d* * * * * * * * * * * * * * * * * * * Magic New Zealand® * Proudly sponsored by International Entertainment * www.magicnewzealand.com * * * * * * * * * * * * * * * * * * Issue Number: #929 Date: Sunday 3rd June 2012 Editor: Alan Watson www.watson.co.nz E-mail: editor@magicnewzealand.com ================================ Hi here is the latest news ================================ 1. Editor's Message 2. Provisional Programme FISM 2012 3. EMC 2012 Last Chance For Early Bird Registration! 4. Kevin James Added To "Las Vegas Experience 5. June 2012 Issue Of The Linking Ring Magazine 6. 2012 June Magic Castle Schedule 7. Remarkable Magic. #36 - Nick Lewin 8. Summertime Heat - #259 - Kyle Peron 9. In Conversation with Eric Evans - Part 5 10. June Issue Of MAGIC Magazine 11. Magical Walk Of Fame! 12. Ring 45 Will Present A Lecture By Rafael Benatar 13. Barry's Magic Shop Set To Close July 15 14. John Lovick Lecture - Melbourne, Australia 15. For Sale: Houdini Milk Can Escape 16. 31st New Zealand International Magicians Convention 17. e-zine Archives 18. Privacy Policy and Copyright Notice -------------------------------------------- 1. Editor's Message -------------------------------------------- Very pleased to see that we now have over 100 registered for the New Zealand International Magicians Convention. This event will be a sell out so if you are planning to attend I would suggest that you register NOW. Remember if you have any magic news drop me a line: Editor@MagicNewZealand.com -------------------------------------------- 2. Provisional Programme FISM 2012 --------------------------------------------- Message by Derek Lever (UK) Sunday 8th July, 2012 FISM Convention 09.00 to 18.00 hrs Registration Desk Opens Monday 9th July, 2012 FISM Convention 08.30 to 19.30 hrs. Registration Desk opens 09.00 to 10.00 hrs. Rehearsal of Opening Ceremony in the Opera House 09.00 to 10.30 hrs Jury meeting for Stage and Close-Up in the Princess Diana Suite 09.00 to 17.30 hrs Dealers' Magic Fair opens 10.00 to 16.00 hrs Vintage Poster Exhibition in the Link Room by Kenny Bowe 11.00 to 12.30 hrs Opening Ceremony in the Opera House 12.30 to 13.30 hrs Lunch 14.00 to 18.00 hrs Rehearsal for Close-Up Competitors Nos. 1 to 19 in Olympia 14.00 to 18.30 hrs Stage Competition Performance in the Opera House Nos. 1 to 20 14.00 to 15.00 hrs Star Lecture in the Pavilion by Joshua Jay (USA) 14.00 to 15.00 hrs Star Lecture in the Spanish Hall by Matthew Johnson (Canada) 16.00 to 17.00 hrs Star Lecture by Boris Wild (France) in the Pavilion 16.00 to 17.00 hrs Star Lecture in the Spanish Hall by Axel Hecklau (Germany) 18.00 to 19.00 hrs Dinner 20.00 to 22.00 hrs The Late Gala Show in the Opera House 22.00 to 23.00 hrs Star Lecture by Henry Evans (Argentina) in the Pavilion Artistes appearing in the Opening Ceremony Show: Marc Oberon, Jupiter, Joseph Gabriel, Clive Webb and Danny. Musical Director Frank Wilson. All FISM Delegates will be introduced en bloc on stage prior to the commencement of the Opening Show. Artistes appearing in the Late, Late Gala Show: Junior Petrosyans, Soma, Tina Lenert, Compagnie Poc, Rafael, Katalin, Mike Caveney and Topaz. Compere: Mike Caveney. Musical Director: Frank Wilson Tuesday 10th July, 2012 FISM Convention 08.30 to 13.00 hrs Stage Competitors Rehearsal for Nos. 21 to 40 in the Opera House 08.30 to 12.30 hrs Close-Up Competition Performance by Nos. 1 to 19 in Olympia 08.30 to 19.00 hrs Registration Desk Opens 09.00 to 17.30 hrs Dealers Magic Fair Opens 09.30 to 10.30 hrs Star Lecture by Shoot Ogawa in the Pavilion 10.00 to 12.00 hrs Stage Jury Meeting in the Princess Diana Suite 10.00 to 11.00 hrs Star Lecture in the Spanish Hall by Chad Long (USA) 10.00 to 16.00 hrs Vintage Poster Exhibition in the Link Room by Kenny Bowe 11.30 to 12.30 hrs Star Lecture in the Pavilion by Marc Oberon (UK) 12.00 to 13.30 hrs Close-Up Jury Meeting in the Princess Diana Suite 12.30 to 13.30 hrs Lunch 13.30 to 18.00 hrs Rehearsal for Close-Up Competitors Nos. 20 to 38 in Olympia 14.00 to 18.30 hrs Stage Competition Performance Nos. 21 to 40 in the Opera House 14.00 to 15.00 hrs Wayne Dobson - This Is Your Life, in the Pavilion, presented by Michael J. Fitch 14.00 to 15.00 hrs Star Lecture in the Spanish Hall by Jon Archer (UK) 16.00 to 17.00 hrs Star Lecture in the Pavilion by Jay Scott Berry (USA) 18.00 to 19.00 hrs Dinner 19.30 to 21.00 hrs International Close-Up Gala in Olympia (First Session) 19.30 to 20.30 hrs Star Lecture in the Pavilion by Matthew Dowden (UK) 21.30 to 23.00 hrs International Close-Up Gala in Olympia (second session) Close Up Artistes: Matthew Johnson, Shoot Ogawa, Mark Mason, Michael Weber, Kozmo, Boris Wild, Marc Oberon, David Stone Compere: Greg Wilson Wednesday 11th July 2012 FISM Convention 08.30 to 12.30 hrs Close-Up Competition Performance Nos.20 to 38 in Olympia 08.30 to 13.00 hrs Stage Competitors Rehearsals Nos.41 to 60 in the Opera House 08.30 to 19.00 hrs Registration Desk Opens 09.00 to 17.30 hrs Dealers' Magic Fair Opens 10.00 to 11.00 hrs Star Lecture in the Pavilion by Michael Weber (USA) 10.00 to 11.00 hrs Star Lecture in the Spanish Hall by Jay Scott Berry (Australia) 10.00 to 16.00 hrs Vintage Poster Exhibition in the Link Room by Kenny Bowe 11.30 to 12.30 hrs Star Lecture in the Pavilion by Eric Jones (USA) 11.30 to 12.30 hrs Star Lecture in the Spanish Hall by Mark Mason (USA) 12.30 to 13.30 hrs Lunch 14.00 to 18.30 hrs Stage Competition Performance Nos.41 to 60 in the Opera House 14.00 to 18.00 hrs Rehearsal for Close-Up Competitors Nos. 39 to 55 in Olympia 14.00 to 15.00 hrs Star Lecture in the Pavilion by Michael Ammar (USA) 14.00 to 15.00 hrs Star Lecture in the Spanish Hall by Boris Wild (France) 16.00 to 17.00 hrs Star Lecture in the Pavilion by Eberhard Riese and Topas (Germany) 16.00 to 