* * * * * * * * * * * * * * * * * *
* Magic New Zealand®
* Proudly sponsored by International Entertainment Ltd (New
Zealand)
* * * * * * * * * * * * * * * * * *
Issue Number: #1643
Date: Sunday 31st October 2021
Editor: Alan Watson QSM
www.watson.co.nz
E-mail: editor@magicnewzealand.com
================================
Hi here is the latest news
================================
1.
Editor's Message
2. Milbourne Christopher Awards
3. FISM Quebec 2022
4. Magic Maxl - Youngest Penn And Teller Fooler
5. Around The Lounge By Jeff Bibik #4
6. Magical Women With Connie Boyd
7. News From The Academy Of Illusions
8. Pin Up - John Carey #139
9. Wes Iseli's Magiclife - Tom Ogden - S2E15
10. No Stone Unturned - Paul Stone - Article #35
11. The Orchante Saga - Beginnings
12. E-zine Archives
13. Privacy Policy And Copyright Notice
--------------------------------------------
1. Editor's Message
--------------------------------------------
If
you would like to read the Magic New Zealand e-zine in HTML
format
go to: https://www.magicnewzealand.com/ezine-archive/2021-Jan-to-Dec-2021/1643-Oct31-2021.html
If you would like to write a regular column for Magic New
Zealand or have some magic news drop me a line:
Editor@MagicNewZealand.com
--------------------------------------------
2. Milbourne Christopher Awards
--------------------------------------------
Message by David Haversat (USA)
To
be held at 6:00 PM on October 30, 2021 at the Garde Arts
Center - 325 State Street, New London, Connecticut. The
evening begins with a reception featuring fine hors d'oeuvres,
complimentary wine, cash bar - followed by the presentation
of the 2021 Christopher Foundation Awards. Festivities continue
with a performance by author, historian and noted magician
Scott Alexander.
-2021
Award Winners -
Illusionist Award - Joe Devlin
Close - Up Award - Michael Ammar
Ambassador of Magic Award - David Sandy & Lance Rich
Literary Award - Darwin Ortiz
Masters Award - Rob & Carol Allen
Lifetime Achievement Award - Chris Capehart
If
you have not done so, please RSVP with David Haversat -
Haversat@gmail.com - Checks made to: The Milbourne Christopher
Foundation
$20.00
Per Person.
Those
registered for the Christopher Awards may attend Jim Spinnato's
Comedy Magic & Hypnosis Shows live at Mohegan Sun Casino.
Friday
- October 29, 2021 - 6pm - Performers are Jim Spinnato and
Pete Haddad
Sunday
- October 31 , 2021 - 4pm - Performers are Jim Spinnato
and Mentalist Jon Stetson
Please notify David Haversat for free tickets to The Spinnato
show. Courtesy of Jim Spinnato for those attending the Christopher
Awards.
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3. FISM Quebec 2022
--------------------------------------------
9
months to go before FISM WCM in Québec City!
July
25 - 30 2022
The
venue:
Québec
City Convention Centre
Restaurants
The
Québec City Convention Centre is just minutes away
from dozens of restaurants of every kind and price range.
Home to French restaurants, microbreweries, bistros, sidewalk
cafés and much more, the city has earned an outstanding
reputation for its innovative cuisine, fine regional products,
and creative artisans and chefs.
Light
meals are available at the Convention Centre at Le Lounge
restaurant and the Petit Café.
The Centre is part of a complex that has two restaurants,
Le Subtil and La Prep, and a convenience store.
Free
WI-FI
Stay
Connected
It's
on Us!
The
Québec City Convention Centre is the first in Canada
to offer its clients free high speed Wi-Fi in all areas-just
one of the ways in which we are anything but conventional!
Convention Centre guests enjoy free wireless Internet throughout
the complex, day and night. Just open your browser, enter
your email address, and you're set! Visitors and attendees
are kept connected at all times with 15 Mbps connection
and unlimited data transfer. Coverage at the Centre extends
through every hall and common area, to every corner of the
building.
Green
and Proud!
Located
in the heart of a pedestrian friendly city, the Québec
City Convention Centre is proud to be green. Every event
held at the Convention Centre meets sustainable certification
standards. Protecting the environment is important for us
and for the health and wellbeing of your attendees, our
community, and the planet. Our team is constantly coming
up with new ways to improve our methods and takes tangible
action to uphold high standards of environmental management-earning
us a reputation for leadership in sustainable development
in the process. Our many certifications, including LEED-CI
(Gold), LEED-EB (Silver), BOMA BEST Level 3, and the AIPC's
Gold Quality Standard, testify to our determination to help
build a better, greener world.
