* * * * * * * * * * * * * * * * * *
* New Zealand's MagicNZ e-zine
* www.watson.co.nz/ezine.html
* * * * * * * * * * * * * * * * * *
Issue Number: #118
Date: Sunday 21st April 2002
Editor: Alan Watson
www.magician.co.nz
www.alan-watson.com
e-mail: AW@Alan-Watson.com
================================
Hi here is the latest news
================================

1. Editor's Message
2. Here's The Latest On The Masked Magician
3. Daytona Magic Festival
4. Derren Brown's Pure Effect
5. "King Of Levitations"
6. Vale Lyndsay Rietschel
7. News Flash The 28th Australian Convention
8. Making Magic Pay
9. Learn The Art Of Storytelling
10. Australian Mo Award Nominees
11. 21 Lecture Tour Of England, Scotland And Ireland
12. Florida Magicians Association Convention
13. The Orchante Saga #102
14. MagicNZ e-zine archives
15. Subscription Management

------------------------------------
1. Editor's Message
-------------------------------------
Message from Alan Watson - The Magic One

If any Auckland magicians require doves I have six to give away.

Good to catch up with our friends, Glenn and Bobbie Fujimoto from
Hawaii who are presently on a New Zealand tour.

I have had many magicians forward on Abb Dickson's message on the
latest news regarding the Masked Magician. Tony Wilson's was the
first to forward this information on to me.

----------------------------------------------------
Remember if you have any magic news drop me a line:
AW@Alan-Watson.com

----------------------------------
2. Here's The Latest On The Masked Magician
----------------------------------
Message from Abb Dickson (US)

From: Arts and Lifestyle Television
Tuesday, April 16, 2002
Fox Says It'll Expose Blaine's Ice Escapade
Fox is aiming to melt the mystique around illusionist David Blaine,
who two years ago encased himself in ice for an ABC-TV special.

David Blaine
In a May 15 Fox special, a masked magician will show the tricks Blaine
used to survive in a 6-ton ice cube for more than 61 hours. "We're
going to reveal how something like that can be done," said a Fox
source. "It's well known within the magic community how that stunt was
pulled off." Two years ago, Blaine described his popsicle impression
as an endurance test. "There was no trick to it," said producer Bill
Kalush, who said Blaine immersed himself in tubs of ice to train for
the deep freeze. Donna Petrozzello

Dear WAM supporters....

As reported in our website, the masked magician is "at it again".....
This time attacking David Blane and other "Street Magic" effects, new
illusions and effects exposed, etc.

As we have done before, WAM encourages you to tape the show, and write
letters to the sponsors i m m e d i a t e l y after the show, to
impact Fox's pocketbook. Poor ratings will affect the show, but
consumer letters and critical letters to sponsors will potentially
affect the re-runs of the show!

WAM Also needs your donations and support to help us in our costs!

Send Your Donation To:
World Alliance Of Magicians
164 North Mcdonough Street
Jonesboro, Ga 30236 U.S.A.

----------------------------------
3. Daytona Magic Festival
----------------------------------
Message from Harry

The Daytona Magic Festival is going very strong. Oct 25-27th. Please
click on daytonamagic.com then click on Daytona Magic Festival. Great
talent line-up. Michael Ammar-Michael Finney- Dan Garrett- Mehdi- Jay
Mattiolli- Mark Wade- Harry Allen- Wayne Coyle- Gary Goodman- Marty
and Brenda Hahne PLUS MORE.

----------------------------------
4. Derren Brown's Pure Effect
----------------------------------
Message from Neil Martin - personal@neilmartin.com

I am looking for a first edition printing of Derren Brown's Pure
Effect.

Note - the first edition was actually published by Derren Brown. The
second edition print was published by H&R Magic Books- to avoid any
confusion. Please email me privately to personal@neilmartin.com if you
have an unwanted copy or can point me in the right direction.