17.00 hrs Star Lecture in the Spanish Hall by Kozmo (USA) 18.00 to 19.00 hrs Dinner 19.30 to 21.30 hrs The Comedy Capers Gala Show Compere: Stan Allen, Blub, Jon Archer, Clive Webb, Richard McDougall, Stan Allen, Great Nardini, Voronin, Amethyst Thursday 12th July,2012 FISM Convention 08.30 TO 17.30 hrs Registration Desk Opens 08.30 to 13.00 hrs Close-Up Competition Performance Nos. 39 to 55 in Olympia 08.30 to 13.00 hrs Stage Competitors Rehearsal Nos.61 to 80 in the Opera House 09.00 to 17.00 hrs Dealers' Magic Fair Opens 10.00 to 11.00 hrs Star Lecture in the Pavilion by Matthew Johnson (Canada) 10.00 TO 16.00 hrs Vintage Poster Exhibition in the Link Room by Kenny Bowe 10.00 to 11.30 hrs Magic Speed Dating in the Spanish Hall. Star dates are: Boris Wild, Shoot Ogawa, Mark Mason, Jay Scott Berry, Kozmo, Cameron Francis, Eric Jones, Joshua Jay, David Stone, Michael Ammar and Greg Wilson. All 11 stars will sit at different tables and 20 persons sit at each table. The persons can request help with a trick, ask personal questions, get the performer to show his favourite trick etc. After 10 minutes a bell will sound and every performer moves along one table. It should be fun!. 11.30 to 12.30 hrs Star Lecture in the Pavilion Theatre by Marc Oberon (UK) 12.00 to 13.00 hrs Star Lecture in the Spanish Hall by Jon Archer (UK) 12.30 to 13.30 hrs Lunch 13.00 to 13.30 hrs FISM Europe General Meeting in the Renaissance Room. All FISM Europe delegates are requested to attend 14.00 to 18.30 hrs Stage Competition Performance Nos. 61 to 80 in the Opera House 14.00 to 15.00 hrs Star Lecture in the Pavilion Theatre by Cameron Francis (USA) 14.00 to 15.00 hrs Star Lecture in the Spanish Hall by Sos and Victoria Petrosyan (Germany) 17.15 hrs Second Food Sitting assemble in the Floral Hall Foyer for the musical march to Blackpool Tower Circus. Dress: Smart, 17.30 hrs Arrive at the famous Blackpool Tower Ballroom for a free drink 18.00 to 19.50 hrs First performance in the Blackpool Tower Circus (Dress Smart Casual) 18.00 to 19.30 hrs Final Close-Up Jury Meeting in the Renaissance Room 18.00 to 20.00 hrs Banquet First Sitting in the Winter Gardens. Dress: Smart - casual. Participate in the "food from many countries buffet" Use your "Diamond Jubilee" ticket to pick out the £6,500 genuine diamond. 20.15 hrs First Food Sitting assemble in the Floral Hall Foyer for the musical march to the Blackpool Tower Circus 20.30 hrs Arrive at the famous Blackpool Tower Ballroom for a free drink. 20.30 to 22.30 hrs Banquet Second Sitting in Winter Gardens 21.00 to 22.50 hrs Second Performance in the Tower Circus featuring performers from Cuba and the famous water finale Friday 13th July,2012 FISM Convention 08.30 to 17.30 hrs Registration Desk Opens 08.30 to 13.00 hrs Stage Competitors Rehearsal Nos 81 to 98 in the Opera House 09.00 to 17.30 hrs Dealers Magic Fair Opens 09.30 to 11.30 hrs Stage Jury Meeting in Princess Diana Suite 10.00 to 11.00 hrs Star Lecture in the Pavilion by Henry Evans (Argentina) 10.00 to 11.00 hrs Star Lecture in the Spanish Hall by Joshua Jay 10.00 to 16.00 hrs Vinatage Poster Exhibition in the Link Room by Kenny Bowe 11.30 to 12.30 hrs Star Lecture in the Pavilion by Axel Hecklau (Germany) 11.30 to 12.30 hrs Star Lecture in the Spanish Hall by David Stone (France) 12.30 to 13.30 hrs Lunch 14.00 to 18.30 hrs Stage Competition Performance Nos. 81 to 98 in the Opera House 14.00 to 16.00 hrs The Master Class in the Spanish Hall Artistes: Jay Scot Berry, Eric Jones, Michael Ammar, Boris Wild, Shoot Ogawa,Mark Mason, Marc Oberon, Michael Weber 14.30 to 15.30 hrs Star Lecture in the Pavilion Theatre by Kozmo 16.00 to 17.00 hrs Star Lecture in the Pavilion Theatre by Chad Long (USA) 17.00 to 18.00 hrs Star Lecture in the Spanish Hall by Greg Wilson (USA) 18.00 to 19.00 hrs. Dinner 19.30 to 22.30 hrs International Gala Show in the Opera House, starring: Ernesto Planas, Han Seol Hui, Sos & Victoria Petrosyan, Mr. Blub Tapdance, Tony Chapek, Paul Zerdin, Rafael, Paolo Giua, Fackelli & Kil, Richard McDougall, Greg Frewin, Comperes: Clive Webb & Danny Adams, Musical Director Frank Wilson 21.00 to 23.00 Final Stage Jury Meeting in the Renaissance Room 23.00 to 00.30 hrs Beat The Wand Competition in the Theatre Bar with Andrew James & Magic Sam Saturday 14th July,2012 FISM Convention 08.30 to 17.30 hrs Registration Desk Opens 08.30 to 17.30 hrs Dealers Magic Fair Opens 09.00 to 11.00 hrs Rehearsals for final Stage & Close-Up Contest in the Opera House 09.30 to 10.30 hrs Star Lecture in the Spanish Hall by Michael Ammar (USA) 09.30 to 10.30 hrs Star Lecture in the Pavilion Theatre by Cameron Francis (USA) 10.00 to 12.30 hrs Meeting of the FISM General Assembly in the Renaissance Room 10.00 to 14.00 hrs Vintage Poster Exhibition in the Link Room by Kenny Bowe 11.00 to 12.00 hrs Star Lecture in the Spanish Hall by Michael Weber 11.00 to 12.00 hrs Star Lecture in the Pavilion Theatre by Eric Jones (USA) 12.30 to 13.30 hrs Lunch 14.00 to 16.00 hrs Final Stage & Close-Up Performance in the Opera House to decide the Grand Prix Winners: Close-Up: Finalist in Card Magic, Finalist in Micro Magic, Finalist in Parlour Magic. Stage Finalist in General Magic7Finalist in Illusions, Finalist in Manipulation, Finalist in Mental Magic, Finalist in Comedy Magic 16.00 to 18.00 hrs Final Close-Up & Stage Jury Meeting in the Renaissance Room to decide who becomes the Grand Prix Close-Up World Champion and the Grand Prix Stage Magic World Champion. 