experience, and it really is. The show is fast moving, features several baffling illusions, most with original twists, several other strong magic effects, including a cameo close-up section, and lots of audience participation, and as I also mentioned last week, two outstanding magic assistants, Macy & Sharon who, like Charles himself, are both talented dancers.

And for me, as equally important, were the production values in the show. The attention to detail with the lighting effects, the choice of music and the sound quality, perfectly complemented the action on stage. Bravo for this!

And even though Charles hardly left the theatre for three days, he couldn't have pulled this convention off without a great deal of support, and he was fortunate to have it in the shape of his two co-convention organisers, Dave Tanner and Gerry Thompson. These two guys worked non stop and succeeded in making the event as special as it was.

The Wonders Theatre was the perfect venue for this convention. Seating around 200 people, the new seats that Charles has put in, has added to the comfort and general ambience of this very intimate theatre. There isn't a bad seat in the house, and there's even a balcony and a VIP Box too!

And then there were the performers and lecturers, and it was quite a line-up! I'm not going to describe all the lectures and shows here. If you'd like to know the full details you should check out Scott Wells's excellent podcast. Yes, Scott was there with his microphone and daily updates. I've known Scott for many years too, and it's always great to spend time with him. One of the great advantages of a smaller convention like this - there were around 100 registrants - is that there is time to sit down and chat to friends.

It was also nice to meet a few new faces, at least to me. And whilst they were new to me, they included some very established pro's. I particularly enjoyed hanging out with Michael Paul (check out his vent appearance on AGT, it's hilarious!) and Chris Blackmore, both with many years of performing experience at the highest level, and it showed.

I hadn't seen James Brandon for over thirty years, he won the Siegfried & Roy 'Golden Lion' Award at the Las Vegas Desert Magic Seminar back in 1988! His performing credits are majorly impressive too!

Charles Peachock was another name new to me, but what a juggler he is! He was as technically talented as any juggler I've ever seen, and I've seen and booked a few!

Greg Gleason only arrived for the final day, having disembarked from yet another cruise ship, and although he is predominantly known for being an illusionist, his card work was a highlight in the final Gala Show.

The 'Headliner' at the convention was Dan Sperry, consistently voted as the most popular performer in the incredibly successful 'Illusionists' touring show. Dan presented an excellent, if rather surprising, Children's lecture, and a terrific closing spot in the Gala Show. His engaging stage presence, strong onstage personality, and some fabulous magic earned him a well deserved standing ovation. He's definitely a cool dude!

I couldn't end this article without mentioning Charles Bach's beautiful wife Magdalena. She was kindness personified, and couldn't do enough to make everyone, from performers to those attending the convention, feel special. This was whilst at the same time running the Box Office, and taking care of their cute little dog Moose, and their even cuter and bright young son, Benji! Charles is a VERY lucky man!

'Magic on the Beach' was a wonderful convention!

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6. Magic Museum Bellachini - Episode 89
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Message by Wittus Witt (Germany)

Let us recall: Volker Huber, collector and historian, passed away in 2022. Many colleagues wondered what would happen to his collection. However, Volker's wife, Christina, was certain she would not put the collection up for auction. Her wish was to keep the collection intact and, if possible, make it accessible to the public. This wish has now become a reality.

Christina Huber has donated the entire collection to the Theatre Studies Collection in Cologne. The Huber Collection on magic is of outstanding international significance. It is considered one of the largest resources on the history of magic worldwide and is regarded by experts as being on par with major collections such as the "Harry Price Library of Magical Literature" at the University of London, the "Harry Houdini Collection," and the "McManus-Young Collection" at the Library of Congress, Washington, DC.

The director of the Theatre Studies Collection, Professor Dr. Peter Marx, along with his colleagues Dr. Mathilde Frank and Dr. Gerald Köhler, will present selected objects from the collection on September 29. It will be an open house, and everyone is welcome to view the first part of the permanent exhibition.

The Huber Collection offers scholars with historical, epistemological, artistic, cultural, and even scientific research interests the opportunity to engage with the art of magic and its relationship to everyday life and scientific culture at a high academic level. The core of the Huber Collection consists of its library holdings, which include more than 10,000 bibliographic units in German, Latin, English, French, Spanish, Dutch, and Italian.

Among the most noteworthy items are first or early editions of works by authors such as Athanasius Kircher, Caspar Schott, and Hans Jakob Christoffel von Grimmelshausen. The graphics, flyers, and posters accompanying the books comprise numerous valuable copper, steel, and wood engravings, rare lithographs, and other often scarce prints.

