* * * * * * * * * * * * * * * * * *
* Magic New Zealand®
* Proudly sponsored by International Entertainment Ltd (New Zealand)
* * * * * * * * * * * * * * * * * *
Issue Number: #1545
Date: Sunday 24th November 2019
Editor: Alan Watson QSM
www.watson.co.nz
E-mail: editor@magicnewzealand.com
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Hi here is the latest news
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1. Editor's Message
2. The Amazing Johnathan Documentary
3. Potter & Potter Winter Magic Auction
4. The Magic Word Podcast
5. December 2019 Issue Of Genii
6. Broken Wand - Vince Carman
7. Wonderground News
8. Breaking S.A.M. Convention News
9. Just Between Us - John Carey #61
10. The Orchante Saga - Beginnings
11. E-zine Archives
12. Privacy Policy and Copyright Notice

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1. Editor's Message
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If you would like to read the Magic New Zealand e-zine in HTML format
go to: http://www.magicnewzealand.com/ezine-archive/2019-Jan-to-Dec-2019/1545-Nov24-2019.html

If you would like to write a regular column for Magic New Zealand or have some magic news drop me a line:
Editor@MagicNewZealand.com

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2. The Amazing Johnathan Documentary
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Article forwarded on by Peter Phillips (UK)

The Telegraph

The magician who cheated death: the unbelievable but (possibly) true story behind The Amazing Johnathan Documentary.

John Szeles - aka, The Amazing Johnathan - has broken records in Vegas, partied with Prince, and made magic more dangerous. But when a film-maker asked to document his impending death, he pulled off his greatest trick. Ralph Jones reports -

There are too many documentaries nowadays. Too many to watch, anyway. In a crowded marketplace, documentarians are therefore having to use cunning and bravado to make their work audible above the noise. So it is that Ben Berman, director of The Amazing Johnathan Documentary, finds himself proposing to smoke meth in the bedroom of a magician. It's one of several points at which you realise that this film, if you'll forgive the pun, is aiming high.
The magician...

https://www.telegraph.co.uk/films/0/magician-cheated-death-unbelievable-true-story-behind-amazing/

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3. Potter & Potter Winter Magic Auction
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Message by Potter & Potter Auctions

Absentee bids are now being accepted.

The Live Auction Begins On Saturday, December 14, 2019 AT 10:00 AM CST

Featuring selections from the collection of Giovanni Pasqua - aka Roxy - our Winter sale features rare conjuring books from the sixteenth century to the present day. Complementing the books from Roxy's collection will be an assortment of collectible props, Houdiniana, and choice posters.

potterauctions.com

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4. The Magic Word Podcast
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Message by Scott Wells, M.I.M.C. with Gold Star

Dan Fleshman and Mark Wilson on The Magic Word Podcast

Last week we had a delightful discussion with Dan Fleshman who gave some great tips, tricks and advice on performing magic in restaurants. And even if you aren't a restaurant worker but you enjoy performing close-up for cocktail parties, tableside or just for friends, I'm sure you'll find something in our conversation to stimulate you. Dan also managed comedy clubs in years gone by and he worked with many comedians who became household names. He tells some really good stories about those days. You can visit the website for videos, photos, the podcast and a chance to win a copy of his lecture notes on DVD (a $49.95 value) by visiting: https://www.themagicwordpodcast.com/scottwellsmagic/530-dan-fleshman

This week we feature a chat with Mark Wilson. To be clear, it is Mark Connelly Wilson from Austin, Texas and not the one from the TV show, "Magic Land Of Allakazam." Mark C. Wilson is a storyteller, actor, producer, and teacher who plays the part of Merlin the Wise at Renaissance Festivals. In this week's podcast, Mark gives us valuable information about developing a memorable character. You can get it all at https://www.themagicwordpodcast.com/scottwellsmagic/531-mark-connelly-wilson

And don't forget to enter the contest for a chance to win a set of DVDs. The contest closes on November 27th.

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5. December 2019 Issue Of Genii
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Message by Richard Kaufman - Editor Genii Magazine

The December 2019 issue concludes our 20th year as stewards of Genii. We sincerely hope you are enjoying the magazine. If you don't already subscribe, but you join us now, your subscription will start with the January issue. Of course, all of our back issues, and all back issues of MAGIC magazine, are online for you to read. For only $35 you get tens of thousands of pages of the best our field has to offer. www.geniimagazine.com

Derren Brown is a mentalist, magician, hypnotist, mind-controlling star earning accolades on Broadway. In Britain he's a huge (GIGANTIC, REALLY BIG!) star and a household name. People in the United States are starting to fall under Brown's spell, which you can sample right now on Netflix, which picked up some of his U.K. specials. In addition to his many stage and TV shows and series, he's also written a number of books for both magicians and the public. Derren is an incredibly talented and likable man, and even Chloe Olewitz fell under his spell when she interviewed him for our cover story.