16.30 to 17.30 hrs Star Lecture in the Pavilion Theatre by Mark Mason (USA) 16.30 to 17.30 hrs Star Lecture in the Spanish Hall by Shoot Ogawa 18.00 to 19.00 hrs Dinner 19.30 to 20.30 hrs Awarding of the Prizes in the Opera House 20.30 to 21.30 hrs Closing Ceremony with Victor Michael and the Dolphin Dancers 22.00 hrs Farewell Party in the Spanish Hall with Jay Scott Berry, Greg Wilson, Karl K -------------------------------------------- 3. EMC 2012 Last Chance For Early Bird Registration! --------------------------------------------- Message by Luis de Matos (Portugal) The Essential Magic Conference is the world's first web conference for magicians. 33 speakers over 3 days of conference streamed live worldwide. Register to attend today - access passes are limited. About the conference The Essential Magic Conference is the world's first web conference for magicians. This year's edition will take place on the 27th, 28th and 29th of July. The entire conference will be broadcast via the internet. It features lectures and demonstrations by some of the most important thinkers in magic. You can watch the lectures live from your computer. Or you can view the lectures on-demand immediately following their broadcast. There are opportunities for you to interact with and question the conference speakers. As an additional bonus, every subscriber receives a set of DVDs containing every lecture. And we want you to be part of it. Registering to attend The cost of registering for the conference is US $99, EUR ?75. You can subscribe via this website. See the Register to Attend button at the upper left of this page. Upon registering you will create your own personal account and Member Page. This entitles you to access various privileges and the conference newsletter which will keep you up to date on all the latest developments. One registration covers one computer but we encourage you to invite your friends to watch the conference with you. To register go to: http://www.essentialmagicconference.com/users/new -------------------------------------------- 4. Kevin James Added To "Las Vegas Experience --------------------------------------------- Message by George Schindler (US) Is a Vegan a person who lives in Las Vegas, or one who does not eat animal products? Either way you can enjoy the "beefed up?" Las Vegas Experience show at the Smith Center as part of the Society of American Magicians convention (July 23-26) Producer Mike Miller announced the addition of Kevin James to the cast of this fabulous show made up of top Las Vegas star performers. You would have to visit Casino shows for six days in order to see these acts, but now you can see them all in one place at one time. Tickets are part of your convention package along with the David Copperfield and Mac King shows and three other stage shows. See the lineup of great acts at www.magicsam.com. Register now for great seats Special hotel rates are guaranteed until June 22 so don't wait. -------------------------------------------- 5. June 2012 Issue Of The Linking Ring Magazine -------------------------------------------- Reviewed by Paul A. Lelekis Vol. 92, No. 6: Editor: Samuel Patrick Smith This month's cover of The Linking Ring, honors a man of distinction, Dr. William E. Spooner! This June issue presents Dr. Spooner's inside story, "A Mind for Magic!" Dr. Spooner is a past International President of the I.B.M. and is a superb performer. Dr. Spooner is now, only the eighth person to ever receive the I.B.M. Medallion of Honor - truly a man of distinction! Read all about his fascinating life in magic! The Linking Ring boasts the world's largest circulation of any printed magic magazine and has now launched a beautiful digital edition. I.B.M. membership is required to receive this monthly magazine. Members can access The Linking Ring at www.magician.org. This site allows one, portal entry into the world of magic! Each month in The Linking Ring, the Ring Events provide readers with the "scoop" on what is happening in different Rings around the world. In addition, read about the many I.B.M. ring events occurring around the world, their special events and charitable activities. The 84th I.B.M. Convention in Norfolk, Virginia is sure to be one of the greatest of conventions ever! This convention is being called the "re-invention convention" and new talent is still being booked! The Chicago History Museum opens a new exhibit this year, featuring magic artifacts and live magical performances. Learn about all of wonderful additions to this prominent museum! The Linking Ring presents some great monthly columns such as Polishing the Rings, Conversations with Calvert and Cutting Up Jackpots which will further your magical careers! Last month, the Linking Ring's Parade presented some fantastic magic by the Norfolk, Virginia group, The Earl Edwards ring #103. This month is part 2 from this very talented group of magicians - and I was astonished at the quality of magic presented! The Parade Bonus this month is by David Stone a very talented young man about whom you will hear more and more! Below are articles in which you can learn some fantastic magic! Mike Power's Card Corner presents part two of collaboration between Mr. Powers and John Neely with Jazz It Up II yet another excellent rendition of Peter Kane's, Jazz Aces! Ways And Means by Joe M. Turner presents a presentational effect based on an effect by Jania Taylor. Very nice, indeed! Peter Marucci's Showtime presents The Four Cowboys, a story trick based on Bill Malone's, Joe the Bartender! Peter gives us an ending for this presentation! Storytelling Magic by Ed Solomon gives another saga by his alter-ego, DeNomolos, called Jacob's Ladder! Ed always provides readers with colorful story-lines and engaging patter! The Linking Ring has a team of experts who review many new items of magic so that the magicians of the world may purchase wisely! There are too many articles and too much magic in this issue of The Linking Ring for me to list, but everyone is world class! Advertisers -- your products will enjoy unsurpassed worldwide promotion in The Linking Ring through the beautiful printed magazine, the dazzling digital edition, and links from the I.B.M. Web Portal. For details about advertising in The Linking Ring, contact BJ Hickman at advertising@magician.org. ------------------------------------------- 6. 