----------------------------------
5. "King Of Levitations"
----------------------------------
Message from Dutch Haling

We wanted to share with your readers our newest illusion -- the" 3 in
1 ". As a young man who was interested in illusions, I frequently
found myself drooling over high priced illusions and fantasizing about
the day when I would plunk down my $3,000 to $12,000 US dollars and
become the "King of Levitations". The first levitation I bought was an
old aga type levitation for which I paid $1500. It was my pride and
joy. However, after only 1 week of rehearsal it broke and being young
and inexperienced in the realities of illusions I threw it away. I was
out $1500 and my dream of floating myself or my assistant mysteriously
thru the air was over for the time being.

As I continued doing magic the levitation was always on my mind. Later
in life I started doing shows as "Lorenzo and Lorraine" One night as
we sat in a bar after a particularly rough show a thought came to me
concerning my long time dream of levitations. My hand flew to a pen
and on a dinner napkin the ideas which had been festering for years
came to life. I had finally thought of a way to make the perfect
levitation!

Now I had the knowledge of what happens back stage, the problems with
transportation, the unreliability of illusions and the problems of
exposure. I have always been ticked off at the standard theory that
goes with illusions and the high prices charged for often inferior
equipment. We've all heard it, "Your buying the secret, not the
illusion". Look, lets be real. As an experienced working illusionist I
already know the secret -- I want the equipment. So with that in mind
the "3 in 1" was born.

This illusion has been tried and tested for 2 years and is 100%
reliable. Being made from cold rolled steel it is absolutely
unbreakable. If you do wear out a piece of it somehow or drive over it
with a tank -- replacement parts can be picked up at any metal shop in
the world. It uses no hydraulics, no electricity and is always ready
to use. With this new illusion a magician now has the ability to do 3
different levitations including; a vertical or stand up, a standard
horizontal or a flying carpet type. Plus -- and here's the good
part -- I was tired of seeing high priced illusions on the market and
wanted to make this affordable for all so we priced it at only $899.00
if you order before June 28th.

The "3 in 1" offer magicians the opportunity to explore their
creativity and add a spectacular illusion to any show. All it requires
is a backdrop and one backstage assistant. We have used the "3 in 1"
on a nightly basis in our show for the past two years. We've had
"Lorraine" on a flying carpet not only levitate, but fly across the
stage as well! Currently, we end the show with a vertical levitation
that takes "Lorraine" 4 1/2 feet off the ground. If you're interested
in seeing the "3 in 1" in action a video is available at
www.lorenzoandlorraine.com

I know the "3 in 1" will give magicians the lift they are looking for
in their performances.
Imagine, an illusion built by a magician for magicians.
Thanks,
Dutch Haling (Lorenzo)
"Lorenzo and Lorraine"
lorenzo-lorraine@msn.com

----------------------------------
6. Vale Lyndsay Rietschel
----------------------------------
Message from Russ

I have lost a close magical friend of over 40 years with the sudden
passing of Lyndsay Rietschel aka Russ Landel, particularly around the
entertainment areas of Melbourne where he performed professionally for
many years.

Lyndsay was an accomplished musician on piano, organ and keyboard, and
a very capable magician and compere. Beside performing throughout
Victoria he also entertained in the Riverina and Hunter Valley areas
of N.S.W., along the Murray River, in Broken Hill and in northern
Tasmania.

Before moving to country Victoria and not enjoying the best of health,
in the last few years, Lyndsay attended Magic Conventions in
Melbourne, Ballarat, Adelaide, Sydney, Parramatta, Newcastle, Brisbane
and overseas. He was always in demand as a performer, judge, compere
or musician. Once he arrived, even if you didn't see him, you knew he
was there. He was boisterous, cheeky, humorous, likeable and
knowledgeable. He was well skilled in stagecraft, presentation, sound,
lighting and through his background as a designer in the garment
industry, in colour and clothing.

