* * * * * * * * * * * * * * * * * *
* Magic New Zealand®
* Proudly sponsored by International Entertainment Ltd NZ
* www.magicnewzealand.com
* * * * * * * * * * * * * * * * * *
Issue Number: #1087
Date: Sunday 20th April 2014
Editor: Alan Watson
www.watson.co.nz
E-mail: editor@magicnewzealand.com
================================
Hi here is the latest news
================================

1. Editor's Message
2. The Academy Of Magical Arts Awards
3. I.B.M/S.A.M. Combined Convention 2014 - Yu Ho-Jin
4. 105th Annual Salute To Magic
5. 998 Links To Magic Resources
6. Remarkable Magic #346 - Nick Lewin
7. Festivals - Working with Illusions - #337 - By Kyle Peron
8. Biographies Of Magicians, Illusionists, Prestidigitators, And Mediums
9. Updates So Far This Week on VanishLive.com
10. Florida State Magic Convention Schedule
11. Celebrating Bob Neale
12. Adelaide Magic Convention - October 10th -12th 2014
13. David Stone's 'The Experience' Lecture - Australia
14. Anywhere Theatre Festival - Brisbane Australia
15. Virtual Magic & Mystery School
16. Paul Royter's Tour
17. e-zine Archives
18. Privacy Policy and Copyright Notice

--------------------------------------------
1. Editor's Message
--------------------------------------------
Congratulations to winners and nominees of this year's Magic Castle Awards. For the full list of this year's recipients go to item 2.

------------------
For all those who would like to read the Magic New Zealand e-zine in a HTML format go to: http://www.magicnewzealand.com/ezine-archive/2014-Jan-to-Dec-2014/1087-Apr20-2014.html

Remember if you have any magic news drop me a line:
Editor@MagicNewZealand.com

--------------------------------------------
2. The Academy Of Magical Arts Awards
--------------------------------------------
Message by Peter Roberts (US)

Congratulations to winners and nominees of this year's awards

Performing Fellowship: Silly Billy (David Kaye)

Special Fellowship: Joanie Spina

Lifetime Achievement: Ray Goulet

Literary & Media Fellowship: Steve Beam

Special Fellowship: Robert Neale

Creative Fellowship: David Regal

Masters Fellowship: Fantasio (Ricardo Roucau) and

Magician of the Year: Yu Ho-Jin!

Four Junior Achievement Awards were presented this year:
Akinoba Mitsui, Hyuma Miyahara, John Accardo and Kyle Eschen

Award of Merit: Neil Patrick Harris

Close up Magician of the Year: Bill Goodwin

Parlour Magician of the Year: Johnny Ace Palmer

Stage Magician of the Year: Mike Caveney

Lecturer of the Year: Steve Valentine

--------------------------------------------
3. I.B.M/S.A.M. Combined Convention 2014 - Yu Ho-Jin
--------------------------------------------
Yu Ho-Jin is the first prize winner in the Manipulation category, and also the Grand Prix Winner in Stage Magic from FISM World Championships of Magic 2012. He surprises his audience with his emotional magic and skillful manipulations, so different from other acts. 2011 FISM Asia Grand Prix In Stage Magic - 2010 Italy Magic Convention Grand Prix - Magic Castle Magician of the Year.

See him live on stage in St. Louis at the IBM - SAM Combined Convention.

Go to: http://www.youtube.com/watch?v=ytRDyRvN6gk

This is going to be a sellout event soon - so if you are thinking about registering do it NOW by go to: www.ibmsam.com

--------------------------------------------
4. 105th Annual Salute To Magic
--------------------------------------------
Article forwarded on by George Schindler (US)

105th Annual Salute to Magic, Set for Queens Theatre, 5/17

The Society of American Magicians, Parent Assembly Number 1, in association with Queens Theatre, will present the 105th Annual Salute to Magic, commemorating the role of magic in the 50th and 75th anniversaries of the 1964 and 1939 New York World's Fairs.

The performance will be May 17, 2014 at 8:00pm at Queens Theatre (14 United Nations Avenue South, Flushing Meadows Corona Park, Queens, NY 11368).

Tickets are just $45, available online at http://queenstheatre.org/105th-salute-magic or by calling the Box Office at 718-760-0064. Tickets may also be purchased in-person at the Queens Theatre Box Office, Monday 10am to 2pm, Tuesday through Saturday 10am to 6pm, Sunday 10am - 3pm. (Senior discount available).

