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* Magic New Zealand®
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Issue Number: #1458
Date: Sunday 8th July 2018
Editor: Alan Watson QSM
www.watson.co.nz
E-mail: editor@magicnewzealand.com
================================
Hi here is the latest news
================================
1. Editor's Message
2. Teller's Injury Forces Penn & Teller To Go Dark Earlier
3. http://www.magicweek.co.uk/
4. Cutting for Larry - John Carey #7
5. When The Magic Becomes Real! - #491 - Kyle Peron
6. Simon Drake Long Awaited Lecture Released
7. Broken Wand - Peter Scarlett (UK)
8. The David Berglas Scrapbooks
9. Australian Junior Championships Of Magic
10. MagiCuba - Havana, Cuba - November 7-11, 2018
11. The Doug Henning Project
12. E-zine Archives
13. Privacy Policy and Copyright Notice
--------------------------------------------
1. Editor's Message
--------------------------------------------
If
you would like to read the Magic New Zealand e-zine in a
HTML format
go to: http://www.magicnewzealand.com/ezine-archive/2018-Jan-to-Dec-2018/1458-Jul08-2018.html
If
you would like to write a regular column for Magic New Zealand
or
have some magic news drop me a line:
Editor@MagicNewZealand.com
--------------------------------------------
2. Teller's Injury Forces Penn & Teller To Go Dark Earlier
--------------------------------------------
Article by John Katsilometes Las Vegas Review-Journal
Spinal-fusion
surgery and a comedy-magic production are an unhappy mix.
Consequently,
Penn & Teller have shut down their production show effective
immediately. The duo will not be back onstage until August
18. They called off their show at Beau Rivage Resort &
Casino in Biloxi, Mississippi, on Friday night and have
pulled their shows at the Rio off the schedule, too.
The
duo already had planned to take a hiatus so Teller could
undergo spinal-fusion surgery, the lingering result of hanging
from straitjackets and climbing in and out of boxes for
more than 40 years. The original dark period was to start
July 10, but Teller's back had other ideas after P&T's
performance Wednesday at Beau Rivage.
Though
in pain, Teller was able to finish the performance. But
then skipped the post-show meet-and-greet for the first
time in 43 years and began making calls to alter the duo's
upcoming schedule.
Teller's
surgery is now scheduled for Monday in Las Vegas. He posted
a note to fans and ticket-holders on his Twitter page Thursday:
"My
sincere apologies to our fans in Biloxi and folks who were
planning on seeing the Vegas show. Last night during the
show my back firmly ordered me to cut the crap and get it
fixed. So I'm stopping work from today till August 18th
and getting my back surgery pronto. Love - T."
In
a separate post, the 70-year-old illusionist added, "In
our entire prior career, I think we've had to cancel only
four shows on short notice. So I (and much of our crew)
feel disoriented and befuddled - as if we're in one of those
showbiz nightmares where you can't find your way back to
the stage in time for the next cue."
Jillette
also posted, "Teller is getting his back totally fixed
a little sooner than expected. So P&T are on hiatus
from everything until August 18th and then the boys will
be back and bad!"
The
CW magic-competition series "Penn & Teller Fool
Us" resumed at 8 p.m. last Monday. Those shows were
recorded in the spring at Penn & Teller Theater. There
are no shows scheduled in the venue during P&T's break;
"Wow - World of Wonder" continues to run in its
own theater on the Rio casino floor.
https://www.reviewjournal.com/entertainment/entertainment-columns/kats/tellers-injury-forces-penn-teller-to-go-dark-earlier/
--------------------------------------------------
3. http://www.magicweek.co.uk/
---------------------------------------------------
A fabulous resource on UK magic.
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4. Cutting for Larry - John Carey #7
--------------------------------------------
Message by John Carey (UK)
https://carey-scene.com/jc-main
Larry
Jennings' coin cut effect from his book Larry Jennings on
card and coin handling is a beautiful piece of magic where
the effect is crystal clear. Here is a bold but strong approach
I'm having a lot of fun with. It's a bluff, but fun!
Have
a card selected and signed. Upon return control it to the
bottom of the deck. I use the Hofzinser cull for this. Execute
a slip shuffle retaining it on the bottom and table the
deck face-down near you.