In 1977 Lyndsay, with his long time friend, Ken Warner, and Don Dewer
started the Young Magicians, training many youngsters in the art of
performing magic. Former Young Magicians, who are making their living
from magic, include Tim Ellis, Michael Boyd, Paul Bowen, Duc Cameron,
Mike Roberts, Peter Brown and Don Crawford. Other pupils went into
different careers but all maintain Lyndsay changed their lives for the
better.

Several musical friends and 22 magicians together with family and
other friends attended his funeral at Lillydale on Thursday, 11th
April. Mike Roberts spoke of him and Ken Warner conducted the Broken
Wand ceremony.

The curtain has closed for the last time on "the Fat Man ---- the
Biggest Thing in Show Business" but I'm sure he will be remembered for
a long time by all who knew him.

"How about that?" Russ!!

----------------------------------
7. News Flash The 28th Australian Convention
----------------------------------
Message from Kent Blackmore (Aust)

The 28th Australian Convention has some disappointing news, followed
by some extremely good news!

Unfortunately our good friend and manager of Lance Burton, PETER
REVEEN, has been unavoidably prevented from attending the convention.
He sends his regrets and best wishes.

The good news can be summed up in just four words. Billy McComb is
coming.

If you're still reading, maybe you haven't been in magic very long,
because he doesn't really need much more introduction. Just awarded
the prestigious Masters Fellowship by the Academy of Magical Arts,
Billy McComb will shortly be performing for the cool crowd as the
opening act in Amazing Jonathan's Las Vegas show.

Known variously as the Irish Leprechaun, the Walking Encyclopedia, and
Sir Billy, McComb has created many of the great magical standards of
our time. His Half-dyed Silk and the McCombical Deck are regular
features in acts worldwide. Lance Burton uses McComb's presentation of
the Vanishing Birdcage. His books of magic are classics of practical
worker's material. And if there is a trick that Billy didn't either
invent, help to invent or improve in some way, then he knows who did
and has a story to tell about it.

Billy McComb has been everywhere, done it all and will regale you with
hilarious tales of magicians and their misadventures, as well as
teaching you strong magic which you can actually use. Little wonder
that MAGIC magazine included him in their list of the Top 100 most
influential magicians of the twentieth century.

Add to this our already-announced star artists, FISM-award winners
LENNART Green and MAGIC CHRISTIAN, and you'd kick yourself to miss
out.

What, you want more? MOI-YO MILLER, Dante's leading lady, will be here
to tell us about the years of the Sim-Sala-Bim show! There are dealers
from Australia, New Zealand and South Africa. There are THREE big
evening shows in the Riverside Theatre, including PHIL CASS with his
full comedy magic show, and TONY & JULEEN presenting their newest
illusion.

Have you registered yet? There's still room, but time is running
short! Competition entries have been extended until the end of this
month, but places are filling quickly and will definitely be closed
next month. All advertising for the souvenir brochure is now closed.

The convention is from June 7 - 10 at the Riverside Theatres and
Carlton Hotel, Parramatta. Find full details at
http://come.to/sydneymagic, or contact Kent Blackmore on (02)
9561-8614 or kblackmore@bigpond.com

----------------------------------
8. Making Magic Pay
----------------------------------
Message from ©2002 by Steven Pradell (Alaska)

The ability to create magic is a precious gift. Unfortunately, many
magicians who perfect their artistic skills learn little about
marketing and selling their services. No matter what your goals are,
earning an income from all of your hard work will at least enable you
to buy the decks of cards, gaffed coins and other magical supplies
which you need to continue to perform your tricks. As an entertainer
and an attorney, I know that using both sides of our brains is
essential if we are to succeed in the rewarding business of
entertainment.

There are some simple steps that you can take which will assist you in
your efforts to succeed economically as an artist. First and foremost,
make certain that any the terms of any agreements you make to perform
magic for money are clearly set forth in writing. Having a written
contract signed by you and a booking agent, bar owner, or bar mitzvah
mom will enable both you and your client to eliminate many of the
problem issues which may arise later if things do not go the way
either of you anticipated.