2012 June Magic Castle Schedule -------------------------------------------- Message by Jack Goldfinger (US) May 28-June 3rd Close-Up Gallery Early: Allan Ackerman Late: Eric Jones Parlour of Prestidigitation Early: The Bornstein Experiment Late: Jon Armstrong Palace of Mystery Chipper Lowell Danny Cole Peller Project Allan Hayden Bill Okal W. C. Fields Bar Alex Rangel June 4-10th Close-Up Gallery Early: Paul Green Late: Simon Coronel Parlour of Prestidigitation Early: Dale Hindman Late: Francis Menotti Palace of Mystery Fielding West Tina Lenert Peller Project Helder Guimaraes Derek DelGaudio W. C. Fields Bar Pop Haydn June 11-17th Close-Up Gallery Early: Justin Flom Late: David Gabbay Parlour of Prestidigitation Early: Jonathan Pendragon Late: Rob Zabrecky Palace of Mystery Matt Marcy Jack & Jeri Kalvan Richard Burr & Josette Peller Project Helder Guimaraes Derek DelGaudio W. C. Fields Bar Patrick Heitkam June 18-24th Close-Up Gallery Early: Jeff Kaylor Late: Henok Negash Parlour of Prestidigitation Early: Giovanni Livera Late: Fitzgerald Palace of Mystery Justin Willman Kenji Minemura Mike Douglas Peller Project Chris Randall Joel Ward W. C. Fields Bar Jeff Martin June 25-July 1st Close-Up Gallery Early: Andi Gladwin Late: Noel Qualter Parlour of Prestidigitation Early: Rob James Late: Alan Hudson Palace of Mystery Mystina Michael Finney Jason Andrews Peller Project Masahiro Yanagida Shoot Ogawa W. C. Fields Bar Jeffrey Black Performers are subject to change. -------------------------------------------- 7. Remarkable Magic. #36 - Nick Lewin -------------------------------------------- Message by Nick Lewin (US) Keeping The Show Fresh. I am a great believer in working hard to keep your show as fresh and up to date as possible. Unlike most performing skills this one doesn't automatically get easier the longer you have been performing your show. In fact, in some ways it gets harder and harder as time goes on, to remain fresh. Bob Dylan has described the most difficult part of aging, developing and improving your show as, "Learning to do consciously, what you used to do unconsciously.' There aren't many people who use words as carefully and effectively as Dylan or who have re-invented themselves more times. After more than 50 years as a performer who matters and whose career keeps hitting new heights, I think that comment is worth doing a little private meditation upon. When we begin (as most of us did) performing magic shows as kids, it is easy to be fresh and appealing, it is a huge part of the success we achieve. The longer you perform the more necessary it is to look at your show with fresh eyes. It can become very easy to become slicker but less interesting as performers. Although we still get the audience reaction we want, sometimes we loose the audience's empathy, which is the magic ingredient that marks all great entertainers. It is possible to become so immune to the immediacy of our show that we are saying words, or performing actions, without feeling the emotions that should be causing those words or actions to take place. There is much talk in magic about Robert Houdin's statement, 'A magician is an actor playing the part of a magician.' Good actors worry more about being 'in the moment' than they do about acting. Gary Cooper once said, "Acting is great, just never get caught doing it." I believe the same holds true for performing. How did Bob Dylan master this art of rediscovery of self? He spent a decade on what is now known as 'The Never Ending Tour,' and just performed gig after gig after gig changing something every time he performed. Sometimes it worked and sometimes it didn't---he didn't care. He was just trying to recapture his state of mind when he was young, fresh and bold enough to create some of the most important songs in musical history. One night he would sing 'Like A Rolling Stone' as a country waltz, the next night as a snarling blues. The next night it was an angry attack and then a rueful ballad of regret. Every night he played in different keys and used different chords to try and regain the spirit within him that created the song in the first place. Each night he was interested in finding at least one new and fresh moment of truth in his performance. By the end of the first decade of 'The Never Ending Tour' he had taken those songs and turned them inside out---sometimes making them almost unrecognizable in the process. This didn't always make his old fans happy and a lot of them dropped away in the process. However something strange began to happen and young people started to attend his concerts again. The new younger audience he acquired recognized the truth and sincerity with which he was dismantling and rebuilding his legacy. Then something really exciting began to happen, and after a decade of scarcely writing a new song, he started to write some of the finest songs of his entire career. He made exciting and commercial albums that received huge critical acclaim. Of course, these albums didn't sound like they did in the first rush of his creativity in the '60s; they had a maturity and insight that his early work was always building towards. To put it another way, he started to be able to achieve consciously what he once achieved unconsciously. Now it may seem that I have wandered a long way from doing a magic show, but the title of the column is 'Keeping the show fresh,' and that is why I used Dylan's process as an inspiration. Of course, you and I aren't genius level icons like Bob Dylan, but if we want to keep on performing for 50 