Borrow
a largish coin and execute two or 3 vanishes and productions
- a brief flurry. Apparently place the coin into your left
hand, really classic palming it in the right hand. Bring
the left fist over the deck and slowly open it to reveal
the coin has vanished.
Now
for Jennings load: the right hand comes over the deck from
above and cuts off about half and slaps them down to the
left of the remainder. As you do this the palmed coin is
loaded on top of the bottom half. Bring the right hand away
to reveal the reappearance of the coin.
After
a short pause the right hand returns to the coin packet
and picks it up, thumb on top of the coin, fingers underneath
the packet. Ask for the name of the selection? Make a brisk
right to left tossing action as you toss the packet into
your left hand. Friction will cause the bottom card of the
packet (selection) and the coin to stay together. This is
an application of the old Hofzinser toss discovery. Done
briskly the eye simply cannot tell the card came from the
bottom. Drop the left-hand cards on top of the tabled stock
and focus on the card with the coin on top. A moment later
turn the card over to reveal a successful conclusion.
--------------------------------------------
5. When The Magic Becomes Real! - #491 - Kyle Peron
--------------------------------------------
Message by Kyle Peron (US)
magic4u02@aol.com
KyleKellyMagic@gmail.com
http://www.facebook.com/perondesign
http://www.kpmagicproducts.com
Have you ever had anyone ask you if magic was real? Was
it a child
and adult? What was your reply and how
do you answer that question that comes up from time to time?
Interesting thought if you really think about it and one
I would like to talk about here in this article.
Certainly what we do as magicians is to fool the senses
if you will. We are there to make the impossible seem possible.
We stretch the imagination of what can't be real and make
is plausible to the audiences who are watching. In that
regards than magic is not real at all but something we are
trying to do as entertainment to the folks who are watching
our show. We create an illusion of reality.
However I can also say that when anyone asks me if magic
can be real, I always respond with a YES and a big smile
on my face. For those who want more information, I always
like to share with them why I feel this way and for me,
the exact moment when the magic became real to me. Let me
try and explain through a situation that actually happened
to me last year. I hope it may inspire your own family and
kid show magic as it has me.
I
have to share this story with all of you because it was
something that was so touching and so moving that happened
to me this past year when performing my family style show
at a county fair. It touched me so much that I hope it might
to you as well and show you that magic can be so real to
people and touch them in ways you may never have realized
before.
Let
me give you some background a bit here. My wife and I got
called back and were booked for 3 days at a county fair
performing 2 shows daily and some strolling magic as well.
We always enjoy performing there but this year they had
only one main stage and had everyone performing on it.
We
certainly had our share of problems that weekend to a point
where I was really starting to doubt myself, my abilities
and why I was having so much bad luck. To begin with it
rained almost the entire 3 days of the event. Even though
the stage was covered and there was a tent for the audience,
it just meant packing in the rain, loading in the rain and
walking around in mud.
It
made for people who were cold and miserable and who really
could care less about interacting with some magic guy on
stage. Even though my wife and I tried so hard to get the
shows going, I just felt lost as I felt the shows went over
OK but I just did not touch the crowd, the kids or connect
with them as I usually do. Normally this would not bother
me, but I really strive at doing the best shows possible
and connecting with my audiences, the kids and making the
show as much fun as I can.
Well
here is what happened on the last day that absolutely just
changed my whole outlook on magic and it happened at a time
when I really needed it to. I was feeling so bad the prior
night and miserable on the drive home. I felt my performance
was a waste the other day and that I just did not have any
answers. Why could I not connect with the audience? Why
could I not get the reactions I am used to? Is it me? Am
I losing my touch? Do I have to give up performing what
I love to do? All of these thoughts raced through my head
as I struggled that night to make sense of it all.
Well
the one stage guy who was running the stage and MCing noticed
I wear hearing aids and asked me about them. I always am
up to talking to anyone about my disability and how I have
learned to overcome it. He suggested as an idea to include
my disability and talking about it as a part of my show.
He was surprised to realize that I already do that in some
shows.
However,
I stopped doing the routine about my disability because
I guess I felt that I wasn't sure folks were ready to hear
it or if it was appropriate or not. I wasn't sure how it
would play or go over. He suggested I try it and I am so
glad I took his advice and did it in both shows on the last
day of the fair. It felt amazing to be up there telling
the story and doing the magic that goes along with it.
Well
it gets to that spot in the show where I am going to tell
this heart-felt story about a young 8-year-old kid who realized
at an early age that he could not hear like other kids.