Oh boy, did we have a convention … a big convention! 30 artists, 640 attendees. I'm still tired. You can read all about why you should have been there this month.

It is the time of year when the new tricks from Tenyo sneak out into your editor's hands before their general release outside Japan. The Tenyo 2020 has six tricks, most great, and I'll give you the guided tour, which includes the official demonstration vides.

Alexander de Cova is a most clever fellow. When I read this month's installment of his column "Notizen," I saw a thing of genius. A simple alteration in the cutting of the secret slot in a coin envelope has created an achingly clever template for folding the bill you insert within into eighths. Quickly, too, and no monkey business from the front.

Do you like the idea of the "Card Duck," but are rather less excited about the daffy-looking apparatus? (See what I did there?) Jim Steinmeyer conjures up an Origami-inspired method that does not require a decoy … or a Daffy Duck.

Roberto Mansilla traces the cracks between pieces of pottery, and wonders if the material used to fill them is more important than the original piece, and how this intersects with the notion of filling in the moments in tricks that are normally empty.

It's an amazing thing when you can roll a Sharpie over a face-up card on the table and it changes as the marker moves across the face. Jeff Prace explains this more-than-worthwhile addition by Jeremiah Zuo to a classic card sleight in "Left-Handed."

Did you eat glue or paste as a kid? I did. Sometimes Playdoh, too. And once in kindergarten even sand from the sandbox. Anyway, David Kaye has some fun with Oreo cookies, kids, and white glue (non-toxic, of course) in "The Expert at the Kids' Table."

From Germany we have yet another odd essay by Helge Thun, whose meandering thoughts this time run to the topic of CONTROL, said in all caps and with a big hearty yell.

In "Cardopolis," David Britland takes a look at three items Malini was known to perform and speculates-as is often necessary with Malini, a man who set up elaborate climaxes to tricks (tricks that people would remember their entire lives) which he sometimes never got around to performing. Sometimes with a pork chop.

I saw something in these pages this month that made me look twice, and then again-a strange gimmick which you can find in John Gaughan's "Chamber of Secrets." If you have a few ribs removed, it might make you a star with a billiard ball act.

This month Jonathan Friedman does something in "Magicana" that is unusual: he devotes the whole column to one person. Who has the creativity and talent to carry that off? Why it's Nathan Kranzo!

Yes, we have news in "The Eye"; yes, we have reviews of books, tricks, and videos from Tom Frame, Danny Orleans, and Ryan Matney.

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6. Broken Wand - Vince Carmen
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Message by

Bart Whaley - Who's Who In Magic

Carmen, Vince

(Shelby, North Carolina: 19 Aug 1943- ) Stage name of James Cain. Learned at age 5 or 6 from gift Mandrake magic set. Worked as actor, musician, etc until c1964 when became pro illusionist. Toured Spain, Latin America (1979-80), New Zealand (1984 & 1991), California with Circus Vargas (1981). At Circus-Circus in Las Vegas 1988-89. Pet effects: Split Fans & such classic illusions as the Sub Trunk. Played the Zombie in horror film Body Shop (early 1970s). Articles in State of the Art.

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7. Wonderground News
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Message by Jeff and Abigail McBride (US)

You are invited to the biggest magic party in Las Vegas!

3 great different shows…

ONE night only! Never to be repeated!

November 21st, 2019

8pm Comedy Magic Show
Tim Wise is your host
Michael Mirth - Cryptic Conjurations
Louie Foxx - MagiComedy
Professor Phelyx - Enchanting Mind Reading
Derek Selinger - From P&T's FOOL US
Ryan Brown - Mysterious Manipulations

9pm Close Up, Parlor & Strolling Magic
Will Bradshaw is your host
Michael Mirth Opens his Cabinet of Wonders
Louie Foxx - Funtastic Magi-Comedy
Derek Selinger - Canada's Famous Mystery Man
Civi Civiac - Continental Conjurations
Professor Phelyx - Enchanting Encounters
Zack Patee at the Wonderground

10pm Variety Stage Extravaganza!
Ryan Brown - Rising Star of magic
Louie Foxx - Comedic Deceptions
Civi Civiac - Continental Conjurations
Niels Duinker - Gravity Defying Skills
Derek Selinger - Magic from the Shadows

All the Above Plus:

Photography by Sheryl Garrett. Bar Magic with Scott Steelfyre & Maggie, Corey Rubino, New World Rhythmatism Belly Dancers, Psychic Sideshow with Eliza - and many more surprises and special celebrity guests.

