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* Magic New Zealand®
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Issue Number: #1754
Date: Sunday 24th March 2024
Editor: Alan Watson QSM
www.watson.co.nz
E-mail: Editor@magicnewzealand.com

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Hi here is the latest news
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1. Editor's Message
2. 2025 FISM - Italy
3. FAQ - About FISM World Championship Of Magic
4. No Stone Unturned - Paul Stone - Article #148
5. March Issue Genii Magazine
6. April Magic Castle Performing Schedule
7. I.B.M. Annual Convention - Tacoma
8. Magic Museum Bellachini - Episode 67
9. Tales From The Fantastic Magic Center - #79
10. Destined To Be - John Carey #226
11. E-zine Archives
12. Privacy Policy And Copyright Notice

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1. Editor's Message
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If you would like to read the Magic New Zealand E-zine in HTML format go to: http://www.magicnewzealand.com/ezine-archive/2024-Jan-to-Dec-2024/1754-Mar24-2024.html

If you would like to write a regular column for Magic New Zealand or
have some magic news drop me a line:
Editor@MagicNewZealand.com

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2. 2025 FISM - Italy
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The most important magic competition in the world

* 150 competitors.
* More than 3000 magicians present from more than 50 countries.
* 100 handpicked merchants
* 6 days of unforgettable magic
* 1 banquet
* Exchanges between magicians (jam sessions)
* And more

https://fism.org/

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3. FAQ - About FISM World Championship Of Magic
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Here, we've compiled a list of the most commonly asked questions to help you navigate the intricacies of the competition.

Whether you're a seasoned magician planning to compete, a magic enthusiast, or just curious about the rules and procedures of this prestigious event, these FAQs are designed to provide clear and concise answers.

From participation criteria to performance guidelines, we've covered essential topics to ensure you have all the information you need for a successful experience at the FISM WCM.

Q: Who can participate in the FISM World Championship of Magic (WCM)?
A: Any magician who has attained the FISM Level and is a member of a FISM-affiliated society, with the necessary authorizations, can participate.

Q: Are there any restrictions on previous winners participating?
A: Yes, contestants who have been awarded a Grand Prix in previous WCMs are not allowed to compete again with essentially the same act.

Q: What are the categories in the contest?
A: The contest includes Stage Magic and Close-up Magic performances, with specific subcategories such as Manipulation, General Magic, Stage Illusions, Comedy Magic, Mental Magic, Card Magic, Micro Magic, and Parlour Magic.

Q: How is the jury composed and what is their role?
A: The jury consists of 7-9 judges for each category, including a chairman. The judges are responsible for awarding prizes and ensuring adherence to FISM contest rules.

Q: What are the judging criteria?
A: Contestants are evaluated based on Technical Skill/Handling, Showmanship/Presentation, Entertainment Value, Artistic Impression/Routining, Originality, and Magic Atmosphere.

Q: Can acts be disqualified?
A: Yes, acts that are copies of another performer, involve pre-arranged arrangements with volunteers, or are below FISM standards can be disqualified.

Q: What are the rules regarding act duration and content?
A: Acts must be at least five minutes and not more than ten minutes (except for Mentalism). They must be complete acts, not single tricks, and adhere to legal requirements for music and other rights.

Q: Are there specific awards for invention?
A: Yes, the jury can issue awards for invention in both stage and close-up categories. Inventions must be part of an act and claimed during registration.

Q: How is the Grand Prix awarded?
A: The Grand Prix is awarded in the second phase of judging for both Stage and Close-up Magic, based on the highest total points from judges.

Q: What are the language requirements for the performances?
A: Performances can be in any language. However, if the act relies significantly on language for understanding, it is recommended to provide English translations or subtitles.

Q: How can contestants apply for the FISM WCM?
A: Contestants must apply through their national magic societies, which are affiliated with FISM. The societies are responsible for the preliminary selection and nomination process.