How this kid was tormented and picked on and how he felt
sorry for himself. I tell a true story how a magician at
an event much like at the fair changed that kid's life forever
and the reason why I share the story with them is that that
young 8 yrs. old boy was ME. I tell them that I still wear
hearing aids to this day and I stand before then as proof
that it is not always easy to do things they find hard.
I remind them that I am witness to the fact that anything
can be done if you are willing to give it your best shot
and work hard. I then go into showing them the first real
routine I ever learned taught to me by that magician. My
version of the linking rings.
Well
I can never tell the story without choking up and I did
choke up that day with tears in my eyes as I began my ring
routine not knowing how in the world this would ever play
or go over. I thought I needed to tell it.
Well
the show was over and I felt wonderful. I went down to greet
the audience and a couple waited until I was done with the
kids and other folks. The man came up to me and said that
he could not thank me enough for what I said up there on
that stage that day. He said that his son also was born
with a hearing loss and they as parents knew what I went
through because their son did as well. I told them that
I was once told that I would never be able to perform magic
for audiences because of my hearing loss or that it would
be so hard for me to do so why even bother. I told them
that I am here today on this stage as living proof that
I will never ever let any disability stop me from doing
what I love to do.
When
the father heard this from me, he could not keep it in anymore
and standing right there in that tent he broke down crying
as he shook my hand. This was soon followed by the wife
as they both said thank you so much for caring and for sharing
my magic with them. They thanked me for making their day
and for bringing magic into their lives in a way no one
else has ever done.
Man
I cannot begin to tell you how wonderful that made me feel.
The ability to touch someone and some family in the way
I did that day was a magic far greater than anything I have
ever experienced before in my life. What that man said to
me and what he expressed was true and real magic that I
cannot even begin to explain.
It
simply was one of the most magical experiences I have ever
had as a family entertainer and I am very blessed I was
able to make such a difference.
Is
magic real? Can it be real? Can it affect someone so much
in a way you never thought possible? Well I do not know
about you, but my experience that day told me that the answer
is a big and HUGE YES YOU CAN!
Each one of us has a gift of performing magic. We have the
ability to make a person smile, to laugh or to forget about
their troubles for a little while. Whenever you put a smile
on a person's face.. well to me that is as real as it gets.
As always, I encourage you the readers to let me know your
thoughts. So if you have any thoughts on my articles or
suggestions or comments, please feel free to e-mail me directly
at KyleKellyMagic@gmail.com. I would love to hear from you.
-------------------------------------------
6. Simon Drake Long Awaited Lecture Released
--------------------------------------------
Message by Simon Drake (UK)
Due
to public demand and after several different sources combined
and digitally enhanced to create the ultimate representation
of this one-off event Simon Drake's long-awaited lecture
DVD has been released as a limited edition. Simon explains
in depth many of the effects he has created for stage and
screen and unusually for a magic lecture it explores the
thinking behind the stagecraft of his four decades as a
performer.
It
also covers the TV series Simon created, The Secret Cabaret,
which has now achieved, well deserved cult status and proved
to be way ahead of its time. Many prominent magicians including
the vastly knowledgeable Patrick Page cite it as the best
TV magic ever made. This lecture is described as 'a must-see,
not just for Simon's fans but any serious student of magic
and illusion'.
https://www.houseofmagic.co.uk/lecture-form
-------------------------------------------
7. Broken Wand - Peter Scarlett (UK)
--------------------------------------------
Published in MagicWeek
http://www.magicweek.co.uk/
1950
was the start of it all - Norman Hunter described a trick
with wooden blocks in the 'Meccano Magazine' Xmas issue.
I made it up from cardboard and performed it at the school
Xmas party. I eventually met Norman on the 18th June 1989
and was able to lay the blame squarely on his doorstep!
The
first magician who introduced me to a magic club (The Sussex
Magic Circle) was a wee Scot named Bill Fargie "The
vest pocket magician" in 1954. I used to visit him
every Saturday for lessons. I met him in the 'Carlos Magic
Studio' in North Street Brighton, which was run by another
member of 'The Sussex Magic Circle' - Carl Franklin. I was
still at school at the time and used to travel from my home
in Burgess Hill to Hove every day to attend the Hove Grammar
School. The train reached Brighton at about 8.20am every
morning and I then had to board another train at 8.40am
to go to Aldrington Halt - the nearest station to the school.