Accessibility
The
Québec City Convention Centre meets the standards
of the National Building Code of Canada and the American
Disability Act and is rated "accessible to persons
with a physical impairment" by Kéroul. The Convention
Centre has an action plan to meet the needs of the mobility
impaired and is proud to be an inclusive and fully accessible
facility.
For
more information go to: https://www.fismquebec2021.com/
--------------------------------------------
4. Magic Maxl - Youngest Penn And Teller Fooler
--------------------------------------------
Message by Evelyn Strugnell (New Zealand)
Penn
and Teller Fool Us - Magic Maxl - Youngest fooler ever!
S08E02
The
youngest Fooler in the history of the show! The 14 year
old Magic Maxl from Germany amazes Penn & Teller and
Alyson Hannigan in the 8th season of Penn & Teller Fool
us with a floating egg!
https://youtu.be/oQVyW9ZDCog
--------------------------------------------
5. Around The Lounge By Jeff Bibik #4
--------------------------------------------
Message by Jeff Bibik (USA)
Chicago Magic Lounge
ChicagoMagicLounge.com
The
654 Club
Deluxe
ticket holders at the Chicago Magic Lounge are invited to
stay after the Signature Show for an extra performance in
our 654 Club. The name comes from the Sam The Bellhop routine
made famous in the 60's by Frank Everhart at the Ivanhoe
Restaurant in Chicago. The routine uses an entire deck of
cards to tell the story of Sam, who always runs down the
street to the 654 Club to get change for a hotel guest.
These days the routine is most associated with memorable
performances by Bill Malone.
The
654 Club features 43 raked theater style seats. Like the
Blackstone Cabaret every seat has a great view. There is
a full lighting and sound system. A blackjack style table
and some smaller side tables are available, and most performers
work seated for a set that is scheduled to be 30 minutes.
Some performers we've had could use a watch, as they go
over time. This is not really a problem on Thursdays and
Sundays, there is only one Signature show. It does become
a problem on Fridays and Saturdays because there are 2 Signature
shows a night and the rooms need to be turned to welcome
the late show guests.
A recent 654 performer went well over an hour, causing headaches
all around. That's this weeks, pro tip - stick to the time
you are given. A true pro knows their timing and delivers.
In some settings if you go over time you are throwing off
the entire show. Think of the big picture, and don't be
selfish because you're needy for attention. You are supposed
to leave them wanting more, not wishing for less!
The
main wall of the 654 Club is covered in memories of some
the great Chicago magic bars and restaurants of the past.
A club called A Little Bit of Magic went through several
iterations, losing parts of its name along the way. It went
to Little Bit of Magic until they lost the little sign then
it became Bit O Magic.
The
largest piece in the 654 Club is the actual street sign
from Chicago's New York Lounge. It was a very famous magic
bar just up Lincoln Avenue from Fran & Jay Marshall's
Magic Inc. They were an old school neighborhood bar and
the magicians were also the bartenders. It was said you
could have any kind of beer there, as long as it was Budweiser.
If you ordered something else they would pull out a Bud
and a marker, cross out the name and write in your choice.
Al James, Skeets and Heba Haba were regular performers.
Others included Mr Ash, Jimmy Kryzak, Bill Weimer and Ken
Mate. Bill Malone also spent time there.
Another
section of the 654 Club is devoted to Schulien's, a magic
bar with a long and well known history. Schulien's moved
to the north side in the 1920s into what was then a German
neighborhood. Matt Schulien was known worldwide for his
bar and table magic, passing the torch to his son Charlie
and then on to Grandson Bobby. The Schulien family finally
sold out in 1999, after almost 100 years. The walls were
full of photos of famous visitors and oddly, firemen's helmets.
They were friends with many fire departments, and they would
bring Charlie and Matt their retired helmets. Today we have
2 of those helmets on our wall, a gift from the Schulien
family.
Last
week I was wearing some cuff links with the Cadillac automobile
logo. Someone at the bar said "Are you the Cadillac
of Magicians?" I said "Yes, I'm overpriced and
out of date!!"
Next
week- The décor and historical artifacts of the Chicago
Magic Lounge.
--------------------------------------------
6. Magical Women With Connie Boyd
--------------------------------------------
Message by Connie Boyd (USA)
Anchal
Female Magician from INDIA and yes, A Monkey! on Penn &
Teller Fool Us Season 8 Episode 4
Anchal
Kumawat is a magician from India. When the @Penn And Teller
Fool Us HD producers reached out to @Magical Women with
Connie Boyd earlier this year, to help recruit more female
magicians Anchal saw our posts on social media.