A contract should always contain certain essential information. This
includes, at a minimum:

-The names, signatures, and addresses of all parties who are making
the agreement.

-The date that the contract is signed by the parties.

-The price of the performance, and the method and manner in which the
money will be paid to the performer.

-A cancellation clause, which describes what will occur if you or the
person hiring you can not do what you agreed to do.

-The place of the performance, and a description of what you agree to
do at the performance.

I have provided a sample contract that my entertainment business,
Abracadabra, uses often in booking events. Please do not simply copy
it. Instead, create your own form using the ideas in this article and
other information which you know about your business so that your
contract is uniquely tailored to your specific talents. The sample
contract looks like this:

ABRACADABRA ENTERTAINMENT AGREEMENT

ABRACADABRA hereby agrees to provide the following:

DATE OF PERFORMANCE:

PLACE OF PERFORMANCE:

TIME OF PERFORMANCE:

REPORT TO:

PRICE OF PERFORMANCE:

PAYMENT TO BE MADE by check immediately following the show. Deposit of
$ to be provided upon return of signed contract.

SPECIAL INSTRUCTIONS:

ORGANIZATION OR INDIVIDUAL:

MAILING ADDRESS:

CANCELLATION POLICY: Should the person or organization booking the
performance cancel it with less than 10 days written notice, it is
agreed that ABRACADABRA shall receive one half the performance fee.

STATUS OF PERFORMER: It is understood that all performers (except
Steven Pradell) are independent contractors of ABRACADABRA and that
ABRACADABRA is only a booking agency with regard to the performance.

ABRACADABRA assumes no liability for any acts, negligent or
intentional, by performer causing harm or damages arising out of the
performance, and liability of ABRACADABRA, if proven, is limited to a
refund of the amount of the performance price.

AGREEMENT: To signify your agreement, please sign and date each
contract and return one copy to ABRACADABRA at the address below.

ACCEPTED (signature)
(Agent for Organization or Individual booking event) Date

AGENT FOR ABRACADABRA (signature) Date

Insert magician's address:
Insert magician's phone and fax number:

The above is not to be considered to be legal or tax advice. Consult
an attorney and/or tax adviser in your own country/state for
information pertaining to these issues in.

One of the benefits to having a good contract is that it will assist
you when booking your events, and give a potential job prospect the
assurance that you are a professional entertainer. Have a copy of your
contract form in front of you when you make a call to inquire about a
potential performance. As the questions which are on the contract and
fill it in over the phone as you get the answers from your prospect.
Once you have all of the information you need, quote your price and
tell the hiring person that you will fax or mail the contract
immediately. This tells your potential client that you are a
professional, not just another flake with an amplifier who may not
show up on time or at all. It is likely that your prospect may have
reservations about hiring you simply because of bad past experiences
with other entertainers who were not professional. Many decisions to
hire magicians are made impulsively, so if you can get the contract
faxed or mailed immediately, you may book the event before the
prospect changes his or her mind.

If the party who signs the contract fails to pay you or otherwise meet
the obligations agreed to in the contract, the contract will serve as
evidence if you decide to file a claim in court.

Contracts are helpful to performers in many situations. If you are
selling magical products which you create, having others do so on your
behalf, having your performances or your original secrets recorded in
a book, on cassette, video or DVD by others for resale, trying to sell
your ideas to a professional performer, or doing anything which
involves placing your talents before the public, you may need a
written contract. These can be much more complicated than the simple
agreement which is provided above. It may be wise to discuss your
contract issues with an attorney before signing one, especially if a
contract is offered to you prepared by someone else, to learn your
rights and obligations.

----------------------------------
9. Learn The Art Of Storytelling
----------------------------------
Reminder that you and the members of your club are invited to the
following free lecture. Want to work more? Want to charge more? Want 
to learn how to sell yourself? Already selling yourself well, 
working as much as you want and getting what you want but looking 
for new marketing ideas?