Q: Are there any specific regulations regarding the use of animals in performances?
A: Yes, there are strict guidelines regarding the humane treatment of animals. Acts using animals must comply with these regulations and demonstrate ethical treatment throughout the performance.

Q: Can participants use assistants in their acts?
A: Yes, participants are allowed to use assistants. However, the use and involvement of assistants must adhere to the overall rules and artistic integrity of the performance.

For more information on FISM go to: https://fism.org/

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4. No Stone Unturned - Paul Stone - Article #148
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Message by Paul Stone (US)

A lot can happen in a week! This time last week I was enjoying the hospitality of Alan & Michele Watson in Auckland, and today I'm back in Liverpool after a long 35 hour journey, including 24 hours in the air. Whilst definitely survivable, I wouldn't recommend doing it too regularly!

But being a creature of habit, and taking advantage of some unusually sunny weather here in Liverpool in March, I made my customary short but nostalgic river boat trip on the Mersey Ferry, made famous by Gerry & The Pacemakers in the 1960's. You can take the boy out of Liverpool, but you can't take Liverpool out of the boy!

Alan & Michele Watson live in an area called Birkenhead, and coincidentally there is a town of the same name on the other side of the Mersey river. One of the first clubs I performed in, back before Noah built his arc(!), was the Hamilton Club in Hamilton Square, Birkenhead!

And here's a little known fact, Hamilton Square has the most 'listed' buildings in the whole of the UK. Probably no-one else apart from Alan & Michele will be the slightest bit interested in this, but I thought I'd share it anyway!

Whilst I was out walking, I passed by the site of my first magic & joke shop, The Ace Place, on Dale Street in Liverpool. The building is now empty and rather sad looking, but still retains the original frontage including where the shop sign used to be.

This shop was opened for me in 1976 by the Liverpool comic legend Sir Ken Dodd, known by all UK magicians as a huge supporter of the magical arts, and a star who regularly booked magicians to appear in his wonderful stage shows. He used to attend the Blackpool Convention every year, and do a short (!) spot in the main Gala Show.

For those who don't know Ken Dodd or 'Doddy' as he was affectionately known, his short spot could last anything up to an hour! His stage shows often didn't finish until well after midnight, to the dismay of theatre technicians around the country. But he was a treasure, and the last of the great Variety comedians.

What only became apparent a few years after I'd closed The Ace Place, and our shop sign had been removed, was the outline of a sign underneath, which revealed 'The Top Hat Record Bar'. This shop, unbeknown to me, had previously been owned by another legendary Liverpool and International performer and singing star, Frankie Vaughan.

Frankie was a huge star here in England and topped the bill at the London Palladium Theatre on several occasions, He was offered the chance of his own show in Las Vegas, but turned it down, choosing to stay in England close to his family.

I first met Frankie through our mutual tailor, a guy named Dennis Newton, who had a small first floor shop just round the corner from The Ace Place, in a curiously named alley called Hakyn's Hay. Dennis was a great tailor and made suits for all the big show business personalities. He was a true 'Scouser' - someone who was a Liverpudlian through and through. The term scouser originated from a local dish, scouse, a stew made with lamb or beef, and potatoes, very popular with sailors in sea ports such as Liverpool.

Another interesting fact , I'm full of them this week, is that Frankie Vaughan got his stage name Vaughan from his Jewish grandmother who always referred to him as her 'number von'!

There were a record 170 magic dealers at the recent Blackpool Convention, all seemingly doing brisk business and supported by the thousands of excited magicians, who no doubt couldn't wait to get home to unpack their new purchases.

So, here's a question to finish with. How many of these new miracles do you think will ever actually be performed, or will they end up unloved in boxes in magic dens around the globe?

Food for thought, but quite a few, I suspect!

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5. March Issue Genii Magazine
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Message by Richard Kaufman - Editor Genii Magazine

Only $35 a year? Visit The Magic Castle each year as a subscriber to Genii? YES AND YES!
Subscribe today for these benefits and many more at www.geniimagazine.com.