Abigail and I are looking forward to hosting you at the McBride House of Mystery, so when you visit Las Vegas, know that you can always come over for a class or event. There is always something new and amazing happening here! Just drop us an email at Jeff@mcbridemagic.com

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8. Breaking S.A.M. Convention News
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Message by Dal Sanders (US)

S.A.M. Past National President, Bruce Kalver has managed to juggle his schedule and will now be joining the S.A.M. Convention in Las Vegas for a special Lecture. Direct from the pages of MUM magazine, Bruce presents "Tech Tricks - LIVE!"

Always a popular event at conventions, you never know what Bruce Kalver is going to discuss from apps to gadgets, and cool toys that we are sure you will use in your performances. With over 50 years of performing and a self-proclaimed gadget guy, even non-tech geeks will enjoy this lecture. Bruce will also be around for the whole convention so feel free to ask him anything. He loves talking 21st century ideas!

We still have more surprises to announce, so follow us on Facebook or at
http://www.samconvention.com/

You know you're going, register now before the next price increase.

http://www.samconvention.com/las-vegas-2020/registration/

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9. Just Between Us - John Carey #61
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Message by John Carey (UK)
https://carey-scene.com/jc-main
Shannon Clark

This effect contains a string of unbelievable coincidences which lead up to a truly impossible surprise ending, all of this even though a spectator genuinely shuffles the deck from the start and
continues to do so throughout the effect. The FASDIU aspect of this trick make it a true worker for me and hands down one of my favourite effects.

Set up: None

The deck should contain two Jokers, but a pair of colour mates can be substituted if necessary.

Both Jokers will be removed in order to provide a quick and easy opportunity to look through the deck.

If you want to end the routine as powerfully as possible, you'll need a loading wallet of any style you prefer. Using a Mullica Wallet will of course negate any need for palming. Sans wallet, you can just as easily use an available pocket if you wish. Personally, I use a wallet to punch up the ending of the routine.

Phase 1:

Hand the deck out for shuffling while addressing someone in the audience. "Hi Taryn, I'd like to share something truly impossible with you, but first I need a favour. I'd like you to think of any card from a deck of playing cards. It can be any card at all, but please do try and make it tough for me."

When they have one you will ask her to name it (we'll assume the 10H), you immediately respond with:

"So am I! That's crazy, huh? I was thinking of the Ten of Hearts as well, I've been thinking of the 10H for about three days now, actually. Wow that's a direct match! Impossible!"

Joke a bit about the astounding lack of support for you claim and continue on by offering to try and create a coincidence which is a bit more demonstrable.

Turn the pack face-up so the faces are visible to you. Casually begin an overhand shuffle making note of the card that ends on the back (top) of the face-up deck - assume it's the KS. You will also notice the face card of the pack -- we'll assume it's the AD. All you really need to recall is that you looked at a black King and a red Ace for ease of memory, as the suits are inconsequential.

"Taryn some people aren't too familiar with a deck of cards so I'd like to show everyone exactly what I mean when I refer to the 'mates' from this deck of cards." Under the cover of removing the Jokers you'll spread through the deck and secretly arrange it, via a Spread Cull, in the following way:

While openly removing the Jokers cull both the AH and the KC to the back of the pack as you reach them. The AH must end be culled to the top of the face-up deck, with the KC second from the top. To the audience it seems you removed the Jokers to establish what you mean by "mates" for any non-card players. In reality you have controlled the black King and red Ace.

Place the Jokers onto the box or off to the side of the table after displaying them to the audience. As you push the Jokers to the side, secure a break beneath the two face cards of the deck and Dribble Pass them to the back of the face-up pack (A Double Undercut can be substituted). Turn the deck down and perform an overhand style shuffle while maintaining the top section of the pack. Situation check:

The order from the top of the deck is an unknown card, a pair of red Aces, followed by a pair of black Kings. Keep in mind what mates you have are irrelevant; you simply use whatever naturally occurs after the shuffle.

Spread the deck facedown between your hands for the spectator to call out stop as you spread the cards. Break the spread as they say stop, keeping a spread in both hands. You will now show the card to the spectator while secretly peeking the identity using a peek by Bill Goodwin.