This lecture is for you.....

An Open Invitation

A reminder to each of you that the Magic City Conjurers extends an
open invitation to you and your club members to attend a free 
marketing lecture during our next meeting. The lecture, by colleague 
Kathi Gathercole, is part of an entertainers marketing strategy 
program that she will be giving from Miami to Atlanta at several 
locations as well as at Miami Dade Community College as part of 
another course that the college will be offering.

Titled "Unlocking Your Booking Potential" and specifically designed
for the different facets of the entertainment field from magic to 
clowning and from storytelling to ballooning, each segment of the 
program is covered by its own multi page booklets and specific details 
and designs.

The lecture is totally no charge to those who come, lecture notes and
booklets will be available for sale for a nominal charge if you wish
to buy them. Even if you don't, if you are a working performer, wish 
to work a little more, or just wish you were a working performer, this 
lecture will give you much insight into ways of marketing yourself 
and your act that you probably never thought of.

Years in the research and making, it's finally here for you - come and
attend the lecture, pick her brain and get some input and feedback 
from the "Unlocking Your Booking Potential" writer herself - it will 
be worth your while.

Details:

Wednesday, April 17, 2002
7:30 p.m.
La Casita Restaurant
7931 N.W. 2nd Street
(305) 267-4444
Cost: $0.00

Also Note

Attention Magicians
Do you want to learn the art of storytelling?
Storytelling is the perfect way to change your show theme!
You can match the curriculum and work in the schools!
Word Institute Miami Dade Community College Wolfson Campus presents
The Art of Storytelling April 13, 20, 27
10 AM - 12 PM
Class seating is limited so please confirm your space early.
You can confirm your space on line at http://sis.mdcc.edu
You can call 305-237-3120
You can confirm in person at 300 NE 2nd Avenue
For additional information on the class please call Kathi Gathercole
at 305 274-1155

----------------------------------
10. Australian Mo Award Nominees
----------------------------------
Message courtesy of MOSSIE

Mo Award Nominees for the Ken Littlewood & Toshi Speciality Award this
year are -

Darren Carr
Phil Cass
Raymond Crowe
Brendan Montana
Murry Raine Puppets

----------------------------------
11. 21 Lecture Tour Of England, Scotland And Ireland
----------------------------------
Message from Wayne Rogers (NZ)

On April 29 I fly out from Auckland heading for a 21 Lecture Tour of
England, Scotland and Ireland. This has been organised for me by
Morley Budden of Kaymar Magic in Essex. Morley first began making the
arrangements around 18 months ago, and now it is just about time to
pack my bags and take off.

Cartoonist Wayne Logue has produced the artwork for the cover of my
lecture notes. "NOTHING TO DECLARE" depicts me at Customs with an
assortment of ladders, brooms, shovels, spades, Poles, hat rack etc
all exploding out of my open suitcase. A situation that COULD happen
if someone wanted to take a look inside!

My first stop is Dublin where I attend the Irish Convention. The
lecturer line up is Aldo Colombini, Mark Mason, Pat Fallon and myself.
I also perform on the gala show.

Richard Pinner, who recently attended our New Zealand convention, is
my contact at the Magic Circle in London. The full Tour Itinerary is
as follows:

May 3rd 4th 5th Dublin Convention
7th Magic Circle , London
8th Kaymar Magic, Upminster
9th Leatherhead, Surrey
10th Bradford
12th North Wales
13th Chester
14th Blackpool
15th Stoke-on-Trent
16 th Bristol
17th Weston-Super-Mare
19th Ipswich Convention
20th Anglia (Norwich)
21st BMS, Birmingham
22nd Wolverhampton
23rd Medway Kent
24th Cardiff
28th Aberdeen Scotland
29th Newcastle-upon-Tyne
30th Liverpool
31st Norwich

I am looking forward to meeting up with the UK magicians, especially
those I have corresponded with over the years but never met.