Particularly deserving of mention are several valuable historical automata and music boxes with magic-related themes, as well as numerous magic apparatuses and tools, some of which were used by famous magicians, thus providing especially authentic material for studying magic as an art form.

If you'd like to learn more, feel free to get in touch with me.

That's all for today.

Wittus
Magic Museum Bellachini
www.hamburger-zaubermuseum.com

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7. Tales From the Fantastic Magic Center - #101
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Message by Kent Cummins (US)

"Tools of the Magician's Trade"

When I am teaching a Beginning Magic course, my second class is usually "Tools of the Magician's Trade". Of course I talk about props, costumes, and misdirection, but I point out that all of these things are used by some non-magicians. There is only one tool that is exclusive to magicians: the Magic Wand.

In Western culture, the magic wand is typically portrayed as a black stick with white tips. The Harry Potter craze has added a new dimension to the types of magic wands, but let's be fair: These specialty wands are for wizards, not magicians.

Magicians use playing cards, but so do millions of bridge and poker players. Magicians might wear a top hat, but apparently, so did Abraham Lincoln. Magicians use silk scarves, but so do women completing their couture. Coins? Billiard balls? Thimbles? Ropes? Handcuffs? A milk pitcher? Just about everything used by magicians have other roles.

What about beautiful assistants? I am sorry to point this out, but that also seems common among corporate executives!

A cook does not stir the bouillabaisse with a magic wand. A bookkeeper does not write debits and credits with a magic wand. A golfer does not hit the golf ball with a magic wand (although they might wish they could!)

Magic wands are only used by magicians.

And of course, magicians have created hundreds of different kinds of magic wands, some to secretly aid in making the magic happen, and others to add comedy to their shows. If you perform for kids, you probably have a Breakaway Wand.

Want to see hundreds of magic wands? Come to the Fantastic Magic Center.

The Fantastic Magic Center is dedicated to preserving and sharing the art of magic. But I can't do it without your help. My Patreon account is the same place as my free weekly podcast:

www.FantasticMagicCenter.com
kent@magichotline.com

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8. PSI FI - John Carey #245
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Message by John Carey (UK)

We now come to a special chapter that uses one concept that you can truly create infinite Mentalism and Magic effects with. You truly are only limited by your imagination. The roots of this concept come from the classic Grey Elephants in Denmark effect. In that effect you ask a
participant to quickly think of a simple shape like a star that they could draw in a second. The choices aren't that many, but they won't realize. The shapes they will think of after you mention star as an example are:

Square
Circle
Triangle
Rectangle

All these shapes very conveniently end in the letter E. In the applications and effects that follow, we will exploit and build upon this concept to create some very powerful routines. I believe you will love adding some of these to your repertoires and then creating your own effects too! So first up we have...

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9. E-zine Archives
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Back issues of the Magic New Zealand e- zine go to:
www.magicnewzealand.com

Click on the red button centre right "Archives"

When you enter the archive the e- zines are in issue order in folders for each year and are Coded, e.g. 001 Nov06 1999.txt first three numbers (001) denote issue number, then the date (Nov06) and the last figures the year (1999)

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10. Privacy Policy and Copyright Notice
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Our subscriber list is NOT made available to any other companies or individuals. We value every subscriber and respect your privacy.

You can subscribe to or unsubscribe from the Magic New Zealand® E- zine at: www.magicnewzealand.com

Magic New Zealand® E-zine is published each Sunday.

The opinions and statements expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson QSM vouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine.

Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson QSM, jointly or individually liable or responsible in any way for the opinions or statements contained therein.

Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted.

Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e- zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted.

All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®.

Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

© Copyright 2024 Alan Watson QSM
www.magicnewzealand.com
http://twitter.com/#!/magicnewzealand
www.watson.co.nz
www.balloon-twister.co.nz


Privacy Policy and Copyright Notice

Our subscriber list is not made available to any other companies or individuals. We value every subscriber and respect your privacy. You can subscribe to or unsubscribe from the Magic New Zealand® E-zine at www.magicnewzealand.com Magic New Zealand® E-zine is published each Sunday. The opinions expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson QSMvouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine. Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson QSM, jointly or individually liable or responsible in any way for the opinions expressed therein.
Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted. Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e-zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted. All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®. Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

Copyright © 2024 Alan Watson QSM.


Magic New Zealand® E-zine