In our March issue: The smooth light Southern drawl I hear is Pop Haydn making a pitch for his miracle elixir. It didn't take long for me to plunk down the cash for a bottle. What I got was something that amazed and amused, mystified and delighted … Pop Haydn's company for several most pleasant hours doing the interview for this month's cover story written by Dustin Stinett. Pop is an extremely engaging performer-a perfect example of great presentation and technique, combined with superb taste in tricks.

Our illustrious line up of columnists this month include: "Thoughts," in which Rafael Benatar explains things your pinky can do that you may not know about.

"Magicana," in which Jamy Ian Swiss explains-I can't believe I'm typing this-a sandwich trick. But it's from Ben Seidman, so it must be a great sandwich trick.

"Expert at the Kids' Table," in which David Kaye relates the tale of a kids' show magician who drove to his gig only to discover he left his props behind!

"Chamber of Secrets" in which John Gaughan is brought before The Learned Judge only to be taught a trick with cigars and playing cards.

"Cardopolis" in which David Britland teaches a presentation of the "Invisible Deck" by Pat Page conjured for a TV show.

"Panmagium," in which Jonathan Pendragon takes "Copentro" and beats it down to size, getting rid of odd-looking props.

"Artifices," in which Roberto Mansilla explains a Spanish card trick in English, though it's still in Spanish.

"Exhumations," in which Jon Racherbaumer, who recently turned 84, teaches a trick that involves Dani DaOrtiz, Hofzinser, and something else.

"The Eye," in which Vanessa Armstrong tantalizes you with tidbits of intriguing news.

"Knights at The Magic Castle," in which Shawn McMaster writes about performing at The Magic Castle while trying to catch all the other acts so he could write his column.

And of course, as we exit February, our issues ties up with reviews of books, tricks, and videos from David Britland, Mark Phillips, and Joe M. Turner.

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6. April Magic Castle Performing Schedule
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April 1 - 7, 2024

Close-Up Gallery
Cocktail: Rob Herritt
Early: Adam Elbaum
Late: Jeff Kellogg

The Parlour of Prestidigitation
Early: Paul Vigil
Late: Harrison Greenbaum

Palace of Mystery
Jonathan Levit
Elias Arbuckle
Devlin
Max Davidson (Sunday)

Saturday & Sunday
Palace Show

Devlin
Max Davidson
Ben Nemzer

Peller Theatre
Jacob Greenwald
Dan Winter
Charlie Phillips

The Hat and Hare
Nick Dopuch
Mike Pisciotta
Bob Gebert

Library Bar
John Accardo

Friday Lunch
Adam Elbaum

Saturday & Sunday
Parlour Kids Show
John Reid

April 8 - 14, 2024

Close-Up Gallery
Cocktail: Dan Trommater
Early: Abby Segal
Late: Jason Flores

The Parlour of Prestidigitation
Early: Patrick Livingstone
Late: Riccardo Berdini

Palace of Mystery
Shoot Ogawa
Hannah
Taiga Saito
Yosuke Ikeda

Saturday & Sunday
Palace Show
Shoot Ogawa
Hannah
Taiga Saito
Yosuke Ikeda

Peller Theatre
Chuck Jones
Kerry Ross

The Hat and Hare
Nick Dopuch
Mike Pisciotta
Bob Gebert

Library Bar
Lauro Castillo

Friday Lunch
Abby Segal

Saturday & Sunday
Parlour Kids Show
Jimmy H

April 15 - 21, 2024

Close-Up Gallery
Cocktail: Dana Pleasant
Early: Rune Carlsen
Late: Johnny Ace Palmer

The Parlour of Prestidigitation
Early: Bruce Kalver
Late: Rob Gould

Palace of Mystery
Ben Profane
Pit Hartling
Helge Thun
Manuel Muerte
Jorg Alexander