Raise the front of the right hand spread upward so the face card can be seen by the spectator. As you see them look at the card, you will glance straight down over the top of the spread and peek the identity of the card as well (we'll assume you peek the 3C).

As soon as you see the identity of the card, turn your head away as if you never looked in their direction. The spread is lowered to again meet the left-hand cards, as if you're going to square the deck. As an apparent afterthought allow them to remove the card and show it around for everyone else's sake.

As soon as you peek the identity of the of the person's card, you immediately think of the mate, committing said mate to memory. In this case you will be thinking of the 3S.

Allow them to return the card anyplace they want, no control is necessary, and hand the person the deck for them to repeat this selection process for you. Mimicking the actions just demonstrated for her your helper spreads through until you say stop. She will then allow you to take a card for yourself. Fake a quick glance at the card but completely ignore its identity and return it back to the deck. Keep in mind that all the while you have the 3S in the back of your mind.

"Taryn I spread through the deck just a second ago and you looked at any card you wanted. In turn you spread through the deck and I looked at a card as well. There's no way we could know each other's card, but will you please run through the deck and remove your card. Don't let anyone see it just yet, and place it face down on the table.

Take the deck back and openly run through to remove the 3S for yourself, while also using this as cover to set your next card in the following way:


As the pack is handed back to you, gain a break under the top card. As you deck is turned face-up for a spread, utilize a Book Break glimpse to note the top card of the pack (we'll assume it's a black 9), this is the card your double undercut placed there from the start of the routine.

As you run though and remove the 3S, cull the remaining black 9 to the back of the pack. Place the 3S face-down on the table.

Build up what has happened thus far and have the person turn their card faceup on the table, you do the same to show a perfect match for a nice minor coincidence to get the ball rolling, so to speak.

Up until now you have caused a nice little coincidence trick while secretly stacking the deck for the next three upcoming matches, while keeping the necessary culling and memorization to a minimum.

Phase 2:

"Taryn this type of thing happens more than you'd think, though it's still fairly impressive. We seem to hit it off pretty well so far, so I'd like to make this a whole heck of a lot harder for the both of us. We'll try this again, but this time without looking at the faces of the cards whatsoever…"

Have the person cut about half the cards from the deck for you. This places the stack you have built safely in your possession. They pick up the half they have left for themselves.

Jog shuffle your packet while retaining the top stock, give the packet a Pass Cut as well. The Pass Cut gives the impression of cutting the pack while actually doing nothing. Instruct the person to shuffle and cut, mimicking your actions.

As soon as they are happy you simply swap the top card of your packet with their top card.

"You've shuffled this deck form the start and you've cut as well. It's asking a lot of either of us to even come close to matching a card…but we're in the 'impossible' business, Taryn! Just so there's no funny business, lets' swap top cards." They turn their new top card face-up, and you execute double turnover to show you have both matched perfectly.

Have them lose their mate into their half and you apparently do the same. In reality you will bury your double card into your half, losing it.

Have the person, if possible, hand their half to someone else. Repeat the exact same shuffle and swap sequence as before with the next person. This will result in a second impossible match. Both of you lose the 'mated' cards once more - again your are losing a double card.

Have their half handed to someone else as well if they are available and allow fora third impossible match. It's great to get as many people involved as is possible. This matching sequence, in my opinion, is one of the strongest sequences in card magic. Sell this for all it's worth, because it is truly miracle class if you consider they shuffled to start the trick, and they have been shuffling and cutting throughout.

Final Phase 3:

Instruct the person to look through their packet to inspect it, while you turn your cards up to show them what you mean. Point out that there are no runs of cards, mates, etc.

Use this innocent viewing of the faces to spot the card the first spectator just thought of from the start of the routine (the 10H in this case).

If you have it, cull it to the rear of your face-up half.

Take their face -up half back as well, adding them to the face of your half. Turn the entire deck facedown.

If you didn't have the 10H then you know they do. Take their cards back in the same manner and spread through them culling the 10H to the back of the face-up deck. This is simple and extremely quick since you know it's in the top half of the deck you just gathered.

All you need to do is mention again that they looked through the deck and nothing was odd about them.

Either way you'll be left with the deck and the thought of card (they don't even recall naming a card at this point) on top of it.

"It's amazing series of coincidences we have shared up to this point, I mean what are the odds? But the most significant coincidence so far actually started about three days ago…."