Balance of article go to: http://www.broadwayworld.com/article/105th-Annual-Salute-to-Magic-Set-for-Queens-Theatre-517-20140416#.U1B_avmSzE1

--------------------------------------------
5. 998 Links To Magic Resources
--------------------------------------------
Message by The Great Todd

http://MagicianSite.com closes in on 1,000 links to Magic! Currently at 998 links!

--------------------------------------------
6. Remarkable Magic #346 - Nick Lewin
--------------------------------------------
Message by Nick Lewin (US)

Five ways to improve your act.

My next list of five items is one that is very near and dear to my heart; it is my top five ways that a magician can improve his show. I am going to make this a short and sharp column because I have written individually about all the items on this list before, and in some cases at quite great length. However in my personal goal of condensing my thoughts on magic into five groups of five it would be incorrect of me not to state them again.

Focus.
The greatest way to improve any show is to spend some serious time deciding what you want the audience to take away with them after the show is done. Once you have analyzed your conclusion then the easiest way to bring it to being is to focus on the things that help and hinder your audience in their reactions to your magic.

Focusing what you say and do during your performance is the golden key to achieving your greatest potential as an entertainer. If you are fuzzy in your methods and application then it is very unlikely that you will ever really achieve the goals that you set yourself. I know that classically 'the three golden rules' of being a magician are 'practice, practice and practice, but I truly believe the three golden rules to being an effective and entertaining magician are 'focus, focus, focus.'

Visibility.
It is vital for a magician to make his magic as visible as possible to the audience. We often spend hours in front of a mirror practicing a routine/move and end up worrying more about what we are seeing and not nearly enough about ways that we can help our audience get a better visual grasp of what is going on. Sometimes this can be as simple as adjusting the height at which we hold a prop or the angle that we present our effects to the viewers. The simplest guideline is that if they can't see it then they won't like it.

Editing.
It is almost impossible to edit your performance too tightly. It is very easy to fall in love with of words and actions without every fully realizing that this has happened. If you can achieve something with less words or actions then the overall effect is probably going to be much simpler and easier for an audience to grasp. This in turn will strengthen the impact of what you do and enhance the enjoyment of the audience.

The old saying amongst gardeners is to prune a rose bush as if it belonged to your worst enemy. Be ruthless and cut it way back and the roses will flower all the more spectacularly next season--a fine metaphor for cutting back on any redundancy in your show.

Simplicity.
The very best way to achieve any result in a magic show is to search for the simplest method that can achieve the strongest method. Always distance yourself from what you personally feel about a trick and try and focus on what the audience is going to see and feel. I am certainly not suggesting that you dumb a trick down just to make it easier to perform, just have an ethic of simplicity that prevents you from the cardinal sin of over complication.

If there is a less complicated way to achieve any given effect then there is probably a lot to be said for taking that route to your destination. At the very least there is probably less chance of it going wrong (enemy number one!) and more available time and attention to spend on your presentation.

Entertainment.
As magicians we obviously love magic and everything that it entails - otherwise we wouldn't devote our lives to it. It is always worth remembering that there are a great many people who are not quite as excited about being fooled.

There are people who are not particularly fond of comedians, however a great many more people like to laugh than be fooled. Our job is to tie up the magic in a nice little entertainment package that is of maximum enjoyment to the largest amount of people. Our goal should never be the trick but rather the way that trick affects the audience.

My blog is at www.remarkablemagic.com
My web site/online store is www.nicklewin.com

--------------------------------------------
7. Festivals - Working with Illusions - #337 - By Kyle Peron
--------------------------------------------
Message by Kyle Peron (US)
magic4u02@aol.com
http://www.kyleandkellymagic.com
http://www.kpmagicproducts.com
http://www.Facebook.com/perondesign

Yes you can perform illusions at festivals. However, it really is not necessary to do so. Do not feel that you cannot work the festival market if you do not have the best and latest Origami or thin sawing. Festivals just want their audiences to have fun and for you to give them a reason to stay at the festival. You can certainly provide that to them with or without illusions.

By an "illusion" I am specifically referring to any larger style prop in which a person is the center of the magic. The magic happens to the person. This can be a transposition, levitation, suspension etc. Illusions I am talking about would be things like sub trunk, Missmade lady, sword basket, chair suspension etc. Those are what I refer to as illusions.