years and remain as popular, relevant and successful as he has then we may find a very important lesson here. I did. I compressed the first decade of Dylan's 'Never Ending Tour' into the five years I spent performing my one-man show in Las Vegas in the mid '90s. I performed two one-hour shows a day, six days a week, 48 weeks a year for nearly five years. That is a lot of shows. After the first two years I discovered what the term 'Vegasy' meant and why it was so used as an insult. I would be performing and not even thinking about what I was saying to the audience. I'd say things like "Good afternoon, welcome to the show," and, not only not mean the words I was saying, but not even know I had said them! The show incidentally, was a huge success and getting great reaction---I just wasn't there to be part of it. Then I began to try and do something new everyday, say something totally different or even use a different voice; in order to wake myself up at some point. I would then try and stay awake and be 'in the moment' for the remainder of the show. This is what I have been doing ever since and it has resulted in a quantum leap in my performing skills. The strangest thing in the world is when you discover that it is possible, without realizing it, to spend a large part of your day in a state of sleep. It may be shallower than nighttime sleep but it is still sleep, even when you are doing something as vibrant as standing onstage entertaining hundreds of people. I am happy to say that this approach is really working and I am now 'conscious when I used to be unconscious.' That is my thoughts on keeping the show fresh.... 'Cruise Magic 101: how to make a great living performing magic on a cruise ship.' It is a really great book with tips, tricks and powerful techniques for shaping your performing skills to include bookings in this flourishing marketplace. If you want a signed copy of the book, in its early release; contact me at http://www.nicklewin1@mac.com -------------------------------------------- 8. Summertime Heat - #259 - Kyle Peron -------------------------------------------- Message by Kyle Peron (US) magic4u02@aol.com http://www.kpmagicproducts.com What to wear when performing outdoors in the summer? Great subject and a great question for discussion. One thing I would say is that you 1) still need to look professional and 2) you need to wear something that allows you to remain cool. Dehydration and heat sickness are serious things any outdoor performer MUST keep in mind at all times. It is essential that you keep that at the forefront of importance as you perform any outdoor event. However, with the right amount of planning and thinking, you can have a great time in any heat condition and not cause you any real problems. The first thing I must talk about is that no matter how hot it is outside, you still need to look like a professional. If you look like everyone else, then that is NOT going to work for you. You need to look like an entertainer and look like a seasoned pro every time out. Now this does not mean you need to wear so much clothes that you are overheated and you start to pass out from heat exhaustion. It simply means to learn to dress with light weight clothing in such a way that your outfit still looks good, still looks professional but allows you to feel comfortable. I will let you in on a great secret that really works well. I use a company called Happy Chef. They specialize in clothing for restaurants and outdoor Cafés. This is great because they have shirts and clothing that is customized for outdoor weather but still looks great. For example, I can get short sleeve tux shirts with material that is light weight and that breathes for a very low fee. These shirts look great but are made of material that allows heat to escape and air to get in. I get a bunch of these every season and it works amazingly well for me. It looks good and I can feel comfortable and relaxed knowing I am not overheating. They also sell pants that are light weight as well as shorts and other clothing all made for outdoor environments. Give them a look and you may find stuff that can work for you. Also, you may want to wear lighter colored clothing. Black is not always your friend in the summer time as it keeps and locks in the heat. If you want to wear black, make sure the clothing you buy is light in weight and breathes well. This will allow air to get in and keep you cooler for a longer period of time. If you are losing your hair (like me lol) or want to stop sweat from rolling into your eyes, wear a hat that goes with your outfit. I have a fedora that goes with my outfit that I wear for outside shows. It keeps the sweat out of my eyes, protects from sun glare so I do not have to squint and keeps me from sun burning my scalp. It works amazingly well and is a god send in the summer time heat. This is just something also to consider. You do NOT have to suffer to look like a professional. You simply do not. It is all about being smart and researching for the right solution. You absolutely can look like a pro without suffering. Suffering in the heat is only asking for problems and is never ever worth it. Heat is a serious thing and must be treated just as serious. You simply cannot take it for granted or feel you have to suffer through it. If you are miserable, you will act miserable and it will show in your performance. Look around, research and realize there are clothes out there that look good but are made for the purpose of outdoor weather. The next thing you want to do is to have a change of clothes. In other words if you are doing more than 1 show outside or if you are doing strolling for a long duration of time, make sure you have scheduled in a break so that you can get changed and cool off. I will always bring a change