Palm the top card, or load your Mullica wallet, and place the deck away. "Taryn, you thought of any card in the deck about five minutes ago, amazingly enough we shared the same thought! Luckily for us, a few days ago, I placed the very card I was thinking of inside this wallet, just in case…."

Allow them, to remove the 10H to bring it home.

Credits:

The swapping packets/double turnover sequence is a wonderful old idea from Pat Page. There are also couple of other notable takes on Page's work as well (Nick Trost and Gary Plants have great work expanding on his idea). Each handling has its merits but typically demand significant set ups - routinely 10 cards.

The Cut Pass in great detail can be found in page 62 of The Complete works of Derek Dingle (1982).

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10. The Orchante Saga - Beginnings
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Written by the late Tommy Orchard (The Amazing Orchante)

Adventures in Paradise

New Caledonia is a French overseas Island Territory, in the South Pacific. It may be different now, but back in the '60s, very few of the people - a melting pot of Melanesian/Polynesian, European French, Indonesian, and Vietnamese - spoke English, (no wonder).

In those days, my Sleight of Hand Magic show was performed to music - no patter, so language was never an issue. Because I did not speak French, there would have been a problem with the hypnotism show, except for Gilbert, who spoke fluent English, as well as his native French - (the official language of New Caledonia and Tahiti).

After several hours of rehearsing my 'hypnotic induction' technique with Gilbert, he eventually got the into intonation right, and a general idea of my 'patter' during the hour and a half of my performance. The end result was, every word I uttered, Gilbert repeated in French - so fast
it seemed like his words were coming out of my mouth (apart from my lips moving out of sync, it would've made a great 'Vent' act). As a Translator, he should have had some sort of speed record. In reality, Gilbert was the hypnotist, I was his 'guiding voice', although the audience didn't think of it that way. It was brilliant - must have been a world first - I've never heard of a Hypnotist show being worked this way, via a Translator, before or since. On Opening Night at the Rex Theatre, I was still a little shaky from the double dose of vaccinations - I guess adrenaline helped to keep me going, and I did have that mountain of velvet curtains to warm me up. Most difficult, was the non-stop 1 1/2-hour, Hypnotic demonstrations. 'THE SHOW MUST GO ON' - it did! "There's no business like ....!!!

We arrived in Tahiti on 17th June. To be honest, I don't remember much about the Theatre shows - I know we performed at 'L'Hotel Taaone Resort - I have an old photo, taken from the Show at the hotel, showing me laying on the bed of nails, doing 'The Human Sandwich' bit - with two gorgeous Tahitian Wahines standing on top of me. Tahiti really is beautiful, and so are the women!

The most memorable event for me on this, my first visit to this captivating Island, was being taken to a Bar on the Harbour waterfront of Papeete. I've forgotten the name of this Bar, but it had quite an infamous reputation: I know it was featured in a couple of old B/W War films. Perhaps one of you may have been stationed there, or visited the Bar during the Pacific conflict - maybe you remember the name of this legendary Bar. It doesn't exist now - it was gone when I returned two years later. The French have no respect for the beauty of the South Pacific Islands - remember what they did with their nuclear testing on Mururoa Atoll in 1984, with no second thought of World opinion, or the wishes of the inhabitants of the entire South Pacific region. UNFORGIVEABLE!

Standing at the Bar, I started - as usual - doing some Close-up magic, which turned into an impromptu show, to a packed crowd of drinkers. They comprised of just about anybody - the flotsam and jetsam of humanity - mixed together with tourists, sailors, fishermen, etc. It was pretty wild!

This was a perfect example of being able to entertain, with magic, at the 'drop of a hat' - using anything you could lay your hands on,- coins, cigarettes, toilet roll, a pack of cards you wouldn't spit on (didn't have to - everybody else had, for years). There are dozens of affects you can do, all different, with a thumb tip - always carry one. Right now, as I sit here scribbling this lot out, I'm wearing a t-shirt and a pair of dirty old jeans with the knees worn through - used for
knocking around the house and garden. In the right-hand pocket, a THUMB TIP! ALWAYS, out of developed habit, when I change trousers, the 'tip' ALWAYS, without fail, goes from one to the other. I'M NEVER WITHOUT IT!

Another thing I'll never forget about that Bar, was the Toilet/Lavatories. "Through that door there", I was told on enquiring of the whereabouts. It led into the back yard - enclosed by corrugated iron fencing. Two shallow ditches had been dug, running the length of the
yard, 'Ladies' one side, 'Men' on the other. It was a sight to behold - a line of 'blokes' standing, or crouched down, depending on what their particular call of nature happened to be, and a line of women, panties around their ankles (if they were wearing any) on the other side. That WAS 'Life in the raw'. Today, the mental image of that scene is so vivid, at times it seems like it was only yesterday! Wish it were!