This
gave me 15 minutes to sprint from Brighton station to the
magic shop, collect my 'Abra' and sprint back to the station
for the connection! Every other Thursday I went to 'The
Sussex Magic Circle' at the Glenside Hotel in Brighton,
and it was here in the student section that Janet Clare,
Cynthia Neptune, Peter Steadman, Bob Freeman, David Clake,
Nic Lewin and myself practised our hobby. Just listen to
that list of names - all but one is now full time professional
magicians! We must have had good teachers!
Silken
Bombshell plus Lewis Ganson's 'Bags of Everything' won me
a talent competition at the first ever Burgess Hill 'Goose
Fayre' in 1956. The judges were Jimmy Edwards, Ted Kavanagh,
and the local Beauty Queen. Jimmy Edwards spent most of
the time backstage downing pints of best bitter!
I
also joined the 'Bognor Regis Magic Circle' after meeting
Len Jennings. My mother's sister lived in Felpham and so
we were quite often in the Bognor area. It was here that
I had my first experiences of appearing in a full-size theatre.
Every year the Bognor club put on a show at the 'Esplanade
Theatre' and I just could not wait until the next one! The
greatest thrill was Easter 1961 when we put on a show for
the whole week.
The
first trick I invented, manufactured and marketed was Twin-set.
I keep thinking that it has come to the end of its life
and then suddenly it starts selling again.
We
formed Sound Ideas in 1990 - I was trying to think of a
name that could be used for sound systems and magic. My
good friend, Hank Moorehouse, keeps telling me that I should
be 'Peter Scarlett Magic' because they know me in America
and not Sound Ideas. He's probably right! I have now changed
the name to Peter Scarlett Magic.
I
was forced to become a dealer/performer in 1993 when the
company I was working for was taken over and all the sales
staff were made redundant. I had already been dealing since
1990 so it was really a natural progression. Being a magic
dealer brings some very amusing moments - I had a customer
in Wales who rang me for quite a list of items and wanted
to know whether I could put it on his Auntie's credit card!
When I explained that I did not take credit cards he asked
if I had a local petrol station that would book, £150.00
of petrol on to the credit card and then supply me with
petrol until the, £150.00 was used up! It takes all
sorts!
The
magicians that I saw early on and who influenced me were
Slydini, Al Koran, and Marvyn Roy, but the one who gave
me the opening of my act was Ken Brooke. I saw him demonstrate
the vanishing cards and case, and the diminishing card routine,
that I open my act with to this day, in around 1958 at a
Harry Stanley day at the Victoria Halls.
One
of my favourite tricks to perform is the Nemo Rising Cards,
not only is the effect sensational and 100% visual, but
it is a challenge to perform!
1957 - Won Student's Trophy - Sussex Magic Circle
1958
- Won Student's Trophy - Sussex Magic Circle
1959
- Won Student's Trophy - Sussex Magic Circle
1960
- Won Student's Trophy - Sussex Magic Circle
1960
- Won third prize in Ring Shield Competition
1961
- Won David Berglas Shield - Sussex Magic Circle
1964
- Won David Berglas Shield - Sussex Magic Circle
1965
- Won David Berglas Shield - Sussex Magic Circle
1969
- Won David Berglas Shield - Sussex Magic Circle
1969
- Compered Bognor Regis show at Esplanade Theatre - First
appearance as a compere
1970
- Won third prize in Ring Shield Competition
1977
- Compered LSM show at Conway Hall
1985
- Compered Blackpool Gala Show
1989
- Compered SAM show Tampa and lectured - first appearance
in USA
1989
- Compered Abbott's Get Together Show and lectured
1992
- Appeared at first International Battle of Magicians -
Palace Theatre, Canton, Ohio.
1996
- Compered British Ring Gala Show - Eastbourne
1997
- Compered Abbott's Get Together Show and performed in Close-up
1999
- Compered The Magic Circle Christmas Show
Top
Trick?
"It has to be Blackstone's Floating light bulb, who
could ever forget the impact of the bulb floating out over
the audience - a master performer and a master showman who
also has to be my Top Magician. His stage presence was outstanding
- live he was masterful."
Top
Book?
"It has to be Unconventional Magic by Lewis Ganson,
which was the book that accompanied the Harry Stanley Day
mentioned above."