of shirts so I can at least put on a fresh and clean shirt and dry off my hat band and get ready for the next show or the next bit of strolling. If you are outside for any length of time, make sure you schedule these breaks as part of your agreement. You will need the ability to cool off and regulate your body temperature so you feel good, feel relaxed and can go on from there. ALWAYS bring water with you no matter what. This is a HUGE thing I can not mention enough times. Bring water with you and keep hydrated at all times. There are many ways in which to carry water with you and make it easier on you. Between sets make sure you have a cold drink. Between shows make sure you have a cold drink and even keep that water on you at all times. I also keep a small towel handy and near me so I can dry my hands off to make it easier for me to perform. I also dry my head off and just use it to stay better relaxed and comfortable. It once again comes down to being smart about what you do. Do not EVER feel that you must go on if you start feeling sick. If you start feeling light headed or sick in your stomach this is a clear sign that the heat is getting to you. You MUST be willing to take care of it then and there. It is not OK to struggle through it and keep on going. You are only going to hurt yourself even more. If you are in your show, just pick up your water, have a drink and then go on. The audience surely will understand as long as you do not make a huge deal out of it. If you are strolling, just end your set and take a drink, cool off, find some shade and cool off before your next set. If you are smart about things and research ahead of time, there should be no reason why you can't perform successfully in any heat or summer situation. Be smart and have fun. As always, I encourage you the readers to let me know your thoughts. So if you have any thoughts on my articles or suggestions or comments, please feel free to e-mail me directly at magic4u02@aol.com. I would love to hear from you. Please check out my many ebooks and books at my product site at http://www.kpmagicproducts.com. It would be most appreciated. Thank you. Kyle Peron Magician and Family Entertainer http://www.kyleandkellymagic.com Entertainers, please visit: http://www.kpmagicproducts.com -------------------------------------------- 9. In Conversation with Eric Evans - Part 5 -------------------------------------------- Message by Anthony Darkstone Brook - Europe/USA ADB : Let's us now turn to the great Jim Cellini. Of course. we are not going to be able to encapsulate all of his life or your times with him ... that's for a future book .but for now share a few memories .. EE: You are right Tony, there is no way we can encapsulate that remarkable man. Let me see, I first met Jim back in 1991. It took me a bit, but I gradually came to realize what a great Master he was . and before I say anymore, I must state that I am eternally grateful for all that I learnt from him .but the greatest thing he taught me was, simply being fearless. ADB : Wow! That is indeed the greatest lesson that a Master can teach a student. Especially in your field of Street Performance .. EE: Tony , that is so very true .. Being taught how to lose the fear because you are dead sure. That is what Cellini showed me. How to be fearless. ADB: I agree. Much more than a lesson . a gift that he bestowed upon you ..but continue please about Jim . EE: There was a period of about 6 months in 1994 when Jim and Marianne came to Texas, living here as our neighbors; that was one of the most the most intensive times working with Cellini. I was also working on the illustrations for his book, The Royal Touch. And it was during that time period that he taught me how to work indoors. From that same time I made a short video of Cellini on our porch, holding a hummingbird feeder in his hand, while hummingbirds fed, flying around his head. It was so beautiful. ADB: What a beautiful and wonderful image!!!. ..it was about that same time that Jim taught you about working the pitch indoors . EE: Yes Tony ..that was a great learning time for me .. He and Marianne had explored San Antonio looking for bars where they could set up and do shows. I worked some bars with Jim in San Antonio, Texas and what a great experience that was. ADB: That was a wonderful stroke of luck .. EE: Yes it was. They say that luck is when opportunity is met with preparation. And while I don't know how lucky my life has been, certainly one of my luckiest moments was when I met Cellini. To meet such a Master at that point in my life had such a profoundly positive effect concerning my growth as a magician. In fact, it has taken me several years to realize the depths to which Cellini influenced my outlook, not only as a magician, but as a human being. In the opening pages of The Secret Art of Magic, I summed up my philosophy of magic as one of my own conception. Looking back, I now see how without Cellini's central influence, I never would have arrived at that concept on my own. ADB: Yes. That's true Eric. .great minds and Mentors affect us that way .. There were three parts to that concept weren't there? EE: Yes Tony, there were/are three quotes that express it fairly well: (1) "Know Thyself", (2) "Abandon All Hope, Ye Who Enter Here", and the last, (3) "Attack!, Attack!, Attack!" The first two come from historically prestigious sources. The last was what Cellini would tell his students before they would go out; a central tenet of his attitude and philosophy. Those three tenets express an approach to the performance of magic that, for me, is without parallel. The idea being that 1) without self-awareness we cannot be truly effective. 