She
bravely submitted an act for Season Eight and her magic
act as selected to appear on the show. Watch Anchal's charismatic
performance from beautiful INDIA !
https://youtu.be/rgaXFiPP0Yk
--------------------------------------------
7. News From The Academy Of Illusions
--------------------------------------------
Message by Jay Scott Berry (Australia)
With
my students, I first emphasise building a strong foundation
of sleight-of-hand skills. I then focus on originality,
striving to create signature routines with distinctive presentation
and character. That's been my personal formula all along
and is derived from Maskelyne's writings on "The High
Art of Magic". Originality has taken the spotlight
this week at the Academy with both headline stories.
First
is the launch of the OMC - The Original Magic Competition.
Geno DeVille dropped all the details on the 6th GenoMania
Episode. The basic rules are simple: Submit a trick or effect,
no longer than 2.5 mins, to the DeVille Magic FB page, before
20th December 2021. It's FREE to enter with a trove of prizes
to the winner. The main focus will be on, you guessed it,
Originality! As Geno says, "This is all about pushing
the Art forward". Find all the details at www.DeVilleMagic.net
Second
is that Rod Chow just won the PCAM Gold Medal and the People's
Choice Award! Rod is a longtime friend and one of my top
students. His commitment to excellence and attention to
detail is truly exemplary. He was the closing act on last
month's Excelsior Gala and was featured on the Darkstone
Dossiers Mentoring Mini Series. On behalf of the Academy
I give him a virtual standing ovation. Rod Chow's original
Astrology Act is winning the hearts of magicians and muggles
alike! You can watch it on the Academy FB Page.
The
premiere release in our Series of Digital Downloads is an
instant hit. "Get Reel" is being called "The
definitive work on Silk & Reel Magic!". Aussie
Pro, Daz Buckley, wrote, "I cannot recommend this highly
enough. I thought I knew about reels for magic. Boy, did
I learn a thing or ten! The techniques taught on this will
revolutionise reel magic, and that is not hyperbole. That
is a stone cold fact. If you want to learn how to use reels
to perform incredible magic, then this is your last stop.
Incredible!"
This
week's ZoomStorming Sessions were intensive Masterclasses
on the Topit. Spanning 100 years of evolution, from the
original 'Poachers Pouch' to the many designs and creative
contributors: Salvano, Cloutier, Ammar, Fitch and Cellini.
Demonstrating many different designs, I asked the proverbial
question, "Which is the best?". I then busted
the myth that a Topit requires a jacket by showing my Shirt
Topit and explaining its use in Vests, Tails and Hoodies.
After demonstrating my designs and applications, I finished
by showing how to make a working Wraparound Topit in just
5 minutes from a square of cloth. In the end, the proverbial
question was easily answered, with no ambiguity, "The
one that works best for you."
In
this week's Illusioneering, I talked, in detail, about the
"Get Reel" project, teaching some of the bonus
material. I also set the Way Back Machine to 1985, Vienna,
reminiscing about the most amazing run of shows I've ever
done. My co-Stars in this trip down memory lane were The
Pendragons, Finn Jonn, Vito Lupo, Salvano, Terry Herbert
and Phillipe Socrate. Finally, I taught how to make a Sparkling
Magic Wand, as a keepsake giveaway, using only 2 Pipe Cleaners.
Finally...we
just dropped the 3rd episode of Alan Watson's "Seven
Secrets" Series to the Academy Page and The Art of
Wonder Group. There is such a wealth of information in these
presentations! We are grateful that Alan has allowed us
to add these into our Curriculum.
-------------------------------------------
8. Pin Up - John Carey #139
-------------------------------------------
Message by John Carey (UK)
http://www.johncareymagic.co.uk/
No,
not me! Here's a further exploration of the first part of
the 1089 concept we discussed in the previous piece, this
time used as a PIN revelation. Materials-wise, all we need
are a couple of business cards, a pen, and a willing participant.
"Michael,
today we are going to attempt something rather interesting
using numbers. They're everywhere we go so let's have some
fun." After this light hearted introduction I ask my
participant to take out their phone and open up the calculator.
Request that they make sure the screen is clear before you
proceed. "If I asked you to type in your PIN number
right now it might intrigue you, but I wouldn't be comfortable
trying to work with your personal information.
So
instead, make up a four digit pin for me now, making each
digit different. Is there any way I could know that pin?
Fine now I want you to flip those numbers on their head.
Press the
minus key and type in the reverse of those digits. So if
you typed in 1234, you would type in 4321, ok? Press the
equals key and you will now have a random total that quite
simply nobody but you know, yes? Finally, and just in your
mind, add up those digits to form a two digit number, then
turn your phone off. Pick up a business card and on the
back write those digits down."