I do offer illusions as one of my day packages and I have done them before. I must admit that I often times do not even have to do them at all and can still have a wonderful show that really makes them cheer, smile and laugh. The illusions can bring in more potential income for the day and so I keep this as an option for the festivals should that meet their needs. If you offer illusions, make sure your price covers the expense of the extra set up involved in presenting them, carrying and also traveling with them. You also have to factor in the cost of the assistant.

If you decide to present illusions in your festival show, there are a few things you will want to take into consideration before deciding on which ones to perform or purchase for this market. Make sure that your illusions:

- can be done surrounded
- can be performed in any kind of lighting
- can pack down flat and are easily moved on and off elevated stages
- do not require a "pre-load" that the audience does not see.

Let me go into a bit of detail on each of these mentioned above to give you more information as to why these are so important to working the festival market.

Surrounded: In many cases you never know just what staging you will have to work on when you are doing a festival. I have worked on stages ranging from full stages with lighting to setting up my own small tent to performing in the street surrounded. You also cannot control exactly where people will be seated or standing during your illusion performance. Because of these situations you will find yourself in, you never will have the perfect angles to do illusions that rely on this.

This is why every illusion I perform at festivals is an illusion that can be performed totally surrounded. Because of this, I am not worried about where I have to perform the illusion as I know I will be fine and the illusion will be performed without problem.

Lighting: Almost every festival I have ever performed for was outdoors. Because of this, your lighting is always changing based upon where the sun is during the day. Keep this in mind for illusions that work on black art principles will not work well in the outdoor environments. It is best to leave these illusions behind for a better opportunity. Use illusions that do not rely heavily on proper lighting and you will be much better off.

Packs Flat: The easier it is for you to carry, set-up and transport your illusions, the better off it will be for you and the festival. I try to always keep and build my festival illusions to pack as flat as possible. This allows me to keep my transportation vehicles to a minimum without having the extra cost for truck rentals etc.

You must also keep in mind that festivals are outdoors with a lot going on during the course of the day. There are a lot of people moving about and so you will have to place your storage and packing cases back in your vehicle or plan with the festival crew a place for you to store them for the day. If they are flat and less bulky, you can store them back in your own vehicle and cause less problems for the festival to deal with.

You never want to keep your illusions or packing boxes out in the open during or between shows. If you are using your cases as part of your on stage set up, then this can be an exception for you. This may be common sense, but some performers feel that the festival will watch them for you. This is not the case as the festival crews are usually much too busy moving around and solving problems that occur throughout the day. I usually try to get a booth spot (a designated vender area) near to the stage so that the illusions can be moved under my booth tent between shows so they are out of the way and I can keep an eye on things without causing traffic problems for the festival.

Pre-Load: By pre-load, you will want to try and stay away from illusions that require the assistant to be loaded into the illusion ahead of time before the show starts. Because you never know where you will be performing or where people will be standing, pre-loading can be difficult to set up and arrange so that no on sees this taking place.

If you have an opening illusion like a Blammo production, you can probably get away with it but make sure to talk about staging with the festival prior to you getting there so something can be arranged. In most cases you might be able to move your vehicle behind the stage and use that to temporary block the angles for the pre-load. Or they might be able to block off an area for you. Just keep this in mind if you have an illusion that requires this before your show start time.

I am happy to announce that my newest book, "FESTIVAL MAGIC", is finished and is NOW available at http://www.kpmagicproducts.com/Festival_Magic.html This 112pg book is filled with the most up to date information on how anyone can work and succeed in the festival and fair markets.

As always, I encourage you the readers to let me know your thoughts. So if you have any thoughts on my articles or suggestions or comments, please feel free to e-mail me directly at magic4u02@aol.com. I would love to hear from you.