Alan Watson and Paul Romhany have kindly written the introduction to
my lecture notes. Paul in particular uses some of my ideas and props
in his Charlie Chaplin act. He has been the inspiration behind a
number of them, so I will leave Paul with the last word on my tour.

"Wayne Rogers is one of the most creative magicians I have ever met,
and I owe a lot to him for helping and inspiring me to put together
the act that I now make a living from. In the past several years I
have used more of Wayne's ideas in my professional act working on
cruise ships and around the world more than any other manufacturer
now from somebody who makes their living with magic that is saying
something!!

Unlike so many of today's magicians who dwell on moves and technique
almost to the exclusion of effect, Wayne uses his sharp mind to
develop outstanding tricks and routines that are certain to entertain
as well as fool an audience. From close-up magic to large illusions
Wayne has developed and created many original concepts my favourite
is the appearance of a person from a small briefcase.

The magic and ideas included in these lecture notes represent the
direct, commercial and entertaining approach Wayne has towards our
craft. I suspect many magicians will have trouble deciding, as I did,
which is the best trick or idea in these lecture notes. What an
enviable problem!

The material in these notes are nothing short of sensational. If this
is your first contact with the magic and ideas of Wayne Rogers, you
are in for a treat. If you have previously encountered Wayne's magic,
then you will no doubt realise that this is his best yet."

Paul Romhany - somewhere on the high seas.

----------------------------------
12. Florida Magicians Association Convention
----------------------------------
Message from Rick Del Vecchio

I recently did a 2600 piece direct mail piece to IBM and SAM Florida,
USA residents telling of the upcoming Florida Magicians Association
Convention May 24-26, 2002.

The mailer had all the information about the convention except one
minor detail.... Who to make the payment to and where to mail it.
Please send out the following info. Make checks payable to IBM Ring
45, Inc. and mail to Betty Berson 8941 SW 150 Ct. Circle East, Miami,
FL 33196-1335.

For more info go to www.Ring45.com then enter and click 2002 FMA
Convention.

----------------------------------
13. The Orchante Saga #102
----------------------------------
Message from Message from Tommy Orchard (The Amazing Orchante)(UK
ex-pat Kiwi)

A 'Blast From The Past'!

A few weeks ago I received an E-mail from Jon Zealando, who has been
my good friend since - hang on a moment while I brush the cobwebs
aside and peer back, past the swirling mists of.. oh dear God, since
1959! My poor old bones are creaking, just thinking about it! Although
his real name is Trevor Hodson, everybody as far back as I can
remember, has always called him, 'JON'; I shall continue the
tradition - anyway, it's easier to type three letters. He was telling
me that he had been holidaying with his son Brian for four weeks in a
camper-van, from Auckland - following the East-coast To Wellington
then back up again via Palmerston North, calling on a few 'NAMES' from
'ancient' times that he thought may jog a few memories. They did!

In Gisborne, Jon met up Mike Brittenden, who used to be on the
committee organising the Christmas shows at the Sound Shell back in
the Sixties. Jon informed me that Mike had an anecdote about myself. I
asked Jon if he would contact Mike, requesting that he recount the
'story', in his own words, and if I could reproduce it here, in my
Saga. Happily, Mike consented; here then, is his tale, word-for-word!

From: Mike Brittenden
Hi, Jon,
Me, and my big mouth! The sands of nearly half a century have fallen
into the glass of time since that incident. (How's that for an opening
line!)

It would have been somewhere between 1962 and 1967 - I'd have to root
through the 'Herald's' morgue and look at the advertising to get any
closer. There were just the two of us in the prefab ticket box that
'Chopper' Summersby had built. I am guessing that it was midweek, and
a quiet night. I know that it was indifferent to 'shitty' weather,
with a house to match. I made a point of never stopping selling
tickets while there was movement in the carnival area, and always kept
one window open until I heard the chaser. On occasion, the finale
would conclude without this music and the crowd would ooze back to the
camping grounds and car parks and the money takers would be
unaware...There were always 'Internal Amusement Sources' within the
ticket box when the windows finally closed.