So,
as in the proceeding effect this will force 18 upon them.
We will now utilize my dear friend, Michael Murray's brilliant
Springboard concept which will enable us to bring home a
little miracle.
"Michael,
we will now play a little game known as higher and lower.
Focus on that first digit on the card please. You're going
to make a third digit with it by going higher. Do you wish
to go one, two a couple higher or maybe three or four? Three
higher? Ok based on your answer write that new digit next
to your first two please. Finally, focus on the second digit.
Now
you will go lower. How many lower, do the math? Two lower?
Fine. Based on that please write that digit in your mind
next to the other three, thus forming a PIN number that
you and only you know." So let's discuss the above.
Because you know the first digit is a one, if
they say three higher the third digit they write down will
be four. Likewise because you know the second digit is eight,
if they say two lower, their fourth digit they write down
will be six. It's a simple but beautiful idea. "Now
I want you to send me your thoughts, one number at a time."
Pick up the other business card and act out the moment,
feigning concentration and eventually, in this example writing
down the PIN number 1846. Ask your participant to show their
PIN number and then dramatically reveal a perfect meeting
of the minds as you display your PIN number matches perfectly.
This
effect is perfect for relaxed social situations. Just don't
attempt it on someone three sheets to the wind on beer!
--------------------------------------------
9. Wes Iseli's Magiclife - Tom Ogden - S2E15
--------------------------------------------
Message by Phillip Peterson (US)
Wes Iseli is a full time professional Magician and Illusionist
who performs all over the US with his family. This podcast
will include magic stories, road stories, family stories
& more.
Tom
Ogden - S2E15
In
this episode we talk to comedy magician Tom Ogden. We talk
about his appearance on World's Greatest Magic and his days
as a cruise magician. We talk about his move to Hollywood,
the Magic Castle, and much more.
https://anchor.fm/wesiselismagiclife/episodes/Tom-Ogden---S2E15-e19681f
--------------------------------------------
10. No Stone Unturned - Paul Stone - Article #35
--------------------------------------------
Message by Paul Stone (US)
A
question that I, and I'm sure every magician, is regularly
asked is 'so how did you get into magic?'
In
my case, I was at a boarding school in North Wales and they
hired a magician for their Christmas Party. I was ten years
old and although I didn't know it at the time it was the
start of what was to become a lifelong passion.
Whenever
you see an interview with the world's greatest magicians,
they often talk about who their mentors were and how much
they owe to them for introducing them to this amazing art
form.
Magic
is much more 'out there' and accessible today but, when
I first showed an interest, it wasn't so easy to discover
where to go to learn. Mind you, it was before Noah built
his ark!
In
many ways it was a better situation then because if you
wanted to find out more you either went to the library or
bought a book.
Sadly,
in the impatient world we live in nowadays, where everybody
wants instant results, less and less people read books and
instead watch DVD's or downloads.
I
was lucky because in my home city of Liverpool there was
a small magic shop called the 'Wizard's Den'. It was there
that I bought my first Svengali Deck and then Sucker Silks
- which I still think is a really strong and entertaining
effect.
I
was also allowed to become a member of the Liverpool Mahatma
Magic Circle, one of the oldest magic societies in England,
which celebrated its Centenary in 2015. It was there that
several of their more senior members, including a name that
many older magicians will know, Bob Ostin, took me under
their wings and taught me so much.
I
was honoured to become President of the Mahatma on four
separate occasions, and I have so many happy memories. Magic
clubs are the heartbeat of all who share this wonderful
hobby of ours.
But,
as I reached my early teens, I wanted to expand my repertoire
and the local magic shop didn't have a huge range of tricks.
However,
I met someone in the shop who told me about the magic shops
in London, and that was my introduction to Ken Brooke's
Magic Place in Wardour Street in the heart of Soho, and
Davenports which, at that time, occupied a prime position
directly across the road from the British Museum on Great
Russell Street in London's West End.
Ken
Brooke became my mentor and I spent hundreds of hours in
his studio learning the business from this master demonstrator.
I also spent many hours in Davenports watching and listening
to the one and only Patrick Page.
Pat
was not only a fine performer, he was also a walking encyclopedia
of magic. Standing behind the counter of this large oldy-worldy
shop, he would hold court, and pro's and hobbyists alike
would listen to his words of wisdom.
Occasionally
Betty Davenport would appear from the back of the shop too.
The Davenport family, and Betty and Fergus Roy in particular,
have given so much to the world of magic. It's wonderful
to know that they are still very much with us and healthy.