2) If we do not properly prepare ourselves, and instead hold out a mere hope that all will be right anyway, we will ultimately fail. And finally 3) to throw ourselves into our performance completely, totally focused upon our aim and recognizing success when it is attained. For some, the idea of using a war paradigm as a way to inform a philosophy to Theatrical Magic may seem strange, or an odd fit at best, to both Cellini and I, it was, and remains, a very natural fit. "Attack, Attack, Attack!" I recall with both sadness and joy the last time he uttered those words to me. I was in New York City for the first time; I was almost overwhelmed by the immensity of the City. And the thought of those words bore me to action. End of Part 5 -------------------------------------------- 10. June Issue Of MAGIC Magazine -------------------------------------------- Message by Stan Allen - Editor MAGIC Magazine With over 1,800 published magic tricks, it's hard to believe Jay Sankey needs an introduction. Odds are you have one of his effects or DVDs in your home or office somewhere and, as a result, have heard or seen Jay as he teaches you something in his recognizably offbeat and impromptu manner. But when you actually stop and think about it, about him, questions can rise to the surface - none more curious than this: what do we really know about Jay Sankey? You might be able to describe what he looks like, and you can probably recognize the names of some of his most successful effects, but what about the man himself? Do you know how old he is? If he went to school? Where he lives? That's what made us decide to send Jamie Grant to talk with Jay about everything Sankey, to ask him about his reputation as a recluse, what exactly happened with his Big Ass Box of Magic, and what he has to say to the critics who think he puts out too much material. To our surprise, Jamie didn't find him to be the J.D. Salinger type at all. Instead, Jay seemed like an open and forthcoming guy with a lot to say. Read "Jay Sankey, Let's Get It On" and a lot more in the June issue of MAGIC Magazine. www.MAGICmagazine.com -------------------------------------------- 11. Magical Walk Of Fame! -------------------------------------------- Message by Rick Fisher (US) The Magic Capital of The World - Colon, Michigan is hopping these days! We have just announced our Magical Walk Of Fame! This will look very similar to the sidewalks in Hollywood, California - with bronze plaques/stars featuring magicians from all over the world permanently installed in the sidewalks of Colon, Michigan. Why not? This IS the magic capital of the world! Three have already been sold and will be installed before magic week July 31st-August 4th! Cost is only $1275.00 and that includes the labor to set them in. We are getting inquiries from all over the world and this is YOUR chance to join in. Go to www.colonmichiganmagic.com for all the details. We here at FAB Magic have just picked up three estates - lots of vintage magic and illusions! All in great shape - never used Temple of Benares, Canvas Covered Box, Rice Silks and so much more ... check them out at www.fabmagic.com Plus we only have 4 spots in the senior division remaining on our $2,000 close up magic competition during magic week. 9 spots remain for the junior division. Each category has a payout of $1,000! There is so much going on for magic week - Bobby Maverick and so much more...FREE magic shows, Mad, Mad Auction, One Trik Nite, Open Mic Nite, magic demonstrations day and night...no admission charge to any of the events. There is a $25 fee to register as a competitor for the close up competition. So, why don't you come and join us - check us out online - come see the magic in the real magic capital of the world - Colon, Michigan USA! ------------------------------------------- 12. Ring 45 Will Present A Lecture By Rafael Benatar -------------------------------------------- Message by Ricky Dee Thursday, May 31st at 7:30pm at the Elks Lodge, Ring 45 will present a lecture by Rafael Benatar. Rafael has performed on all three stages at the famed Magic Castle, the Close-up room, the Parlour and Stage. For the first time in the US, Rafael will share some of his favorite routines. "Parlour" contains three of his favorite tricks for the parlour and for the stage that he has consistently included his shows at the Magic Castle. A great and easy to do prediction trick, a very visual silk penetration, and the trick that had the magicians talking for years! Rafael will explain this effect for the first time in the US. It's a fun-filled intriguing mystery called Pages (as a tribute to the late Patrick Page). "E-Cups" is his latest take on the cups and balls theme with a novel presentation: explaining how email was invented in the Middle Ages. "Crowd Pleasers" is his most recent DVD, which features 7 of his favorite card tricks and 2 coin tricks that have been developed and fine-tuned through many performances. Come and see this living legend perform and explain his favorite routines. $5.00 for members and $10.00 for non-members. Admission price includes a raffle ticket for valuable prizes. There are a few things to appeal the technically oriented, but also a mathematical stunner than can even be done over the phone. For the most part, the material ranges from simple to intermediate. ------------------------------------------- 13. Barry's Magic Shop Set To Close July 15 -------------------------------------------- Message by William Bowers KensingtonPatch Montgomery County's one-stop-shop of magic will close its doors, after 38 years in business. Customers will have until July 15 to visit Barry's Magic Shop on Nicholson Lane in White Flint, according to the shop's website. Husband and wife owners Barry Taylor and Susan Kang posted an announcement on Wednesday discussing why the couple was choosing to close the store and retire from the