Saturday & Sunday
Palace Show
Chris Mitchell
Sean Rader
David Zirbel

Peller Theatre
Franco Pascali
Derek McKee

The Hat and Hare
Nick Dopuch
Mike Pisciotta
Bob Gebert

Library Bar
Adam Wylie

Friday Lunch
Rune Carlsen

Saturday & Sunday
Parlour Kids Show
Magical Kimba

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7. I.B.M. Annual Convention - Tacoma
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We look forward to seeing you in Tacoma July 10-13, 2024

Click here to register:

https://www.magician.org/convention/online-registration-2024

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8. Magic Museum Bellachini - Episode 67
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Message by Wittus Witt (Germany)

First of all, I would like to thank many readers of this periodical for their feedback. But the first thanks goes to "our" faithful and reliable editor, Alan, who always manages to put out episode after episode. And I know what I'm talking about. My bi-monthly Magische Welt magazine is sometimes too much for me. I could never publish a magazine 12 times a year. What a lot of work.

On the other hand, I can say with some pride that in the last 23 years that I have been publishing "Magische Welt", not once has an issue appeared late. No matter what situation I was in, either privately or on business. The "MW" was always on time!

The next issue will also arrive in subscribers' mailboxes on time. The articles by Prof. Dr. Hohlfeld, Roman Ertl and Birgit Bartl-Engelhardt are particularly interesting.

Hohlfeld writes a series on the subject of psychology and the art of magic. In it, he looks at how some effects can come about. In the current issue, he deals with the well-known Slydini trick "Paper Balls over the Head". What actually happens to the spectator? Roman Ertl reports on two magic theater programs that recently played in Hamburg. One is an evening by mentalist Aaron Crow and the other involves a lot of magic in a "real" play.

Birgit Bartl-Engelhardt - she is the granddaughter of the magic dealers Rosa and János Bartl - went to see the premiere of a play in Berlin that deals with the idea: What if ... Jews had not stayed in Germany. Birgit's great-aunt was the famous Berlin magic dealer Charlotte Kroner, who also had a magic store in Berlin until the Second World War.

I wish YOU ALL could speak German as well as we can speak English ... A pipe dream ...

See you next week
Wittus
www.hamburger-zaubermuseum.com

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9. Tales From The Fantastic Magic Center - #79
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Message by Kent Cummins, Director (US)

The Magic of Books

Magicians hide their secrets where nobody will find them…in books! I have loved magic books ever since the instruction booklet from my first A.C. Gilbert Mysto Magic set, and now have a personal library with thousands of books and magazines on magic and related arts. (And yes, that includes the original Mysto Magic instruction booklet!)

As a retired U.S. Army Lieutenant Colonel, I have had the opportunity to travel around the world…and everywhere I go, I look for magic books. I remember asking for "Zauber books" at a bookstore in Germany, and being taken to a section on "Health" because of the way I mispronounced the German word for magic.

I found some wonderful classic magic textbooks written in French, a language which I have never spoken, but I still love those books. While in Italy with my wife, I found a bunch of "Mandrake the Magician" comics…in Italian, of course.

And I was amazed to find out that the Tarbell Course in Magic was available in Hangul…the Korean language! The characters look like Chinese or Japanese to typical Americans, but I recognized the characters as being from Korea because of the thirteen months I served there.
If I could only keep one it would be the Mark Wilson Complete Course in Magic.

I am in awe of the quantity and quality of work that went into producing this volume. I have copies of more nearly a dozen different versions of this book here in my library at the Fantastic Magic center.

In addition to reading books, I also have written more than a few. Most of these are now available at www.MagicWordsPress.com.

The Fantastic Magic Center is dedicated to preserving and sharing the art of magic. But I can't do it without your help.