Fergus
is once again organizing his renowned Collectors Conference
in London in 2022. He always puts on a first class event
with an impressive line-up, and I'm very much looking forward
to being a part of it next year.
-------------------------------------
11. The Orchante Saga - Beginnings
-------------------------------------
Written by the late Tommy Orchard (The Amazing Orchante)
Of
Booking Agents, Variety Artistes and Other Things
One
would have to say that the Variety Artists in Sydney were
spoilt by choice considering the vast number of venues they
could work in, and the scores of agents who booked the acts
into them. The 'Encore-Showcast Variety Directory of 1978
lists 97 Agents and 369 Registered Clubs in and around Sydney
alone, and that's just the registered ones. I know that
at least ten years earlier, there was a hell of a lot more
clubs than that! Of the 97 Agents, 63 booked 'Sight' Acts.
All
these Agents had several types of acts under 'Management
and Exclusive Representation' in their stable; and many
of the Top Agencies also had exclusive booking rights to
International
'NAMES', who came into Australia quite regularly for a season.
Our Agent Brian Fogarty represented 14 acts (including ourselves)
that ranged from Vocal and Instrumental Duos, Trios and
Groups, Male and Female singers, Comedians, Instrumental
Specialists and Hawaiian Instrumental/Dancers/Vocalists.
He also had the sole booking rights for Winifred Atwell
- 'Queen of the Keyboard' (until her death many years ago),
and Buddy Loren, an American
Impressionist/Comedian/Vocalist. We were the only 'Sight
Act', on Brian's books.
Each
agent had exclusive booking rights with several clubs, and
the only way an agent could get his acts booked into another
agents clubs was to strike up a deal, where they would trade
acts
to work in the others venues. It was great system because
it kept all the entertainers in solid work. Where it did
fall down was when different agents didn't like each other;
no matter how great a certain act was, if they were being
managed by a 'detested' agency, Tough - they didn't get
booked, and that meant a loss of potential income to the
particular artist, in fact, all of the
artists on the 'detested one's' books! I know that we lost
work because of this petty jealousy between various agents
- all artists did.
The
only solution to the problem was to drop your agency and
their management, and go Independent. It was a big gamble
because unless you had a 'Name', you would go downhill,
big time, fast! You just had to be well known by all agents,
even those who had never booked you previously, mainly for
the reason I stated above. Going 'DIRECT' obviously meant
that you took over all the responsibilities that your agency
had done for you, looking after your book, chasing jobs,
negotiating fees etc. You learnt to live with a telephone
that seemed to be permanently attached to your ear but Hey,
if you wanted to eat?
It
became a lot easier when some 'Bright Spark' came up with
the brilliant idea of a central booking centre. With one
phone call an agent, anybody, could find out if a particular
act or acts -
any type of artist, was available on particular dates. For
a yearly fee, any artist could register with: 'THE ARTISTES
ANSWERING CENTRE' (AAC). All you had to do was keep the
Centre
informed of all your bookings, times, availabilities etc.
There was no favouritism; they could, of course, offer advice
to a potential booker of the suitability of acts to particular
venues, which was to your benefit. There is nothing worse
than working for the 'Wrong Audience', NOT because your
show was - 'what's a four letter word for - CRAP'? It just
wasn't right for that particular venue or audience.
I
haven't got a clue right now who ran the AAC, not without
taking a dive into the bottomless, murky depths of my 'famed?'
aluminium trunk, searching for the answers that are floating
somewhere within its swirling mists of times past. Yes,
yes, I know, its non-poetic - unromantic. (Another four
letter word?) But, I like it! What I do know is that the
Principals of the AAC took the time to view every act that
registered with them, so that they knew what they were talking
about when describing and advising bookers in regards to
a particular artist(s). They also
advised the acts of any feedback they received, good or
bad, which again was to your benefit - any problems that
you weren't aware of; you could rectify, and improve your
performance. Agents loved the AAC because in the past, if
they had rung you for a booking, and you weren't available,
they had to telephone the next on their list ad infinitum,
until they got someone. Now one phone call did the job,
and their telephone bills were dramatically reduced, as
were the artists.
--------------------------------------------
12. E-zine Archives
---------------------------------------------
Back issues of the Magic New Zealand e- zine go to:
www.magicnewzealand.com
Click
on the red button centre right "Archives"
When you enter the archive the e- zines are in issue order
in folders for each year and are Coded, e.g. 001 Nov06 1999.txt
first three numbers (001) denote issue number, then the
date (Nov06) and the last figures the year (1999)
--------------------------------------------
13. Privacy Policy And Copyright Notice
--------------------------------------------
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© Copyright 2021 Alan Watson QSM
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