--------------------------------------------
8. Biographies Of Magicians, Illusionists, Prestidigitators, And Mediums
--------------------------------------------
Message by Michael Solomon

Professor Solomon tells the stories of these masters of deception.
165 pages. Illustrated.
Free download at http://www.professorsolomon.com/conjurers-book-page.html

--------------------------------------------
9. Updates So Far This Week on VanishLive.com
--------------------------------------------
Message by - Mick Peck
Online Content Editor
www.VanishLive.com

Latest updates on VanishLive.com include:

- The 2014 Austin Magic Auction: Nick Lewin
- Keith Barry Slates Irish Radio Station For Cancelling Appearance
- Doctor Swaps Stethoscope For Stage-Show Spectacular
- A Mystifying Night With Ivan Amodei At The Beverly Wilshire
- (Menta)Lists by Alexander May
- Tricked Out - Andrew Mayne
- Piracy: Bizzaro
- New Documentary on Richard Turner

Video of the week:

Harry Blackstone Jnr and Mr T.

DAILY magic news, articles from around the world and reviews from working professional magicians.

Visit us today at:

http://www.VanishLive.com

- Mick Peck
Online Content Editor
www.VanishLive.com

Have you downloaded your FREE copy of Vanish Edition 13? Feature interview with Daryl, Q+A with David Berglas, feature articles, reviews and more.

http://www.vanishlive.com/2014/04/13/vanish-13-now-available/

--------------------------------------------
10. Florida State Magic Convention Schedule
--------------------------------------------
Message by Ben Mason (USA)

Florida State Magic Convention Schedule
50th Anniversary
(Subject to change)
For more info see www.fma50th.com

Friday, May 23, 2014
2pm - 6pm-Registration
4:00pm - Lecture #1...Amazing Balloons - Billy Damon
7:00pm - 8:00pm-Registration
7:00 -9:00pm Antique Magic Display #1 (posters, original lithographs)
7:00 - 10:00pm - Welcome Party
10:15pm - Lecture #2...Geoff Williams' "All New-Never Been Seen Before- Different - Original Lecture"
11:30pm - Houdini Seance
12:15am - Close-Up Get-Together

Saturday, May 24, 2014
9:00 - 12:00 noon, 1:30pm - 6:00pm, 7:00 - 8:00pm - Registration
9:00am - "Coffee, Tea & Mary" (Mary Kodell)
9:00am - Stage Contest Check-in
10:00am - Stage Contest
10:00am - 12:00nn Antique Magic Display #2 (apparatus)
11:30am - Lecture #3-Bob Little
1:00pm - Close-up show #1 (Omar, Oscar, Gio, Cameron)
2:30pm - "Braindrops" (Paul Gertner)
4:00pm - Lecture #4-Phil Schwartz.
4:00pm - Close-up Contest Check-in
5:15pm - Close-up Contest
7:00pm - Close-Up Get-Together
8:00pm - Evening Show
10:30pm - Lecture #5 - Ward Hall

Sunday, May 25, 2014
9:00am - 12:00 noon, 1:30pm - 6:00pm, 7:00pm - 8:00pm-Registration
8:30am - FMA Board meeting
9:00am - FMA General meeting
10:00am - Lecture #6 - Paul Gertner
11:30am - Lecture #7 - Giovanni Livera
1:00pm - Close-up show #2 (Gertner, Dardant, Anabel, Williams)
2:30pm - Bev Bergeron/Rebo Tribute
4:00pm - Lecture #8 - Oscar Munoz
5:15pm - Lecture #9 - Cameron Francis
6:30pm - Banquet
7:30pm - Close-Up Get-Together
8:30pm - International Show
10:30pm - Lecture #10 - Sammy Smith

Monday, May 26, 2014
10:00am - Lecture #11 - Gustavo Raley
11:30am - Lecture#12 - Michael Dardant

Dealers Hours
Friday - 7:00pm - 10:00pm
Saturday - 9:00am - 2:00pm, 4:00pm - 6:00pm, 10:00pm
Sunday - 9:00am - 2:00pm, 4:00pm - 6:00pm, 10:00pm
Monday - 9:00am - 12:00am

For more info see www.fma50th.com

--------------------------------------------
11. Celebrating Bob Neale
--------------------------------------------
Message by Larry Hass, Publisher of Theory and Art of Magic Press

It is my pleasure to announce that my dear friend Bob Neale was awarded a Special Fellowship from the Academy of Magical Arts at its 46th Award Show this past Sunday, April 13.

The framed certificate says (in part) that this Special Fellowship is awarded to Bob "in celebration of a creative output that is too wonderfully complex to fit into a single category. He has devised new amazements with topology, language, mathematics, and sleight of hand. But, like tricky origami, a simple flex transforms him into an amusing and provocative author, and then, that rare entity: a philosopher of magic."