My Patreon account is the same place as my free weekly podcast:
www.FantasticMagicCenter.com
kent@magichotline.com

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10. Destined To Be - John Carey #226
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Message by John Carey (UK)

Destined To Be is a very solid and fooling approach to a card prediction. There's a nice premise, it's hands off and strong. Take an unusual backed card, say Two of Diamonds and pop it inside a small envelope. In your working deck place the Two of Diamonds fourth from top. That's your prep, let's discuss!

"Mick, playing cards are not just used by magicians and gamblers. For generations they've been utilized as a tool for divination by psychics and fortune tellers as a means to do readings about their subjects. Today we are going to combine the past, present and future to arrive at your destiny. Not your ultimate destiny of course!"

So bring out your props and set the envelope aside casually without fuss. Riffle shuffle retaining your target card fourth from the top. Hand the deck to your participant and have them do the classic Jay Ose False Cut on themselves, retaining your set up. Comment on the word past and have them deal and spell the first three cards face-up into a packet and then deal the next card, the Two of Diamonds, face-down on top.

Then have them repeat these actions for the word present, dealing the last card of the spell face-down onto the tabled packet. Finally have them do the same for the word future, dealing face-up and spelling and dropping the last card of the spell face-down as before. Get them to turn the rest of the deck they hold face-up and drop it onto the tabled cards. Ribbon spread showing three face-down cards isolated in the face-up spread.

"So you've given the deck a mix and stopped at three different locations using the past, present and future. Everybody has memories of their past. The highs and the lows. At present you seem quite content and happy in your demeanour. But nobody knows what the future holds, which is why it's so important to enjoy the love and support of family and friends in your day to day life. Please take those three cards out and mix them."

Your participant mixes the three face-down cards in their hands. Instead of using equivoque to force the target card we will use a rather sneaky ploy I like to use in the classic Vernon Trick That Cannot Be Explained. After they've mixed the three cards ask your helper to turn the packet
face-up. If your target card is on the face that's golden. Have them deal the card to the table and discard the other two cards. If it's not on the face though, no problem. Immediately ask them to cut the packet and complete the cut.

If the target card is cut to the face they are instructed to deal it to the table and discard the remainder. But if they don't cut it to the face, no problem again! Simply ask them to turn the packet face-down and deal the top card to the table and discard the other two. This will be the Two of Diamonds. As you carry out the above gambits there must be no hesitation.

Build up the conditions of what's taken place and direct your participant to open the envelope and remove the contents. A perfect match is revealed that was destined to be!

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E-zine Archives
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Back issues of the Magic New Zealand e- zine go to:
www.magicnewzealand.com

Click on the red button centre right "Archives"

When you enter the archive the e- zines are in issue order in folders for each year and are Coded, e.g. 001 Nov06 1999.txt first three numbers (001) denote issue number, then the date (Nov06) and the last figures the year (1999)

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Privacy Policy And Copyright Notice
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Our subscriber list is NOT made available to any other companies or individuals. We value every subscriber and respect your privacy.

You can subscribe to or unsubscribe from the Magic New Zealand® E- zine at: www.magicnewzealand.com

Magic New Zealand® E-zine is published each Sunday.

The opinions and statements expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson QSM vouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine.

Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson QSM, jointly or individually liable or responsible in any way for the opinions or statements contained therein.

Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted.

Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e- zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted.

All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®.

Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

© Copyright 2023 Alan Watson QSM
www.magicnewzealand.com
http://twitter.com/#!/magicnewzealand
www.watson.co.nz
www.balloon-twister.co.nz


Privacy Policy and Copyright Notice

Our subscriber list is not made available to any other companies or individuals. We value every subscriber and respect your privacy. You can subscribe to or unsubscribe from the Magic New Zealand® E-zine at www.magicnewzealand.com Magic New Zealand® E-zine is published each Sunday. The opinions expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson QSMvouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine. Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson QSM, jointly or individually liable or responsible in any way for the opinions expressed therein.
Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted. Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e-zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted. All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®. Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

Copyright © 2023 Alan Watson QSM.


Magic New Zealand® E-zine