On this night, I was counting the cash when a 'scratch' on the door
indicated that 'The Amazing ORCHANTÉ' was about to grace us with his
presence. I had seen him before, but was unsure when. At first glance
I thought he was Michael Chamberlain. He modestly introduced himself
as a 'One Man' Show, and was looking for a spot. As you know, this was
rather unusual. George Tollerton, Eddie Hegan, or Phil Warren (Well
known LATE Auckland 'show biz' promoters - Tom), or whoever was
co-ordinating our shows, prearranged the circuit months earlier, and
we padded the weaker nights with talent quests, etc. During the course
of discussing what he could do, Mr Orchard indicated that he was a -
'Hypnotist Of No Mean Calibre'!

Helen, my girlfriend/fiancée/wife at the time, depending on the year,
interrupted our conversation with the words, "And who are your
stooges?" or something equally rude. Before I had a chance to
intervene, Orchanté said something quietly to her, her knees sagged,
and she was parallel to the pine needles on the wooden floor! She
rapidly regained her feet, but made no further contribution to the
conversation. Naturally, I arranged for him to get a spot, and he met
the resident compere the following morning.

Unfortunately I missed seeing his performance, and have not heard of
him since until our conversation the other night. Over the intervening
years I wonder if he realised how much I would have paid for that one
secret, and in total confidentiality! Knowing how he did what he did
would have changed the course of my life. With his secret, by now I
would have been a "Has Been", instead of a "Never Was!"
Hope this fills the bill, Ciao, Mike
Thank you Mike! As I said to our old friend 'Jon', in our case it is
more like - "DIDN'T YOU USED TO BE.?"; or - "WHAT'S AN -'ORCHANTÉ'?".
'CHEEKY BASTARDS'!!!

-------------------------------------
14. MagicNZ e-zine archives
-------------------------------------
Back issues of the MagicNZ e-zine go to: www.watson.co.nz/ezine.html

Both the User Name and Password MUST be entered in lower case to gain
access.
User Name: ezine
Password: newzealand

When you enter the archive the e-zines are in issue order and are
coded. Eg 001nov0699.txt first three numbers (001) denote issue
number, then the date (nov06) and the last next two numbers the year
(99)

If you want to print copies of MagicNZ e-zine go to:
www.watson.co.nz/ezine-archive

-------------------------------------
15. Subscription Management
-------------------------------------
Our subscriber list is NOT made available to other companies or
individuals. We value every subscriber and respect your privacy.

To subscribe or unsubscribe from the MagicNZ e-zine:
www.watson.co.nz/ezine.html

MagicNZ e-zine is published weekly, on Sunday.

The opinions expressed in this e-zine are those of the individual
contributors and not those of MagicNZ.

Neither MagicNZ or Alan Watson can vouch for the accuracy or
reliability of any opinion, message, statement, or other information
reported via MagicNZ e-zine. Subscribers to this publication and
authors who contribute to it by doing so agree that they will not hold
MagicNZ and/or Alan Watson liable or responsible in any way for the
opinions expressed herein.

We reserve the right to edit, correct or, in our discretion, choose
not to publish any submissions provided to MagicNZ for potential
publication.

MagicNZ welcomes readers to submit timely articles or news items which
appear to be of interest to our readers. Those submitting to this
e-zine agree that we have permission to publish their submissions and
that they have the full copyright to the material submitted. All works
published by MagicNZ are fully protected by international copyright as
provided by law, and articles cannot be published for profit by anyone
other than the individual author without the written permission of
MagicNZ.

This publication may be freely redistributed (but not sold) to other
magicians if copied in its ENTIRETY including the copyright notice
below and the above disclaimer.<<

© Copyright 2002 Alan Watson