This is a wonderful, much-deserved recognition for one of our great creators and philosophers of magic. It was my deep pleasure to be in Los Angeles with Bob and Gail Neale to celebrate this award, which was presented to him by his friend Eugene Burger.

Theory and Art of Magic Press is the home of Bob Neale's most recent publications, including the first installment of his great Trilogy of Magic titled: The Magic of Celebrating Illusion. For more information, please go to www.TheoryandArtofMagic.com

--------------------------------------------
12. Adelaide Magic Convention - October 10th -12th 2014
--------------------------------------------
Message by Garry Cohen (Australia)

Featuring the Magic of Daryl (USA), Mark Byrne (USA) and James Sleight (AUS)

The Combined Magic Clubs of Adelaide, invite magician's performers and clowns to the friendliest magic convention in Australia. Two and a half days of magic, lectures, competitions, International Gala Show, magic dealers and great magic fun!

We have three great magicians with totally different styles presenting their ideas on how to improve your magical performances. All three magicians have close-up, stand-up and stage experience so we are in for a whole weekend of great magic. There will be a total of 6 different lectures!

Once again, we are holding the function at the fabulous Lakes Resort Hotel.

Convention registration is $325 (AUD) for magicians, spouse $290 (AUD) and $305 (AUD) for juniors.

This includes all convention demonstrations, lectures, competitions, lunches, morning and afternoon teas, and one ticket to our Banquet/Gala Show on Saturday Night with performances by our International lecturers and local artists.

****Early Bird Registrations****
Register Now For A Fabulous Weekend Of Magic!

Go to: https://www.heyprestomagic.com.au/index_files/Page2226.htm

--------------------------------------------
13. David Stone's 'The Experience' Lecture - Australia
--------------------------------------------
Message by Garry Cohen (Australia)

David Stone's 'The Experience' Lecture - Australia

Key Words:
- New tricks
- Extremely visual effects
- Misdirection
- Hilarious lecture

The new lecture is about general close up magic. It's both funny and very dynamic lecture. David Stone's new lecture will provide exclusively new strong magic tricks with cards, coins, and varied objects: Floating deck, visual signed torn and restored card, impossible card stabbed, business cards and credit cards routines, an amazing and easy to do 4 aces production right after spectators shuffled the cards, sharpie color changing ... even a routine with a condom!

Over 20 effects and new routines tested on a real audience.

NOTE: Except on demand prior the lecture, the tricks and routines are brand new at 90%. If members of the clubs would like to see "live" some of his classic tricks, they have to specify it BEFORE the start of the lecture, so that David will add them where it fits the best for the show: This new lecture is built on as a real show, and behind the "casual", informal style of it, it is created to enhance the understanding of every concept and principle David wants to share.

The last 3 years, David studied acting at the Actor's Studio in Paris (The Studio Pygmalion) and played different roles as an actor on movies in France. He will share his experience in the emotional field and acting process to give hints on how to improve character and personality as a magician in performances along with tips on how to improve the strength of a performance in people's mind.

David will also talk and explain how he uses misdirection and off beat timing in his shows with concrete examples.

As usual, the lecture will be hilarious, with dozens of new gags you will be able to use for your own shows.

The tricks are very varied! It will be full of ideas, concepts and routines along with cards and coins sleights, misdirection routines, new shoes apparitions, advice for the pro workers. Many routines from David's last trick, the best-seller TOOL
(over 25.600 copies sold in 18 months!) will also be explained. In the lecture, there are over 14 routines using it showed and explained!

Australian Touring Dates
Sydney - Wednesday May 14th, 8pm at Ashfield RSL Club, Contact Garry Cohen (02) 9232 7660
Brisbane - Thursday May 15th, 7.30pm, Contact Dave Lord 0411 333 531
Perth - Friday May 16th, 7.30pm, Contact Steve Dix 0404 047 176
Adelaide - Saturday May 17th, 7.30pm, Contact Phil Ahern 0438 055 176
Melbourne - May 19th, 7.30pm, Contact Lee Cohen 0411 644 931

This Will Be The Most Talked About Lecture Of 2014!

--------------------------------------------
14. Anywhere Theatre Festival - Brisbane, Australia
--------------------------------------------
Message by Garry Cohen (Aust)

A Live Show From Peter Booth & Sean Mergard

Presented by the Anywhere Theatre Festival

Help support local magic in Brisbane.

