* * * * * * * * * * * * * * * * * *
* Magic New Zealand®
* * * * * * * * * * * * * * * * * *
Issue Number: #1751
Date: Sunday 11th February 2024
Editor: Alan Watson QSM
www.watson.co.nz
E-mail: Editor@magicnewzealand.com

================================
Hi here is the latest news
================================

1. Editor's Message
2. Artifice, Ruse & Subterfuge: The Expert at the Card Table
3. 2024 VANISH Valentine Awards
4. February I.B.M - Tacoma Convention
5. No Stone Unturned - Paul Stone - Article #144
6. FISM - Fred Roby & Angela's Fund For Young Magicians
7. MAGIC Live!
8. Magic Castle Performers February/March 2024
9. Magic Museum Bellachini - Episode 64
10. Tales From The Fantastic Magic Center - #76
11. Free Will 2020 - John Carey #223
12. E-zine Archives
13. Privacy Policy And Copyright Notice

--------------------------------------------
1. Editor's Message
--------------------------------------------
IMPORTANT NOTICE : Michele and I will be away from home on holiday for three weeks.

***The next Magic New Zealand e-zine will be published on Friday 8th March. ***

If you would like to read the Magic New Zealand E-zine in HTML format go to: http://www.magicnewzealand.com/ezine-archive/2024-Jan-to-Dec-2024/1751-Feb11-2024.html

If you would like to write a regular column for Magic New Zealand or
have some magic news drop me a line:
Editor@MagicNewZealand.com

-------------------------------------
2. Artifice, Ruse & Subterfuge: The Expert at the Card Table
-------------------------------------
Message sent by Peter Wallace (US)
A documentary on the book The Expert at the Card Table by S. W. Erdnase, the mystery that has surrounded it's authorship and the impact it has had on the magic and gambling community since its first publication in 1902.

https://youtu.be/KTVpY3ZPoIk?si=Ftth7pgQ0p9BgzG8

-------------------------------------
3. 2024 VANISH Valentine Awards
-------------------------------------
Message by Nick Lewin (US)

It is my pleasure to announce our third annual VANISH Valentine Awards.

These rather unscientific awards are presented directly from the heart and designed to shine the spotlight on people in the magic world who make a difference. Our past winners have included, Jeff Hobson, David Blaine, Connie Boyd, Bill Smith, Carisa Hendrix, Colin Cloud, Vanishing Inc, David Sandy, Lance Rich, Guillermo del Toro, Scott Wells, and other magic luminaries. I am now delighted to announce the winners of the 2024 Valentine Awards.

Diana Zimmerman
Magical Performer, Producer, Mentor, and Author

Alan Watson
For his Continued Contribution to the Digital Magic Scene with Magic New Zealand

Sean Rader
An Outstanding Young Magician on his Way to the Top

Nathan Coe Marsh
A Stellar Ambassador for the Magic World

Jack Goldfinger
Magician, Philosopher, and Magic Castle Booker "Par Excellence."

-------------------------------------
4. February I.B.M - Tacoma Convention
-------------------------------------

More Talent Announced for I.B.M. Convention in Tacoma, Pierce County, Washington, USA.

Early Bird Registration for Convention Ends February 29th

These exciting and fun magicians have just been announced for the I.B.M. Convention this July in Tacoma, WA…

Derek Hughes
Michael Vincent
Henok Negash
Cassandra
Ben Nemzer

They will be joining Michael Ammar - our Guest of Honor, and an impressive pool of talent who will amaze and amuse you at our annual "family reunion."

Please Note: Early Bird Registration Ends February 29th! You can save $60 by registering today!

Go to register:
https://www.magician.org/convention

-------------------------------------
5. No Stone Unturned - Paul Stone - Article #144
-------------------------------------
Message by Paul Stone (US)

I was watching the BBC News a couple of days ago, and there was a feature on football - soccer to our American friends. Why you might ask would that have interest to readers of Magic New Zealand. Don't stop reading, I'll explain.

The feature was about an initiative set up by a young football star called Trent Alexander Arnold from my home club in England, Liverpool Football Club.

The project is called 'The After Academy'. All over the world from Brazil to Argentina, and from England to Germany, France and beyond, professional football clubs are scouting what they perceive to be the best young talented footballers, from as young as 5 years old, to train them in their Academies.

The idea is, of course, to unearth a gem, that can in today's world, be worth literally millions of pounds to the club. And occasionally, very occasionally, it happens, but for every David Beckham and Lionel Messi, there are thousands and thousands of young hopefuls who have often been attending the academies for several years who don't make the grade and are released by the clubs without any plans for their future. The clubs pretty much abandon them.