Top
Magician?
"How about ideal Magic Show, eight acts, past or present:
Fred Kaps, Mac King, Harry Blackstone Jr., Robert Harbin,
Al Koran, Dale Salwak, Lance Burton, Michael Finney."
Top
Magic Quote?
"'I need your details for this Friday' - Duncan Trillo,
Tuesday 2nd April!"
Second
Top Magic Quote:
"I will" Ilona - a long time ago!"
Top
Magic Moment?
"Becoming President of the British Ring for the 50th
Jubilee Year and witnessing Blackstone's Light bulb for
the first time. The first year I attended Collectors' Workshop
World Summit, in 1994, was also unforgettable. I took sixty
Pimpernel Notecases with me and sold out on the first day!
I just could not believe the way it took off - I had to
keep counting the money to make sure I was not dreaming."
www.peterscarlett.com
http://www.magicweek.co.uk/magic_profiles/magicprofile_0022_peter_scarlett.htm
--------------------------------------------
8. The David Berglas Scrapbooks
--------------------------------------------
Message by David Berglas (UK)
David
Berglas shares a lifetime of magical memories via his 'Digital
Scrapbooks' on YouTube.
It
includes his work on radio, television, film and in variety
theatres.
Welcome
to a world of fascination and wonder as we travel deep into
the incredible adventures of the 'International Man of Mystery'
David Berglas. Link below
Link:
https://www.youtube.com/watch?v=APF1xGXLMdo
--------------------------------------------------
9. Australian Junior Championships Of Magic
---------------------------------------------------
Message by Tim Ellis (Australia)
Here
it is .. the big news about the Australian Junior Championships
of Magic.
They
will be held this year at Arts Centre Melbourne!
Applications
are now open, and tickets are now on sale!
See
Australia's best young magicians live on stage!
Join
the next generation of fresh magicians as they compete for
the titles of Australian Junior Champion of Stage Magic
and Australian Junior Champion of Close Up Magic.
A
highlight of the Melbourne Magic Festival, and for first
time at Arts Centre Melbourne, the Championships have proven
a valuable launching pad for new entertainers. With great
prizes on offer, our special guest judges always provide
helpful feedback allowing participants to learn and grow
through their experience while meeting new friends who share
their love for the art of magic. Previous Competitors have
gone on to produce their own shows, appear on television
and win international awards.
For
more details go to:
https://www.artscentremelbourne.com.au/whats-on/2018/the-channel/australian-junior-championships-of-magic
--------------------------------------------
10. MagiCuba - Havana, Cuba - November 7-11, 2018
--------------------------------------------
Message by John Rose
In
case you haven't heard, MagiCuba is a five-day, city-wide
magic festival - including six shows at the National Theater,
eight nightclub shows, a special performance at the Cuban
Circus, five full days of magic at our headquarters venue
in Old Havana, Palacio de las Artisenia, and numerous other
performances - as well as a conference for magicians at
the famed Hotel Nacional that adds several days of exceptional
MagiCuba Sessions (lectures, talks, interviews, etc.), a
Magic & Mojitos close-up session each afternoon and
a unique culture and magic walking tour.
Approximately
40 Cuban and international magicians have confirmed appearances,
including: John Archer, Jorge Blass, Mike Caveney, Mac King,
Eric Mead, Michael Weber and Asi Wind. (See magicuba.org
for full details and follow us at https://www.facebook.com/MagiCuba/).
This is a unique one-time magic happening and the most fun
way to visit Cuba.
MagiCuba
is being run in partnership with the Cuban Ministry of Culture,
with the endorsement of its newly elected president, Miguel
Díaz-Canel. Both the Magic Castle and Magic Circle
have offered endorsement. Executive producers include Bill
Herz, Jon Stetson and myself.
-------------------------------------------
11. The Doug Henning Project
--------------------------------------------
For more information on the Doug Henning Project go to:
https://doughenningproject.com/2018/03/
---------------------------------------------
12. E-zine Archives
---------------------------------------------
Back issues of the Magic New Zealand e- zine go to:
www.magicnewzealand.com click on the red button centre right
"Archives"
When you enter the archive the e- zines are in issue order
in folders for each year and are Coded, e.g. 001 Nov06 1999.txt
first three numbers (001) denote issue number, then the
date (Nov06) and the last figures the year (1999)
--------------------------------------------
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