I have strong memories of going to a Leper Colony to perform my magic show for these most unfortunate people - children, as well as adults - horribly disfigured from this terrible, infective, mainly tropical disease. It was a pleasure to bring a little joy and happiness to these
shunned human beings. I still get choked up whenever I think of them. One really has to experience something like this to fully comprehend that old saying "there, but for the Grace of God, go I"!

I feel fortunate - privileged, that I saw Tahiti the way it originally was, before the multi-storied hotels and apartments sprang up. I watched it change, and it broke my heart - another Paradise lost, ruined forever, with concrete and steel.

We returned to Noumea from Tahiti on 28th June, 1964. Apart from performing in Gilbert's Nightclub, he had also arranged shows at three villages, somewhere, out in the 'bush'. Talk about 'lost tribes' 'going native', lush primeval jungle, and wild rivers - it was 'true to life' scenes reminiscent of the movie 'The African Queen'. One village could only be reached via a swing bridge, made from vines, which stretched across the river. For those of you who can remember the film 'Indiana Jones and the Temple of Doom', there is a fight scene on a swing bridge
(it's exactly 10 minutes from the end of the film - I know, I've got the Video, and checked). That gives a pretty good idea of what I'm talking about.

We even had porters, I kid you not, to carry the equipment - portable generator, (no electricity where we were going) - the band's speakers, amplifiers, guitars, microphone stands, my stuff, suitcases, lighting, the lot, carried on shoulders over that rickety bridge, which swayed
from side to side like a pendulum. You just prayed that the men and equipment wouldn't go tumbling down into the swirling, raging river far below! Compared to this, the bridge, at the infamous London Dome that everyone complained about last year (2000) because it moved slightly (that made me laugh), was set solid in concrete! - Bloody wimps!

The most enjoyment I got was performing impromptu magic for the kids (and adults) on the village path-ways and road-side stalls of these far-off islands. The simplest 'trick' was, to their eyes, pure magic - the wide-eyed look of bewilderment and wonder on their faces, was a joy to
behold; to them you were some sort of 'god', a witchdoctor supreme. In the remote villages of Mexico, China, South America, Papua/New Guinea, and with the Aborigines in the top end of outback Australia, the reaction was always the same. Performing sleight of hand with anything
they were familiar with, such as small nuts, stones off the road, cigarettes, bottle-tops, matches etc., (not fancy manufactured equipment) only added to their wonderment.

So, my first overseas trip came to an end. For most, the only experience of a lifetime - for me, the South Sea Islands, to which I returned many times, and the rest of the World - still beckoned.

I left Noumea on the 10th July 1964, to go home - NEW ZEALAND - MY OWN ISLAND PARADISE!

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11. E-zine Archives
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Back issues of the Magic New Zealand e- zine go to:
www.magicnewzealand.com click on the red button centre right "Archives"

When you enter the archive the e- zines are in issue order in folders for each year and are Coded, e.g. 001 Nov06 1999.txt first three numbers (001) denote issue number, then the date (Nov06) and the last figures the year (1999)

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12. Privacy Policy and Copyright Notice
--------------------------------------------
Our subscriber list is NOT made available to any other companies or individuals. We value every subscriber and respect your privacy.

You can subscribe to or unsubscribe from the Magic New Zealand® E- zine at: www.magicnewzealand.com

Magic New Zealand® E-zine is published each Sunday.

The opinions and statements expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson QSM vouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E- zine.

Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson QSM, jointly or individually liable or responsible in any way for the opinions or statements contained therein.

Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted.

Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e- zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted.

All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®.

Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.


© Copyright 2019 Alan Watson QSM
www.magicnewzealand.com
http://twitter.com/#!/magicnewzealand
www.watson.co.nz
www.magician.co.nz
www.balloon-twister.co.nz


Privacy Policy and Copyright Notice

Our subscriber list is not made available to any other companies or individuals. We value every subscriber and respect your privacy. You can subscribe to or unsubscribe from the Magic New Zealand® E-zine at www.magicnewzealand.com Magic New Zealand® E-zine is published each Sunday. The opinions expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson QSMvouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine. Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson QSM, jointly or individually liable or responsible in any way for the opinions expressed therein.
Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted. Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e-zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted. All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®. Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

Copyright © 2019 Alan Watson QSM.


Magic New Zealand® E-zine