'The After Academy' has been specifically set up to support these young players and help them through what can be a traumatic time for many of them.

Stay with me, I'm getting to the point! Why is it that so few make the grade? Most of these young players are really talented, some of them extraordinarily so.

But like many professions in life, it isn't always the best and brightest that get to the top. It takes a lot more than just talent to succeed at the highest level. Right up there on the list is perseverance, that 'never give up' attitude.

And this is also true for all entertainers. Dancers go to dozens of auditions, and are knocked back again and again, but they keep going, hoping that one day, they get their break.

Some of the most successful magicians, Siegfried & Roy, David Copperfield, Criss Angel, have all overcome adversity, and haven't always had it easy. But they were all driven. And that is what it takes to become a Star.

They are all brilliant at their craft, but there are many magicians around the world also with wonderful talent who don't achieve anywhere near the same level of success. Of course, it goes without saying that to be successful, you've got to be good, that's a given, but it is just the start.

It has to be your passion, you must have a definite plan of where you want to go, and you have to make sacrifices, and be focused on nothing else, 24 hours a day. And even then, there's no guarantee, and you'll need some luck.

But there is often truth in the old saying . .. the harder you work, the luckier you get.

-------------------------------------
6. FISM - Fred Roby & Angela's Fund For Young Magicians
-------------------------------------
Message by Andrea Baioni
FISM International President
FISM Europe President

We recently announced the "Fred Roby & Angela's Fund for Young
Magicians" - a noteworthy initiative aimed at nurturing young talent in
the field of magic.

Thanks to a generous donation of ?30,000 from Angela Roby, the fund will
support young magicians competing in the FISM World Championships of
Magic for the years 2025, 2028, and 2031.

Enclosed with this email is the FISM Newsletter (No. 136) detailing this
initiative. Additionally, I have attached a link to the page on the FISM
website for your reference:
https://fism.org/organization/fund-for-young-magicians/

-------------------------------------
7. MAGIC Live!
-------------------------------------
Message by Stan Allen (US)

The next MAGIC Live! will be August 4-8, 2024.

We're still offering a convenient payment plan, with five monthly
installments of $96 (plus $2 fee).

Each registration includes tickets to all performances, access to all
sessions, workshops, special events, parties, and our dealer room, as
well as all giveaway items.

Should you have to change your plans, your registration is 90%
refundable through June 3, 2024.

If you're not familiar with MAGIC Live! and why it's like no other
convention in the world, I encourage you to visit our website. Or better
yet, ask a friend.

Please consider joining us in Las Vegas. Registration is now open, and
surprises away!

Stan
MagicConvention.com

-------------------------------------
8. Magic Castle Performers February/March 2024
-------------------------------------
The Magic Castle, Hollywood

Feb 12 - 18, 2024

Close-Up Gallery
Cocktail: Chris Canfield
Early: Edward Oschmann
Late: Aki Mitsui

The Parlour of Prestidigitation
Early: Handsome Jack
Late: Norberto Jansenson

Palace of Mystery
David Kovac
Lindsay Benner
Dan Birch

Saturday & Sunday
Palace Show
David Kovac
Lindsay Benner
Dan Birch

Peller Theatre
Andy Amyx & Georgia
David Zirbel

The Hat and Hare
Nick Dopuch
Mike Pisciotta
Bob Geber

Library Bar
Adam Wylie

Friday Lunch
Edward Oschmann

Saturday & Sunday
Parlour Kids Show
Chris Mitchell


Feb 19 - 25, 2024

Close-Up Gallery
Cocktail: Barry Fernelius
Early: Jeff McBride
Late: David Gabbay

The Parlour of Prestidigitation
Early: Eric Buss
Late: Dan Sperry

Palace of Mystery
Bill Cook
Eden
Juliana Chen

Saturday & Sunday
Palace Show
Bill Cook
Eden
Juliana Chen

Peller Theatre
Alex Huang
Byron Leung

The Hat and Hare
Nick Dopuch
Bob Gebert

Library Bar
George Tovar

Friday Lunch
David Gabbay

Saturday & Sunday
Parlour Kids Show
Eric Buss


Feb 26 - Mar 3, 2024

Close-Up Gallery
Cocktail: Edmund Apperson
the Southern Scoundrel
Early: Toto
Late: Paul Draper