business. Taylor will continue to do magic shows, he said. Their products will be available to purchase at a discount rate. ------------------------------------------- 14. John Lovick Lecture - Melbourne, Australia -------------------------------------------- Message by Kristina - Bernard's Magic Shop This is John's second tour of Australia. He has been nominated 11 times as Parlour Magician of the year at the Magic castle, Hollywood and is well known for his columns and editorial content in Magic Magazine and Genii, The Conjurers Magazine. John is a highly respected author of many books on magic including "Switch" his monumental work on the $100.00 Bill Switch. His presentation of Alan Shaxon's Confabulation is a great piece of comedy theatre. Date: Monday 4th June, lecture starts 8.00pm Venue: IBM clubrooms, Bernard Magic shop, Level 1, 187 Elizabeth street, Melbourne Cost: Magician $25 Partner $5 Paid up IBM Ring 84 Members Free ------------------------------------------- 15. For Sale: Houdini Milk Can Escape -------------------------------------------- Message by Tony Laffan (Aust) Hello Magic World, As I continue to move away from my Magic, Illusion and Escapology career, I only have one or two items left in my possession. The very last thing I have is my beloved 'Milk Can Escape'. So email me for a price and pictures of this amazing and well received, practicable and portable escape. Shipped from Gold Coast, Queensland. AUSTRALIA magic@TonyLaffan.com Cheers, Tony Laffan -------------------------------------------- 16. 31st New Zealand International Magicians Convention -------------------------------------------- Magic at the Chateau 31st New Zealand International Magicians Convention Christchurch New Zealand Labour Weekend 2012 (19/10/2012 to 22/10/2012) Convention starts on Friday night 19th October and finishes on Monday 22nd October at 2.30pm. Visa and Mastercard are now accepted for payment for your convention registration fee Credit card payment form go to: http://www.ibmring160.com/media/8357/skmbt_c451f12022209470.pdf To download the Convention registration form go to: http://www.ibmring160.com/media/7578/registration%20form.pdf Competition registration form go to: http://www.ibmring160.com/media/8998/competition.pdf Do I want to stay at the convention hotel? If the answer is YES then it's best that you reserve your room NOW! **As rooms are now very limited** Christchurch Free phone: 0800 808 999 (Within New Zealand) Toll (03) 348 8999 No deposit is required But they need a credit card number, valid at date of stay, i.e. October 2012 The convention hotel is The Chateau on the Park, 189 Deans Avenue, Riccarton, Christchurch. When booking convention hotel accommodation make sure that you tell them that it is for the "Magicians Convention" and then you will pay the special convention rate of $115 for a double room. If you try and book online on their website you will end up paying their full room rate. You have a choice of either a King or Queen size bed and Twin rooms consist of two double beds. The headliners confirmed are... Shawn Farquhar (Canada), Mark Mason (England) and Ken Scott (US) Gillam Family (US) This is a convention that you will not want to miss! **Book your accommodation NOW** Christchurch Free phone: 0800 808 999 (within New Zealand) Overseas: +64 3 348 8999 Toll -------------------------------------------- e-zine Archives -------------------------------------------- Back issues of the Magic New Zealand e-zine go to: www.magicnewzealand.com click on the red button center right "Archives" When you enter the archive the e-zines are in issue order in folders for each year and are Coded, e.g. 001 Nov06 1999.txt first three numbers (001) denote issue number, then the date (Nov06) and the last figures the year (1999) --------------------------------------------- Privacy Policy and Copyright Notice -------------------------------------------- Our subscriber list is NOT made available to any other companies or individuals. We value every subscriber and respect your privacy. You can subscribe to or unsubscribe from the Magic New Zealand® E-zine at: www.magicnewzealand.com Magic New Zealand® E-zine is published each Sunday. The opinions and statements expressed therein are those of the individual contributors and not necessarily those of Magic New Zealand®. Neither Magic New Zealand® nor Alan Watson vouch for the accuracy or reliability of any opinion, message, statement, or other information reported via Magic New Zealand® E-zine. Subscribers to this publication and authors who contribute to it by doing so agree they will not hold Magic New Zealand® or Alan Watson, jointly or individually liable or responsible in any way for the opinions or statements contained therein. Magic New Zealand® reserves the right to alter, correct or disregard any articles submitted. Readers are encouraged to submit timely articles or news items which may be of interest to subscribers. By submitting articles to this e-zine, the authors grant Magic New Zealand® the right to publish such articles and such authors confirm their copyright of the material submitted. All works published by Magic New Zealand® are protected by international copyright legislation and articles must not be published for profit by anyone other than the individual authors without the written permission of Magic New Zealand®. Notwithstanding the foregoing, this publication may be freely redistributed, but not sold, to other magicians if copied in its entirety, including the copyright notice below and the above disclaimer. © Copyright 2012 Alan Watson www.magicnewzealand.com www.facebook.com/magicnewzealandnewsflash http://twitter.com/#!/magicnewzealand www.watson.co.nz www.corporatemagic.co.nz www.magician.co.nz www.magicianz.com www.balloon-twister.co.nz