Enter the inner sanctum of tricksters, pranksters, hoaxers, and scammers and learn the tricks that have been used for centuries to separate people from their money.
Join Sean Mergard (Mentalist) and Pete Booth (Comedy Magician) and learn how to take down the casino, convince people you're psychic, and raise the dead.

Turning Tricks utilises the techniques of magic, mentalism and comedy to tell the tales of the biggest scams the world has ever known - from the beginning of the supernatural to today's television psychics, and everything in between.

Turning Tricks was Written by Pete Booth and Sean Mergard and Directed by Thomas Calder. The show premiered at the Brisbane Fringe Festival 2013 as part of Brisbane Fringe Comedy in two sellout shows, becoming the highest selling show of the 2013 Festival. The show was updated and expanded in late 2013 for a one-off performance in Brisbane's South.

The current show, playing as part of the Anywhere Theatre Festival incorporates elements from the original Fringe performance along with new scams, tricks and deceptions.

Turning Tricks: Presented by the Anywhere Theatre Festival
8-11 May, 2014. 7:30pm

Tickets $20. Tickets must be pre-purchased online
Amerex Warehouse, 2a Staple St, Seventeen Mile Rocks
www.turningtricks.com.au for tickets.
Contact Sean Mergard for more information: 0422 375 587

--------------------------------------------
15. Virtual Magic and Mystery School
--------------------------------------------
Message by Jeff McBride (US)

New things are happening with our online Magic School. I really, sincerely, do hope you will consider becoming a member of our All-New online.

Please look at the video at our "Virtual Magic & Mystery School. Not only will you receive special benefits at each level of membership, but you are also helping the School fulfill its mission of improving the art of magic one magician at a time!
Learn more right here:
http://www.magicalwisdom.com (click the "become a member" button)

... Thanks!

Jeff

--------------------------------------------
16. Paul Royter's Tour
--------------------------------------------
Message by Paul Royter (Canada)

Paul Royter Upcoming Hypnotism Tour Schedule

Sun. May 11th - North Bay, On.
Mon. May 12th - North Bay, On.
Tues. May 13th - Pembroke, On.
Wed. May 14th - Pembroke, On.
Thurs. May 15th - Renfrew, On.
Wed. June 4th - Kapuskasing, On.
Thurs. June 5th - Cochrane, On.
Fri. June 6th - Timmins, On.
Sat. June 7th - Timmins, On.
Sun. June 8th - New Liskeard, On.

--------------------------------------------
17. e-zine Archives
--------------------------------------------
Back issues of the Magic New Zealand e-zine go to:
www.magicnewzealand.com click on the red button center right "Archives"

When you enter the archive the e-zines are in issue order in folders for each year and are Coded, e.g. 001 Nov06 1999.txt first three numbers (001) denote issue number, then the date (Nov06) and the last figures the year (1999)

---------------------------------------------
18. Privacy Policy and Copyright Notice
--------------------------------------------
Our subscriber list is NOT made available to any other companies or individuals. We value every subscriber and respect your privacy.

You can subscribe to or unsubscribe from the Magic New Zealand® E-zine at: www.magicnewzealand.com

Magic New Zealand® E-zine is published each Sunday.

The opinions and statements expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson vouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine.

Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson, jointly or individually liable or responsible in any way for the opinions or statements contained therein.

Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted.

Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e-zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted.

All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®.

Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

© Copyright 2014 Alan Watson
www.magicnewzealand.com
www.facebook.com/magicnewzealandnewsflash
http://twitter.com/#!/magicnewzealand

www.watson.co.nz
www.corporatemagic.co.nz
www.magician.co.nz
www.magicianz.com
www.balloon-twister.co.nz


Privacy Policy and Copyright Notice

Our subscriber list is not made available to any other companies or individuals. We value every subscriber and respect your privacy. You can subscribe to or unsubscribe from the Magic New Zealand® E-zine at www.magicnewzealand.com Magic New Zealand® E-zine is published each Sunday. The opinions expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson vouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine. Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson, jointly or individually liable or responsible in any way for the opinions expressed therein.
Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted. Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e-zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted. All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®. Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer.

Copyright © 2014 Alan Watson.


Magic New Zealand® E-zine