The Parlour of Prestidigitation
Early: Stan Gerson
Late: Tetro

Palace of Mystery
Jonathan Neal & Liane
Juan Colas
Arthur Trace

Saturday & Sunday
Palace Show
Jonathan Neal & Liane
Juan Colas
Arthur Trace

Peller Theatre
Tyler Rabbit
Jackson Ridd

The Hat and Hare
Nick Dopuch
Mike Pisciotta
Bob Gebert

Library Bar
Nick Dopuch

Friday Lunch
Toto

Saturday & Sunday
Parlour Kids Show
The Arty Loon Show


Mar 4 - 10, 2024

Close-Up Gallery
Cocktail: Joshua Ng
Early: Gogo Cuerva
Late: John Shryock

The Parlour of Prestidigitation
Early: James Rightmire
Late: Howard Blackwell

Palace of Mystery
Larry Wilson
Julius Frack
Mondre

Saturday & Sunday
Palace Show
Larry Wilson
Julius Frack
Mondre

Peller Theatre
Mark Furey
Brian Ochab

The Hat and Hare
Nick Dopuch
Mike Pisciotta
Bob Gebert

Library Bar
Lauro Castillo

Friday Lunch
John Shryock

Saturday & Sunday
Parlour Kids Show
Brettso the Great

--------------------------------------------
9. Magic Museum Bellachini - Episode 64
---------------------------------------------
Message by Wittus Witt (Germany)

While I was preparing a new film for my YouTube channel and searching through old film recordings, I discovered a completely forgotten interview that I gave on Austrian television in 1996. The interview was recorded in the studio on the occasion of my guest performance in a Viennese theatre.

https://youtu.be/Edr8pNbC9_w

It was about mental magic, among other things, and I heard myself saying how I felt about this branch of magic back then (30 years ago). Mental magic is perfectly okay as long as the performer doesn't make the audience believe that he can create "supernatural" phenomena. How often have I heard mentalists say after a trick: "Was that real magic or just a trick? Decide for yourself."

I personally find this statement very bold and perhaps even arrogant. How is a spectator supposed to be able to decide between "real" magic and a trick? They can't. The most famous example is Uri Geller. He made people believe back then that he had supernatural abilities. What a lie.

No, I think magic ART must be and remain an honest art form, otherwise it will never be regarded in the same way as other arts. At least I have always realised that normal people have no idea what magic is. Either it was never an issue for them or they dismissed magic as a children's party.

In my museum, this experience is repeated almost every week. Visitors come in in disbelief and are then completely surprised when they learn that magic not only has a long tradition, but also that there is much more to magic than just performing a trick. I am delighted every time I can tell the guests in my museum about our wonderful art. Of course, I also explain a trick so that people recognise the genius behind it.

But an explanation should also be given with dignity and respect for our art. Simply saying: Look, this is how they want to deceive you, or: Look, this is how simple the secret is, is not respectful in my opinion. The fact that the "masked magician" explained tricks back then was never a serious issue for me, it was just the way HOW he explained them that I found unworthy of the art of magic. Every secret had to be invented once, and that's not easy and simple. The secrets of magic are ingenious and very intelligent, otherwise they could not enchant the audience.

I believe that this is very important to promote an understanding of the art. I don't want to leave the audience in uncertainty: is it a trick or is it something more. A viewer can never decide that.

See you next week

Wittus Witt
www.hamburger-zaubermuseum.com

--------------------------------------------
10. Tales From The Fantastic Magic Center - #76
--------------------------------------------
Message by Kent Cummins, Director (US)

Still More Circus Magic!

From my Backyard Circus while in the 4th grade to Ringling Brothers Barnum and Bailey, The Greatest Show on Earth, there has always been magic in the whole idea of the circus.

On a family vacation while I was a teen, we stopped in Sarasota, Florida, and I got to see the Ringling Magic Museum at their winter quarters. Sadly, it no longer exists, but I still have photos of me, taken by my mom, in front of classic magic posters and props.

I have also visited the circus winter quarters in Baraboo, Wisconsin, and in Hugo, Oklahoma…where I taught juggling to school kids.

I got to see the Hertzberg Circus Collection, which was housed in the San Antonio Public Library (now in the Witte Museum in San Antonio). It features costumes, photos, props and programs, but the highlight was a miniature circus under a miniature circus tent, with an electric circus train going around the exhibit.

But I can't leave the subject of circus magic without mentioning Circus Tihany, a spectacular magic circus under canvas that came to the Gulfgate Shopping center parking lot in Houston, Texas, late last century. I went with several magician friends, including CJ Johnson, mentioned last week.

The show was, as advertised, truly SPECTACULAR! Just when we thought it couldn't get any more amazing, the stage started spouting Dancing Waters. We were in the splash zone (front row seats), but we didn't care.

And of course, he had an elephant.

I think it is sad that circuses mostly can't have elephants any more. Farewell Ringling brothers Barnum and bailey. You were indeed "The Greatest Show on Earth."

The Fantastic Magic Center is dedicated to preserving and sharing the art of magic. But I can't do it without your help. My Patreon account is the same place as my free weekly podcast:

www.FantasticMagicCenter.com
kent@magichotline.com

-------------------------------------------
11. Free Will 2020 - John Carey #223
-------------------------------------------
Message by John Carey (UK)
http://www.johncareymagic.co.uk/
In my previous book, Reflections, I had a particularly strong version of the classic Free Will plot. This new version has been streamlined somewhat and really does create the illusion of freedom in the minds of the spectators.

You will need a blue and a green dice, a red and black spot card, and a double headed ten pence coin. On a file card or piece of paper write the following:

I will have the blue dice
You will have the green dice
I will have the red card
You will have the black card
The ten pence will land on heads!!!

Bring out the props and set the two dice together, a few inches from them put the two face-up cards, and finally a few inches from them the coin. Take out the folded file card or piece of paper and casually set it to one side without mentioning anything about it. Just do it. "Liam, as you can see I've brought along a few interesting objects this evening: dice, cards and a coin. Let's focus on the dice first. With your left hand pick up either one. The blue dice it is. Place it in front of you and I will do the same with the green dice.

Now the playing cards. Would you hold one in each hand please? Merely on impulse would you drop one now! Is there any way we could have known you would keep the red card? Please set it next to your dice. I will do the same with the black card. Finally pick up the coin and spin it on the table. It has landed on heads. You've done everything here, based purely on your intuitive or instinctive sense. Would you pick up that piece of card and open it? Please read out the first line, then the second, the third and finally the fourth. Impossible but true!!!"

Pretty strong if I say so myself. Let's deconstruct the details and variables so that you can add this to your repertoire. With the dice they have complete freedom of choice, but I play it out like Equivoque. Mark Elsdon calls this Noquivoque. I instruct them to pick up either dice with their left hand. If they pick up the blue dice they will read the prediction at the end a la Free Will. If they pick up the green dice you will read out the prediction later. So both of you have a dice in front of you.

The second phase is pure Equivoque. Whoever has the blue dice will get the red card. I ask my participant to hold a card face-up in each hand and on impulse just drop one. If they drop the red card I immediately ask if there's any way we could have known they would decide to drop that
card? They are then instructed to place it with their dice as I calmly take the black card and place it next to my dice. However, if they drop the black card my response is could we have known they would decide to keep the red card? Ask them to place that card next to their dice as you take the black card and set it down next to your dice.

The final phase is simple. Have them spin the coin on the table. Of course it will land heads up. Recap what has taken place, that it was all about them, and their decisions. Then either you or they unfold the prediction and read it out, pausing on each revelation. I've had so much fun with
this. Now it's your turn...

---------------------------------------------
12. E-zine Archives
---------------------------------------------
Back issues of the Magic New Zealand e- zine go to:
www.magicnewzealand.com

Click on the red button centre right "Archives"

When you enter the archive the e- zines are in issue order in folders for each year and are Coded, e.g. 001 Nov06 1999.txt first three numbers (001) denote issue number, then the date (Nov06) and the last figures the year (1999)

--------------------------------------------
13. Privacy Policy And Copyright Notice
--------------------------------------------
Our subscriber list is NOT made available to any other companies or individuals. We value every subscriber and respect your privacy.

You can subscribe to or unsubscribe from the Magic New Zealand® E- zine at: www.magicnewzealand.com

Magic New Zealand® E-zine is published each Sunday.

The opinions and statements expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson QSM vouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine.

Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson QSM, jointly or individually liable or responsible in any way for the opinions or statements contained therein.

Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted.

Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e- zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted.

All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®.

Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

© Copyright 2023 Alan Watson QSM
www.magicnewzealand.com
http://twitter.com/#!/magicnewzealand
www.watson.co.nz
www.balloon-twister.co.nz


Privacy Policy and Copyright Notice

Our subscriber list is not made available to any other companies or individuals. We value every subscriber and respect your privacy. You can subscribe to or unsubscribe from the Magic New Zealand® E-zine at www.magicnewzealand.com Magic New Zealand® E-zine is published each Sunday. The opinions expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson QSMvouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine. Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson QSM, jointly or individually liable or responsible in any way for the opinions expressed therein.
Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted. Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e-zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted. All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®. Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

Copyright © 2023 Alan Watson QSM.


Magic New Zealand® E-zine